8-4
Maintenance and Troubleshooting
Maximizing Music and Minimizing Noise
For the absolute maximum signal quality (with the exception of digital output, of course), use
the separate analog outputs. These are connected almost directly to the 18-bit digital-to-analog
converters with a minimum of noise-inducing processing circuitry. A total dynamic range of
over 100dB is available at these outputs. The MIX outputs are naturally somewhat noisier
because they represent the noise of the individual outputs mixed together, and the signal must
travel through more circuitry to reach them.
Ground Hum
A common problem with all electrical musical gear is the hum that can occur in connecting
cables due to AC ground loops. The best way to avoid ground loop noise when integrating the
K2661 into a stage or studio environment is to use the K2661’s balanced audio outputs, and to be
sure that the mixing board, ampli
fi
er, or other equipment receiving the K2661 audio signal has a
balanced input circuit.
If you can’t use the K2661 audio outputs in a balanced manner, there are a few things you can do
to reduce ground hum. Although “3-prong to 2-prong” AC adapters are frequently used to
break ground loops, they also break the safety ground that protects you from electric shock.
These adapters can be dangerous; don’t use them! Furthermore, although using these adapters
may reduce low-frequency hum, high-frequency line noise (such as motor switching noise) is
likely to get worse in this case, since the K2661’s AC noise
fi
lter will have no output for the noise
it
fi
lters if you disable the ground.
You can effectively reduce hum by increasing your output signal levels as described in the
previous section. Other safe procedures include plugging your mixing board and ampli
fi
er into
the same AC output as your K2661, and making sure that all of your gear is properly grounded.
If you’re using an external SCSI device, plug it into the same outlet as well.
AC isolation transformers are extremely effective at eliminating ground loops, and are
recommended for critical installations in which you can’t use the K2661’s balanced outputs.
A 75-watt transformer is suf
fi
cient for the K2661.
Use the shortest possible cable, with the heaviest possible ground (shield) wire, to connect your
K2661 to the mixing board or ampli
fi
er. This helps to reduce the potential difference between the
chassis of the K2661 and the chassis of a mixing board or ampli
fi
er that has unbalanced inputs—
thus reducing the level of ground hum.
Finally, magnetic
fi
elds can be a source of interference. The area surrounding the K2661’s Alpha
Wheel and alphanumeric buttonpad is sensitive to
fi
elds from large transformers in power
amps; keep them at least a foot away from the K2661’s front panel. Smaller gear like drum
machines and hardware sequencers can also cause interference.
Summary of Contents for K2661
Page 18: ...2 4 LFOs LFO Shapes...
Page 34: ...3 16 DSP Algorithms...
Page 54: ...5 4 MIDI Note Numbers Note Numbers for Percussion Keymaps...
Page 72: ...7 10 System Exclusive Protocol K2661 System Exclusive Implementation...
Page 82: ...9 4 Upgrading Sample Memory Choosing and Installing a SIMM for K2661 Sample Memory...
Page 334: ...10 252 KDFX Reference KDFX Algorithm Specifications...
Page 340: ...11 6 Glossary...
Page 382: ...12 42 Triple Modular Processing Alphanumeric Buttonpad Entries for DSP Functions...
Page 392: ...B 6 SysEx Control of KDFX MSB and LSB...
Page 442: ...D 20 Contemporary ROM Block Objects Controller Assignments Contemporary ROM Block...
Page 490: ...H 12 General MIDI Standard Mode Controller Assignments...
Page 492: ...I 2 Live Mode Objects Live Mode Programs...
Page 498: ...K2661 Musician s Reference Index...
Page 500: ......