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88D User Manual

63

Overview of Automation Modes

The automation modes determine whether a control will:

Have moves recorded

Have moves played back

Use a combination of record and play back

Be ignored by the automation system

Automation modes are controlled locally on the fader strips and globally by the
master automation controls.

The basic automation modes are:

Isolate:

The control will not have automation recorded or played back.

Lock Record:

The control will replay previously recorded moves until it is
touched. The control will then Record until the mode is
changed manually, glide is initiated or timecode stops

Play:

The control will only replay previously recorded moves

Touch Record:

The control will replay previously recorded moves until it is
touched. The control will then Record until it is released, at
which point it will snap back to the Play Pass position and
resume replay

Auto Glide:

The control will replay previously recorded moves until it is
touched or used. The control will then Record until it is
released, at which point it will Glide back to the Play Pass
position and resume replay. The control uses the Auto Glide
Time to match back to the Play Pass

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Summary of Contents for 88D

Page 1: ...88D User Manual 1 ...

Page 2: ...Select Keys 12 Process On Off Keys 14 3 e AFU Assignable Facilities Unit 15 To Assign a signal path the AFU 15 System Paths 16 To interrogate an AFU Logicator setting 16 To copy control settings in the AFU 16 3 e Master Section 17 Monitor Section 17 Studio LS Monitoring 17 Monitor Headphones 17 Return Talkback To be implemented in v 2 0 s w 17 16 Key Monitor Selector 17 Monitor Inserts To be imple...

Page 3: ...rols 27 TB Key On Off 27 TB Level Control To be implemented in v 2 0 s w 27 TB Microphone 27 Red Light Key 27 TB to MON SEL 28 Slate TB To be implemented in v 2 0 s w 28 Auto TB To be implemented in v 2 0 s w 28 SLS To be implemented in v 2 0 s w 28 All To be implemented in v 2 0 s w 28 Upper Knob Assign 28 Knob Layer Keys 29 Layer Name 29 Lock Knob 29 Track Trim 29 Small Fader 29 Assign 29 Transp...

Page 4: ...ng 44 LSRS Flip 44 Level 44 Speaker Calibration 45 Return Talkback 45 4 Working With Signal Paths 47 Channels 47 Tracks 47 Main Outputs 48 Groups 49 Auxiliaries 49 Auxiliary Contributions 49 Cues 50 Externals 50 Films 50 System Paths 51 SEL 51 LISTEN 52 TALKBACK 52 FILM LISTENS 52 5 Routing 53 I O Routing 53 Path Routing 53 I O Routing from the console surface 53 Route Stem 54 Interrogating I O Ro...

Page 5: ...utomation Events 66 Safety Snapshot 66 Label List 67 Play Pass 67 Record Pass 67 Timecode Considerations for Mix Passes 67 Timecode Display 67 Setting Automation Modes 67 Automation Modes and the Mix Pass 67 Record Modes and Stop 68 Isolate 68 Play 68 Lock Record 68 Touch Record 68 AutoGlide 69 Trim and AutoTrim 69 Modifiers to Automation Modes 69 Auto Touch 69 To End 70 Setting Automation Modes f...

Page 6: ...articularly if you are new to digital systems then you should familiarise yourself with the information in the following Glossary Of Terms This has definitions of terms as they are used in this manual and in the context of using 88D 88D Console Surface This is a section by section overview of the 88D s console surface Working With Signal Paths This defines the various types of signal paths and wha...

Page 7: ...ol of digital processing that is used to manipulate signals according to control changes on the console surface The 88D can have signal processing added or removed as required for particular jobs including configuring the number of channels which paths have EQ and dynamics processors available and where insert points are placed All audio signals are connected to the Processing Engine from the I O ...

Page 8: ...88D User Manual 8 3 Console Surface ...

Page 9: ...for Pan control and an assignable Logicator whose function is determined by the three keys ASSIGN SMALL FADER TRACK TRIM located at the top of the master panel Fader strips are provided with two scribble strips a conventional scribble strip and an electronic scribble strip The channel name assigned during the configuration process will be displayed in the electronic scribble strip This may be set ...

Page 10: ...nable Logicator for the Upper Channel Strip Press and hold the Assign Key in the layers and banks section of the master panel and touch the control which you wish to place on the assignable logicator This will put that control on the assignable logicator for that path The function of the Assignable Logicator can be frozen on individual fader strips To lock the function of an Assignable Logicator p...

Page 11: ...t selecting a bank will bring layer A to the surface It is also possible to scroll through the banks using the left and right arrow keys under the Bank Select keys To assign a particular layer to the assignable logicators call the required bank to the surface then use the Logicator Layer Selection keys Assigning signal paths to faders within layers and banks can be done within Encore Plus The requ...

Page 12: ...e Expander Orange Insert Magenta I O Pan White Aux Blue The logicator display matches the keycap colour of the process type to provide a simple colour indication of current parameters Extensive feedback is also provided by the use of alphanumeric displays of both parameter values and strip functions A comprehensive fully automated routing array is featured at the top of the strip to control and di...

Page 13: ...ill show gate controls Expander controls are selected with the PAGE 2 key Pressing the INS key will show insert ports plus trim and delay It is possible to add trim and or delay to both the input and output ports The PAGE 2 key only has a function if there is a second insert The Aux 1 8 key is used to show levels and on off for auxes 1 4 Press the GAIN BAL key to access Pre Post and Pan if stereo ...

Page 14: ... each channel strip turn the process if present on or off without having to have the process currently assigned to the strip This is useful for auditioning processing while adjusting other parameters For example EQ can be turned on and off while adjusting Compressor parameters ...

Page 15: ... control All the duplicate controls on the AFU can be used instead of the controls on the channel strip The AFU consists of AUX Pan Filters EQ Dynamics and I O controls To Assign a signal path the AFU Press the ACCESS key for the required path on the fader bed The AFU fader is the left most fader on the master monitor panel or Press the AFU PATH SELECT keys to step through the paths in the current...

Page 16: ...yed in the AFU Parameter display To copy control settings in the AFU Press the COPY key in the Console Global Control Panel The channel displays will flash the message Copy The touch LEDs on all controls in the AFU will illuminate red to indicate that they are in scope and will be copied To select individual controls to be copied touch the required Logicators on the AFU When the first control is t...

Page 17: ...nes The monitor headphone controls provide level and monitor source selection either from patch or the monitor selector to be fed into the control room headphones To select a specific audio path to send to the headphones hold the MON SEL key and make a monitor selection Return Talkback To be implemented in v 2 0 s w The RTB controls allow the control of a return talkback mic using a channel input ...

Page 18: ...that type together with their individual label ID to feed the monitor The PFL key enables PFL sources via the fader bed PFL key to be monitored in the control room The sum key allows a monitor mix to be created for surround applications The stem selects the stems for surround monitoring Calibration Set up To be implemented in v 2 0 s w Control Room Volume The large red rotary knob controls the mon...

Page 19: ... surround Large Small1 Small2 speaker sets and a stereo mini speaker set are provided with the ability to apply trims for each speaker set and lock the S LS RS and LE RE signals to a particular speaker set The ability to flip the audio from the rear LS RS surround speakers to the front LR speakers LS Flip is also provided Solo Modes To be implemented in v 2 0 s w The safe keys in the monitoring se...

Page 20: ... strip The key s LED will illuminate In the status display to the left of the fader MST will illuminate red confirming its selection as master To select slaves hold down the ACCESS key in the master strip and touch the faders for the chosen slaves In the status display to the left of the fader SLV will illuminate green confirming its selection as a slave To select sub masters press the ACCESS key ...

Page 21: ...the scope is cleared down to include only that process Subsequent process key presses will add the process elements into scope of the link By displaying a process on the channel strip it is also possible to add or subtract individual controls by using the adjacent Mode keys by each logicator Both the mode keys and the process keys will illuminate red to show when that element is included in scope ...

Page 22: ...y links gangs modes Holding this key and touching a control parameter resets this control to its default setting I e Holding this and touching a fader would set the fader position back to unity Path Edit Pressing this key displays the path edit window on the encore screen This allows the processing order to be manipulated by dragging and dropping items on the screen into the path By pressing the r...

Page 23: ...e dub master expands the pre dub into the predub zone Bus Tape Accessing these keys switches the multi track monitors to bus or tape globally Pressing these keys together gives you the overdub mode which is a mix of both bus inputs and tape inputs before processing is applied Global Layer Switching Allows the global switching of fader beds between layers Four layers are directly available from a t...

Page 24: ...aster faders to allow operation of these paths from the centre section The LED turns red to indicate swap block mode Operating the select key a second time turns it green and allows you to dial up 6 faders at a time and places them in the centre assignable fader section but increments them by one fader at a time ...

Page 25: ...ontribution pan 2T O P Level Control Controls the level to the 2T outputs Flashing Green FDR led indicates balance is on the channel faders Solid Red Signal led indicates outputs assigned and on level control CUT Cut key mutes 2T output SEL When aux masters are assigned to central assignable faders holding SEL and accessing an aux master fader assigns that bus to either one of the 2T outputs Press...

Page 26: ...t aren t stem members STEM Routes oscillator to film stems CAL To be implemented in v 2 0 s w Calibrates the oscillator to 4dB equivalent to 0VU FREQ To be implemented in v 2 0 s w Toggles and locks oscillator frequency to 100Hz 1kHz and 10kHz OSC REP Operates the oscillator on off SLATE OSC To be implemented in v 2 0 s w Routes the oscillator to slate 2T To be implemented in v 2 0 s w Routes the ...

Page 27: ...ted in v 2 0 s w Increases decreases TB mic mix level to talkback routed destination TB Microphone Microphone is shock mounted to avoid key press rumble Red Light Key Red light key operates a relay that switches between two states record or rehearse usually for operating a recording light outside the control room This is only available on consoles equipped with GPI ...

Page 28: ...Holding this key routes talkback to slate Auto TB To be implemented in v 2 0 s w This key automatically enables talkback when time code is stationery Cue 1 2 and 3 To be implemented in v 2 0 s w Routes talkback directly to cues SLS To be implemented in v 2 0 s w Routes talkback directly to Studio Loudspeakers All To be implemented in v 2 0 s w Routes talkback to all Cues SLS Upper Knob Assign ...

Page 29: ...im Switches the upper to track input trim with 24dB of level control Small Fader Switches the upper to make it the small fader Assign Switches the upper to an assignable function By holding this key and touching an AFU control the assignable knob takes on that assignment By performing this exact operation but using channel strip controls instead of AFU customises the assignable control on a channe...

Page 30: ...ing the optional AMS Neve ES 2 There are keys for PLAY REWIND FF STOP LOC locate etc and a dedicated wheel for Jog and Shuttle The Encore Plus screen also has transport control icons that duplicate some of the functions of the transport control keys It can be used to adjust machine offsets track arming and record as well as being able to access individual machine lock up parameters Master Automati...

Page 31: ...TFT channel meters shows the main large meter for the channel signal This uses a peak scale A Compression Expansion meter is displayed to the left of each main meter Lower Section The lower section of the TFT channel meters are divided into two parts These can show EQ curves Dynamics and panning as well as small level meters for the path present on the small fader logicator The default display is ...

Page 32: ...ls for the Mains Groups Auxiliaries and Films Top Row The top row of the master meter section starts with a stereo meter for the currently selected monitoring source for example Main 1 Alongside the stereo level meter is the phase meter Whatever path is routed to SEL 1 i e the stereo path currently selected for monitoring will be metered here The AFL PFL meters will display solo d AFL or PFL signa...

Page 33: ... Aux Metering 12 Auxiliary sends are metered on the master meter screen lower row Stems and Films Stems and Film monitoring can only be seen if working in a Surround mode If not working in surround the top row will display Groups ...

Page 34: ...es a set of special System Paths called SELs and LISTENs There can be up to 6 SELs and up to 2 LISTENs The path names for the SELs are SEL1 through SEL6 The path names for the LISTENs are LS1 and LS2 this should not be confused with the two sets of small loudspeakers L S1 and L S2 The Monitoring Schematic shows how the SEL and LISTEN paths are used Bus and Tape Bus Tape switching only applies to t...

Page 35: ...k as standard AFL which only affects what is heard on the monitor or Solo In Place which cuts all other paths but leaves open reverb returns so that a path can be isolated from the mix yet still heard in context The operation of AFL is selected in Solo Settings Relay Control Preferences from Encore The default AFL is Solo In Place To AFL solo a path press the SOLO key for the required path The LED...

Page 36: ...ONTROL ROOM Panel the integral LED in the key will stop flashing Cut The CUT key is used to mute a path Cut is at the same point in the signal path as the fader i e it is similar to moving the fader down until the signal is cut Pre fader auxiliary contributions are not affected by cut ...

Page 37: ...ol over how signals are panned to multiple surround destinations The Simplified Surround Monitoring diagram shows how this works 5 1 Format Surround Sound Example A 5 1 Format Surround Sound set up on Stem A is used as an example in this chapter This is a very simple set up for illustration purposes only This format is known as 5 1 because there are five surround destinations Front Left Front Cent...

Page 38: ...ted in the current Desk Setup In the example in the Simplified Surround Monitoring diagram there are 4 Film paths that have been automatically assigned to the speaker keys that are used for LCRS monitoring L C R and SL It is also possible to use Tracks as inputs with pan controls Tracks used in this way are then routed to Tracks that belong to film stems The routing software prevents any feedback ...

Page 39: ...e displayed Click the radio button for 5 1 Format and click OK The 5 1 Format will be propagated across all the Tracks in sets of 6 Click the Save Load button The Desk Setup will be saved and the changes will be allocated to the console Click the Exit button The screen will return to the main Encore screen To assign Tracks 1 to 6 to Stem A press the Stem A key on the Stem and Recorder Control sect...

Page 40: ...chine member key of interest The route will be indicated by the key illuminating Machine members are de routed in the same way To monitor an external machine place the machine into play and press the required machine key M C 1 M C 2 or M C 3 Surround Monitoring Formats The Mon Format Sel section allows the operator to override the output to the surround monitoring speakers to check the mix in diff...

Page 41: ...e SOLO key on the required fader strip s The panned signal from the selected path will now be routed to the Film Listen paths and then to the Film paths to output to the monitor speakers The connection between the Stems and the Film paths is cut while AFL Solo is active The signal will appear on the speakers according to how it is panned This should match the routing through any Stems assuming tha...

Page 42: ...the joystick as required To freeze a panning axis or divergence press the DIV LCR FB and LR keys as required the integral LED will cease to be illuminated Joystick Automation The Joystick Module has two MODE keys The upper MODE causes the REC GLIDE ISOLATE and PLAY keys to show and set the automation mode of the Divergence controls The lower MODE key with a line leading to the joystick causes the ...

Page 43: ... the scope of control from the channel strip automation controls The selection of automation modes is identical to that for a channel strip Automation is recorded against the panning controls for the path called to a Joystick and the Joystick module is treated as an extension of the channel strip for Scope Channels and Tracks can be assigned to a joystick The regular panning control on the fader s...

Page 44: ... are fed from the console engine while the Dialogue and Effects inputs are fed from playback sources There is no inherent restriction to use and the three stems can be connected as the customer requires Routing and Mixing The balanced sums of Monitor Dialogue and Effects stems can be switched onto any of three nine wide output paths titled Large Speakers Small 1 Speakers and Small 2 Speakers using...

Page 45: ...he input signals to all speaker outputs for speaker output level setting Return Talkback The two Return Talkback inputs can be routed to either set of Small Speaker outputs or to the Mini Speaker outputs These paths incorporate mic pre amps and compressors to control RTB volume ...

Page 46: ...88D User Manual 46 ...

Page 47: ...Cues Externals Films System Paths Channels Channels provide the main inputs to the console They can be mono or stereo The default path names for Channels are just the number for the path e g 1 23 etc Channels must be connected port routed patched to an Input Port This is achieved using I O Patching or the I O Controls on the upper channel strip Mic Line switching is provided with input gain and tr...

Page 48: ... Edit Tracks are also used to configure stem busses Main Outputs Main Outputs or Mains are the primary destination for final mixes and overall console output when working in mono or stereo Mains are also the most commonly selected source for control room monitoring Mains can be mono stereo Films are used for surround outputs There can be up to four Mains in a Desk Setup Mains use the Master Faders...

Page 49: ...Channel Groups are not used in Film Stems They cannot use Bus Tape switching and are therefore unable to use the Stem and Record Control section of the Surround Sound panel Press the GROUP key on the upper channel strip to show available Groups Press the numbered key in the routing array to route the path to that Group Auxiliaries Auxiliaries provide additional mix busses for creating cue mixes an...

Page 50: ...vide up to 24 inputs giving a maximum of 72 Externals The number of inputs from each external device is specified as part of the Desk Setup in the Config page of Desk Edit The default path names for Externals are EX1 EX2 EX3 etc Externals can be assigned to the console surface although this is not necessary for their operation They must be connected port routed patched to an Input Port This is ach...

Page 51: ...he upper channel strip to shows all the available stems Each press will advance through the stems and it is possible to route to individual tracks contained within that stem using the numbered keys in the routing array System Paths The System Paths are special path types that are required by 88D for monitoring solo talkback and tone functions to operate correctly The number of each type of System ...

Page 52: ...all loudspeakers L S 1 and L S 2 that can be fed by SEL1 and SEL3 TALKBACK There is one TALKBACK path that is used for the talkback system and the tone slate generator FILM LISTENS These are used to provide a non destructive AFL solo bus that feeds the Surround Monitors directly The number of FILM LISTENS is automatically changed to match the number of Film paths and this should not be changed man...

Page 53: ... and Auxiliaries Main Outputs to Cues Auxiliaries to Cues This does not include selections made in the monitoring system monitoring talkback tone The routing software ensures that no feedback loops will occur e g a circular routing pattern such as routing TK 1 to GRP1 GRP1 to TK 2 and then TK 2 to TK 1 Whichever step is attempted last in making such a routing pattern is ignored I O Routing from th...

Page 54: ...l strip routes the path to stems If the path is routed to all tracks in the stem then first press will de route everything If the path is routed to some of the tracks in the stem first press will route to all tracks and second press will de route to all tracks If the path is routed to none of the tracks in a stem first press will route to all tracks Interrogating I O Routing The input and output p...

Page 55: ... PLAY key will flash until timecode is locked when it will illuminate solid green The Play icon on the screen will change from dark green to light green when timecode is locked and timecode is running on the screen To stop the transport press the STOP key or click the Stop icon on the screen Any other transport mode Play Locate Shuttle etc will be cancelled and the transport will stop With some ma...

Page 56: ...ate process actually starts Shuttle Shuttle is used to run the transport forwards or backwards at variable rates To use Shuttle press the SHUTTLE key the key will flash Rotate the jog wheel in the required direction The SHUTTLE key will illuminate steady Initially clockwise will shuttle forwards and anti clockwise will shuttle backwards The faster or further the wheel is moved the faster the trans...

Page 57: ...ystem Prefs MCS Locate Labels The Label selected for Locate can be chosen using the keyboard or by using the MCS Labels dialogue box on the screen A label can also be adjusted or entered manually in the MCS Labels dialogue box To select a Label with the keyboard type in the number of the required Label and click the Locate key or press the LOC key or Enter key The transport will wind or rewind to ...

Page 58: ...ed every time the PLAY and STOP keys are pressed so the play point can be updated at any time while the transport is already in Play by pressing the PLAY key While the CYCLE key is flashing press the CYCLE key again or the PLAY key The CYCLE key will illuminate steady and the transport will now cycle between the two points The other transport keys will indicate the transport status i e rewind play...

Page 59: ...ences can be used with Cycle Post Roll causes the transport to continue playing by an extra amount after the Cycle To time has been reached When the Cycle To time plus the Post Roll is reached then the transport will rewind back to the Cycle From time minus Pre Roll Post Roll is useful for preventing sudden transitions at the Cycle To time and can also be useful when Safety Nets are enabled If the...

Page 60: ...o use Roll Back press the ROLL BACK key the ROLL BACK key will illuminate Depending on how the machine executes a Roll Back the REWIND key or the SHUTTLE key will also illuminate while the transport is rolling back When the Roll Back is complete the ROLL BACK key and REWIND or SHUTTLE key will cease to be illuminated ...

Page 61: ...e and can be saved kept as a Mix Pass in the current Mix Pass Tree Mix Passes are organised in a Mix Pass Tree The Mix Pass Tree shows the order in which Mix Passes were created and the lines of revision used to create each Mix Pass The Mix Pass Tree is displayed graphically so that Mix Pass dependencies are shown clearly A new Mix Pass starts to record when timecode is running i e the system is i...

Page 62: ...CUT key All other controls which can be automated All controls that are in automation scope can have their automation modes changed by the Master Automation Controls In addition to this each category of controls have keys for changing automation modes on individual paths Fader The automation mode of each fader can be controlled individually by holding the FADER MODE key and pressing the PLAY REC T...

Page 63: ...ed moves until it is touched The control will then Record until the mode is changed manually glide is initiated or timecode stops Play The control will only replay previously recorded moves Touch Record The control will replay previously recorded moves until it is touched The control will then Record until it is released at which point it will snap back to the Play Pass position and resume replay ...

Page 64: ...lready in Play Changes to Automation Scope are not saved unless the Record Pass is saved Fader Cut and Desk Scope Any control that is not in Isolate is in Scope unless the DESK AUTO CUT AUTO or FADER AUTO keys have been toggled off To toggle Faders in and out of control Scope press the FADER AUTO key Faders not in Isolate are in Scope if the LED above the key is illuminated To toggle CUT keys in a...

Page 65: ...he ALL SCOPE key is held down To remove individual Faders or CUT keys from Scope isolate the control by holding the associated mode key and pressing the isolate key by that fader To remove all controls from Scope and Isolate them press and hold the ALL SCOPE key and press the ISOL key Mix Pass Trees Mix Passes are organised in a Mix Pass Tree The Mix Pass Tree shows the order in which Mix Passes w...

Page 66: ...his is so that the control has a value to return to such as when using Glide or when the system comes out of Play Automation Events A dynamic automation event is a record of a change made to a control Each event records The path it occurred on The control that was changed The timecode resolved at frame level The value of the setting For instance if a fader is moved continuously then a change in le...

Page 67: ...ans that the frame rate is significant for a particular Mix Pass For instance a Mix Pass that is recorded at 25 frames per second fps should be played back at 25fps This does not prevent a Mix Pass from being played back at a different frame rate However AMS Neve advise against this as it will probably cause frame slippage and may have other unpredictable effects Timecode Display A consequence of ...

Page 68: ...leased The Play Pass position control value will be displayed in the appropriate alpha display while the control is touched e g if a fader is touched the Play Pass values will be displayed in the fader strip alpha display until the fader is released assuming that Fader Level Indication On Touch is enabled Lock Record A control in Lock Record will play back moves until it is touched at which point ...

Page 69: ...trim drops the signal below 102dB then the signal is cut For instance if a particular fader has a Play Pass position of 20dB then applying 83dB of trim or below will cut the signal Modifiers to Automation Modes 88D has two extra automation function keys that are used to make two specialised modifications to the behaviour of the automation system AUTO TOUCH and TO END Auto Touch This is used to aut...

Page 70: ... by each logicator sets the automation scope for each control either Play Rec Glide Isolate Etc and also sets snapshot and linking scope To set the automation mode for a control press and hold the Mode key adjacent to that control and select the automation mode using the fader Play Rec and Glide automation keys To place the entire process into an automation mode press and hold the PROCESS key at t...

Page 71: ... alternative settings for the same controls The control settings can be fine tuned in context using Master Touch Isolate mode this is known as rehearsing collect touch When the rehearsal phase is complete the final result is recorded to the automation system using Master Touch Record mode This can be toggled on and off as required for manual punch in and punch out or the Safety Nets can be set and...

Page 72: ...tween Scope and Lock as required or until Collect Touch is terminated To terminate Collect Touch press the COLLECT TOUCH key again The LED above the Collect Touch key will cease to be illuminated Collect Touch Scope and the settings in the Buffers are retained until Scope changed or New Mix Clear Mix Memory is executed Using Encore Plus Please see the separate Encore Plus manual ...

Page 73: ...functions Electronic Scribble Strip The electronic scribble strips are the alpha displays just above the Access keys on the fader strips that show the name of the path currently assigned to the fader They also show the fader level when the fader is touched Dependent on preferences Encore Plus Encore Plus is a module within 88D that is used in conjunction with the console surface to provide functio...

Page 74: ...Tree is displayed graphically for selecting a Mix Pass revision as the Play Pass or for editing the Tree Pan Designators A pan designator is used to determine which portion of a panned signal will be received by a Track bus or Group For example Channel 1 is routed to Track 1 Track 2 and some other destinations Track 1 is pan designated as Mono i e true mono and Track 2 is pan designated as Front L...

Page 75: ...x Pass Tree to be the Play Pass Processing Element 88D is a digital console that has a certain amount of processing power available The processing power is provided by the XSP cards in the System or SPS Rack The processing power is assigned in portions according to how the console is configured for the current session Each signal path requires a certain amount of processing power A signal path can...

Page 76: ...ment to ensure safety Information and labelling are supplied with each product where this is necessary Installation Instructions An equipment grounding conductor that is not smaller in size than the ungrounded branch circuit supply conductor is to be installed as part of the branch circuit that supplies the equipment Bare covered or insulated grounding conductors are acceptable Individually covere...

Page 77: ...s that indicated on the ratings plate Refer to the product s installation manual for further details System Interconnections All system interconnections to this equipment fall within the SELV limits as defined by EN60950 Environmental Considerations Temperature Range Operating 0 C to 30 C in the immediate environment Non operating 20 C to 60 C Relative humidity Operating 25 to 80 non condensing No...

Page 78: ...urbereich von 20 C bis zu 60 C Relative Luftfeuchtigkeit Im Betrieb von 25 bis zu 80 nicht Kondensiert Außer Betrieb von 0 bis zu 90 nicht Kondensiert Sollte sich während des Transportes Kondensfeuchtigkeit im Gerät angesammelt haben ist es äußerst wichtig daß sich das Gerät der Umgebungstemperatur angepasst hat damit sich die Kondensfeuchtigkeit verflüchtigen kann bevor das Gerät an das Netz ange...

Page 79: ...manuel d installation du produit pour des détails supplémentaires Interconnexions du Système Toutes les interconnexions de système du matériel se situent à l intérieur des limites SELV ainsi que défini par EN60950 Considérations d Environnement Ecarts de Température Opérationnel entre 0 C et 30 C dans l environnement immédiat Non opérationnel à 20C et à 60 C Humidité relative Opérationnel entre 25...

Page 80: ...nformativa Si prega di far riferimento al manuale d installazione del prodotto per ulteriori particolari Interconnezioni del sistema Tutti le interconnezioni del sistema di quest apparecchiatura rientrano nei limiti SELV come definiti nello standard EN60950 Condizioni ambientali Campo di temperatura In esercizio da 0 C a 30 C nell ambiente circostante Non in funzione da 20 C a 60 C Umidità relativ...

Page 81: ... consulten el manual de instalación del producto Interconexiones del sistema Todas la interconexiones al sistema de este equipo están comprendidas en los limites SELV según definido por EN60950 Consideraciones medioambientales Temperaturas ambiente En funcionamiento 0 C a 30 C en el ambiente inmediato Fuera de servicio 20 C a 50 C Humedad relativa En funcionamiento 25 a 80 sin condensación Fuera d...

Page 82: ...rgung können getroffen werden um das Gerät sicher betreiben zu können Sollten Sie Zweifel haben wird Ihnen Ihr lokaler Netzbetreiber die notwendigen Informationen zur Verfügung stellen können Hoher Kriechstrom gegen Erde Einige AMS Neve Geräte sind als Geräte mit hohem Kriechstrom gegen Erde definiert 3 5mA Generell ist dies der Fall für alle grösseren Digitalkonsolen und dort wo es notwendig ist ...

Page 83: ...possible de prendre des mesures telles que l utilisation d un UPS classé IT pour faire marcher le matériel sans risque Si vous avez le moindre doute votre compagnie locale d Electricité doit pouvoir vous conseiller sur ce sujet Courant à Fuite Terre Elevée Certains matériels AMS Neve sont désignés Courant à Fuite Terre Elevée 3 5mA Ceci vaut généralement pour toutes les consoles digitales d une ce...

Page 84: ...ottate per utilizzare le apparecchiatire con sicurezza Se in dubbio contattare la ditta di distribuzione elettrica locale che vi fornirà tutte le informazioni necessarie Corrente di dispersione ad alta energia di terra Alcune apparecchiature della AMS Neve sono progettate per corrente di dispersione ad alta energia di terra 3 5 mA Questo vale normalmente per tutti le maggiori consoles digitali dov...

Page 85: ...miento seguro del equipo En caso de cualquier duda su Compañía Eléctrica local debería poder aconsejarles sobre este asunto Corriente intensa de fuga a tierra Algunos equipos AMS Neve son de corriente intensa de fuga a tierra 3 5mA Es generalmente el caso de las consolas digitales más grandes y donde es imprescindible utilizar las bornas de puesta a tierra existentes en el equipo por motivos de se...

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Brand: Boston Acoustics Pages: 18

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