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Chapter 2: Recording on the DPS12
Recording the first track
This section explains how to record the first track, using an example of recording a rhythm machine connected to
the INPUT jacks 1/2 into tracks 1/2.
Recording signal flow
The diagram below shows the signal flow for recording tracks 1 and 2.
1
2
3
4
5
6
INPUT
1
C
R
L
2
C
R
L
3
C
R
L
4
C
R
L
5
C
R
L
6
C
R
L
7
C
R
L
8
C
R
L
9
C
R
L
10
C
R
L
11
C
R
L
12
C
R
L
1
OVER
MIC
LINE
2
OVER
MIC
LINE
3
OVER
MIC
LINE
4
OVER
MIC
LINE
5
OVER
MIC
LINE
6
OVER
MIC
LINE
INPUT GAIN
RECORD SELECT
CHANNEL SELECT
QUICK LOCATE
A
B
C
D
E
F
G
1
2
3
4
5
6
7
8
9
10
11
12
1
2
3
4
5
6
7
8
9
10
11
12
H
I
J
K
L
1
2
3
4
5
6
7
8
9
0
+/–
.
1
2
3
4
5
6
7
8
9
10
11
12
MASTER
A
2
4
3
5
6
OPTICAL
AUX SEND
MASTER OUT
OUT
IN
A
B
L
R
Track 1 (Outputs the input source)
Track 2 (Outputs the input source)
Track 3
Track 4
Track 5
Track 6
Track 7
Track 8
Track 9
Track 10
Track 11
Track 12
Outputs the input source
Recording signal flow
1
With the DPS12’s default settings, signals input at INPUT jacks 1/2 are sent via
[INPUT GAIN]
controls to
physical tracks 1/2 of the recorder section.
2
Press the
[RECORD SELECT]
keys 1 and 2 on the top panel to cause tracks 1 and 2 to enter recording-ready
status.
3
Output signals from tracks 1 and 2 are directed to TRACK MIX channels 1/2 of the mixer section. At this time,
the input source signals (the signal input to the tracks selected by the
[RECORD SELECT]
keys) are output
whether the transport section is stopped or recording.
4
You may adjust the level and pan setting of the TRACK MIX channel 1/2 signals using the channel faders 1/2
and the
[PAN]
controls 1/2 on the top panel.
5
Signals that have passed through the channel faders and the
[PAN]
controls are mixed into a stereo signal, then
routed to the
[MASTER]
fader.
6
The signal adjusted by the
[MASTER]
fader for output level is output from the MASTER OUT jacks and the
OPTICAL OUT jacks.
Summary of Contents for DPS12
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