![background image](http://html.mh-extra.com/html/motu/pci-424/pci-424_user-manual_1839659232.webp)
C U B A S E , N U E N D O A N D O T H E R A S I O S O F T W A R E
90
RUN MOTU PCI AUDIO CONSOLE BEFORE
CUBASE
Before you run Cubase, launch the MOTU PCI
Audio Console to configure your PCI-424
hardware. The MOTU PCI Audio Console lets you
configure your audio interface, and it lets you
enable the desired inputs and outputs. Only
enabled inputs and outputs will be available to
Cubase, so this is an important step. For complete
details regarding the MOTU PCI Audio Console,
see chapter 6, “MOTU PCI Audio Console”
(page 65).
Figure 9-2: This example shows a 2408mk3 interface. Configure the
three banks as you would like to use them in Cubase. Only activate
the banks you really need, though, to conserve CPU and PCI
bandwidth.
☛
Changing input and output settings in the
MOTU PCI Audio Console causes Cubase to lose
the input and bussing assignments in any files that
don’t match the new settings. To avoid this, you can
save a PCI-424 setup on disk with your Cubase file.
Then, the next time you open the Cubase file, you
can load the 424 configuration first so that no
settings are lost. For details, see “Saving and
recalling routings” on page 75.
CHOOSING THE PCI-424 DRIVER IN CUBASE
Once you’ve made the preparations described so
far in this chapter, you’re ready to run Cubase.
Cubase VST
To activate the PCI-424 driver in Cubase VST,
choose
Audio Setup>System
from the Options
menu, and then choose
MOTU PCI
from the ASIO
device menu. Make the other settings in the dialog
as need for your system and synchronization
scenario.
Nuendo
To activate the PCI-424 driver in Nuendo or , go to
the Device Setup window, click VST Multitrack
and choose MOTU PCI ASIO from the ASIO
Driver menu as shown below. Make the other
settings in the dialog as need for your system and
synchronization scenario.
Figure 9-3: Activating the PCI-424 driver in Nuendo and Cubase.
Cubase VST
Nuendo
Summary of Contents for PCI-424
Page 35: ...6 ...
Page 43: ...14 ...
Page 45: ...16 ...
Page 53: ...P A C K I N G L I S T A N D P C S Y S T E M R E Q U I R E M E N T S 24 ...
Page 83: ...I N S T A L L I N G T H E P C I 4 2 4 H A R D W A R E 54 ...
Page 103: ...M O T U P C I A U D I O C O N S O L E 74 ...
Page 111: ...C U B A S E N U E N D O A N D O T H E R A S I O S O F T W A R E 82 ...
Page 115: ...S O N A R A N D O T H E R W D M S O F T W A R E 86 ...
Page 119: ...E X P A N D I N G Y O U R P C I 4 2 4 S Y S T E M 90 ...
Page 125: ...R E D U C I N G M O N I T O R I N G L A T E N C Y 96 ...
Page 131: ...C U E M I X C O N S O L E 102 ...
Page 148: ...6 ...
Page 156: ...14 ...
Page 158: ...16 ...
Page 166: ...P A C K I N G L I S T A N D M A C I N T O S H S Y S T E M R E Q U I R E M E N T S 24 ...
Page 194: ...I N S T A L L I N G T H E P C I 4 2 4 H A R D W A R E 52 ...
Page 230: ...A U D I O D E S K 88 ...
Page 246: ...E X P A N D I N G Y O U R P C I 4 2 4 S Y S T E M 104 ...
Page 258: ...C U E M I X C O N S O L E 116 ...