10-44
KDFX Reference
KDFX Algorithm Specifications
Page 3
Page 4
Wet/Dry
The relative amount of input signal and delay signal that is to appear in the
fi
nal effect
output mix. When set to
0%
, the output is taken only from the input (dry). When set to
100%
, the output is all wet.
Out Gain
The overall gain or amplitude at the output of the effect.
Send Gain
The input gain or amplitude to the
Degen Regen BPM
delay loop.
Loop Gain
Controls the signal level of the signal which is fed back to the input of the delay line. If
other elements of
Degen Regen BPM
were removed (set
fl
at), then Loop Gain would
cause the algorithm to become unstable above 0 dB. However other parameters interact
resulting in a more complex gain structure. See also Loop Lvl.
Loop Lvl
A convenience parameter which may be used to reduce the Fdbk Gain feedback strength.
It may be helpful if you are used to dealing with feedback as a linear (percent) control. At
100%
, the feedback strength is as you have it set with Loop Gain. Lower levels reduce the
feedback signal, so at
50%
the feedback signal is reduced by -6 dB from the selected Loop
Gain level. Negative values polarity invert the feedback loop signal.
Tempo
In
Degen Regen BPM
, Tempo is the basis for the delay lengths, as referenced to a musical
tempo in bpm (beats per minute). When this parameter is set to
System
, the tempo is
locked to the internal sequencer tempo or to incoming MIDI clocks. In this case, FXMods
(FUNs, LFOs, ASRs etc.) will have no effect on the Tempo parameter.
LF Damping
The -3 dB frequency in Hz of a one-pole highpass
fi
lter (6 dB/octave) placed in the
feedback path of the delay line. The signal does not go through the
fi
lter the
fi
rst time
through the delay line. Multiple passes through the feedback will cause the signal to
become more and more bright (removing low frequencies).
HF Damping
The -3 dB frequency in Hz of a one-pole lowpass
fi
lter (-6 dB/octave) placed in the
feedback path of the delay line. The signal does not go through the
fi
lter the
fi
rst time
through the delay line. Multiple passes through the feedback will cause the signal to
become more and more dull.
LpLFODepth
0.0 to 230.0 ct
Tap1 Delay
0 to 32 bts
LpLFOPhase
0.0 to 360.0 deg
Tap1 Level
0 to 100 %
T1LFODepth
0.0 to 230.0 ct
Tap1 Pan
-100 to 100%
T1LFOPhase
0.0 to 360.0 deg
Tap2 Delay
0 to 32 bts
T2LFODepth
0.0 to 230.0 ct
Tap2 Level
0 to 100 %
T2LFOPhase
0.0 to 360.0 deg
Tap2 Pan
-100 to 100%
Comp Atk
0.0 to 228.0 ms
Comp Ratio
1.0:1 to 100.0:1, Inf:1
Comp Rel
0 to 3000 ms
Comp Thres
-79.0 to 0.0 dB
CompSmooth
0.0 to 228.0 ms
Dist Drive
0 to 96 dB
DistWarmth
8 to 25088 Hz
||||||||||||||||||||||||||||||
Reduction
-dB 40 20 12
8 6 4 2 0
Summary of Contents for K2661
Page 18: ...2 4 LFOs LFO Shapes...
Page 34: ...3 16 DSP Algorithms...
Page 54: ...5 4 MIDI Note Numbers Note Numbers for Percussion Keymaps...
Page 72: ...7 10 System Exclusive Protocol K2661 System Exclusive Implementation...
Page 82: ...9 4 Upgrading Sample Memory Choosing and Installing a SIMM for K2661 Sample Memory...
Page 334: ...10 252 KDFX Reference KDFX Algorithm Specifications...
Page 340: ...11 6 Glossary...
Page 382: ...12 42 Triple Modular Processing Alphanumeric Buttonpad Entries for DSP Functions...
Page 392: ...B 6 SysEx Control of KDFX MSB and LSB...
Page 442: ...D 20 Contemporary ROM Block Objects Controller Assignments Contemporary ROM Block...
Page 490: ...H 12 General MIDI Standard Mode Controller Assignments...
Page 492: ...I 2 Live Mode Objects Live Mode Programs...
Page 498: ...K2661 Musician s Reference Index...
Page 500: ......