Waldorf QUANTUM, Руководство пользователя

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Sound Parameter
39 Quantum Manual
Travel Mode
There are several modes available for the wavetable cyc-
ling.
Tap on Travel Mode to open a pop-up menu with the
following options:
•
Cycle : a wavetable starts automatically again from the
beginning when the end is reached. Every played note
starts its own travel cycle.
•
Global Cyc .: a wavetable starts automatically again
from the beginning when the end is reached. Every
played note uses the same travel cycle.
•
Sync : the Travel speed is controlled by the internal
tempo of Quantum (adjustable with the Arpeggiator or
Sequencer
Bpm parameter) or an incoming synchroni-
sation signal via MIDI. If Sync is selected, you can set
up Travel in musical values. The highest amount is
1024 , where one turn needs 1024 beats.
•
One Shot : a wavetable stops when the last wave is
reached. The last wavetable position is played and
held. Every played note starts its own travel cycle.
•
Ping Pong : a wavetable automatically starts a reverse
playback when the end is reached and vice versa. Every
played note starts its own travel ping pong cycle.
•
Global P. P. : a wavetable automatically starts a reverse
playback when the end is reached and vice versa. Every
played note uses the same travel cycle.
Tap on Travel Mode to open a pop-up menu for further
settings:
•
Set Default : sets the Travel Mode to its default Ping
Pong.
•
Set Last Loaded : resets the parameter to the last
loaded value from the current sound patch.
•
MIDI Learn CC : activates MIDI Learn, which maps an
incoming MIDI control change to this parameter.
Mode
Selects the synthesis quality. The first setting Normal
keeps the current algorithm which synthesises in highest
quality avoiding digital artefacts like aliasing and such.
However, as we learned to love the digital artefacts of
legacy wavetable synthesis implementation, other modes
are available:
Legacy emulates the wavetable playback
quality of the very first Waldorf synthesizers. Harsh pro-
duces additional non-harmonic components in the lower
pitch ranges which result in more rich to aggressive timb-
res.
Dirty adds digital aliasing in higher pitch ranges you