Waldorf KYRA, Руководство пользователя

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Kyra Sound Programming
119 Waldorf Kyra
Foot controller see Source name (MIDI CC#4)
Data entry see Source name (MIDI CC#6)
Balance see Source name (MIDI CC#8)
MIDI CC 9 see Source name
Pan see Source name (MIDI CC#10)
Expression see Source name (MIDI CC#11)
MIDI CC 12 see Source name
MIDI CC 13 see Source name
MIDI CC 14 see Source name
MIDI CC 15 see Source name
MIDI CC 16 see Source name
MIDI CC 17 see Source name
MIDI CC 18 see Source name
MIDI CC 19 see Source name
Sustain pedal MIDI Sustain pedal (CC# 64)
EG1 Amp Envelope Generator 1
EG2 Filter Envelope Generator 2
EG3 Aux Envelope Generator 3
LFO1 unipolar see Source name
LFO1 bipolar see Source name
LFO2 unipolar see Source name
LFO2 bipolar see Source name
LFO3 unipolar see Source name
LFO3 bipolar see Source name
On velocity Velocity value
Random per note Random value per note
MIDI note
MIDI Note number
Polyphonic Press. Polyphonic Keyboard Pressure Data
Off Velocity
Release velocity value
g
Remember you don’t have to use modulation
sources for their original purposes. With Kyra, if
you want to wire the Pitch Bend wheel to the Sub
Oscillator level, go ahead and do it. This is why the-
re’s an option to defeat the standard operation of
the Pitch Bend controller by setting Pitch Bend
amount to zero.
All sources are unipolar; they only cause positive or nega-
tive (not both) modulation on a destination. The only
exception is the LFO sources which each appear twice as
Mod Matrix sources – once as a unipolar source and once
as a bipolar source.