Montarbo 716 S, Инструкция по эксплуатации

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Montarbo
CONNECTION EXAMPLE
▲
active stage monitor
1
1
LINE
MIC.
LINE
MIC.
LINE
MIC.
LINE
MIC.
LINE
MIC.
LINE
MIC.
LINE
MIC.
LINE
MIC.
2 3 4 5 6 7 8
2 3 4 5 6 7
PHANTOM 48V.
15/16 9/10 11/12 13/14
LINE
MIC.
LINE
8
R
LINE
L
(mono)
R
L
(mono)
LINE
R
L
(mono)
LINE
R
L
(mono)
E 1
40
30
18
6
0
6
+
40
30
18
6
0
6
+
40
30
18
6
0
6
+
E 2
BAL
L R
BAL
L R
ON
5
0
4
1
3
2 8
9
10
7
6
A
5
0
4
1
3
2 8
9
10
7
6
B
5
0
4
1
3
2 8
9
10
7
6
A
5
0
4
1
3
2 8
9
10
7
6
tone tone
PROGRAM PROGRAM
3 +
0 dB
3
10
20
3 +
0 dB
3
10
20
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
INPUT LEVEL INPUT LEVEL
2
1
effect 1 effect 2
ON
A B L R
L.F.
0
15
2
12
4
8 8
12
15
4
2
- +
L.F.
0
15
2
12
4
8 8
12
15
4
2
- +
BAL
L R
BAL
L R
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
B
B B
A A
GAIN GAIN
L.M.
0
15
2
12
4
8 8
12
15
4
2
- +
L.M.
0
15
2
12
4
8 8
12
15
4
2
- +
H.M.
0
15
2
12
4
8 8
12
15
4
2
- +
H.M.
0
15
2
12
4
8 8
12
15
4
2
- +
H.F.
0
15
2
12
4
8 8
12
15
4
2
- +
H.F.
0
15
2
12
4
8 8
12
15
4
2
- +
40
30
18
6
0
6
+
40
30
18
6
0
6
+
40
30
18
6
0
6
+
40
30
18
6
0
6
+
5
0
4
1
3
2 8
9
10
7
6
TAPE
IN
5
0
4
1
3
2 8
9
10
7
6
MONO
EQ
FLAT
5
0
4
1
3
2 8
9
10
7
6
PHONES
PHONES OUT
200 600
TAPE
OUT
L L
R R
IN
1 2 A B R L RETURNS MONITORS MASTER
flat
5
4
1
3
2 8
9
7
6
flat
5
4
1
3
2 8
9
7
6
EFF. 2
MONITORS A B
1
2
L R/(MONO)
PHANTOM
48 V DC
EFF. 1 EFF.SEND 1 STEREO EFF. RET.
MONO OUT
EFF.SEND 2
INSERT L R
MUTE
MUTE
ON
ON
2 x 350W Stereo Powered Mixer
&
2 x160 - Programs
Montarbo Digital Effects Processor
Montarbo Montarbo 716 S 716 S
Hz 31 31 63 125 125 250 250 500 500 1K 1K 2K 2K 4K 8K 8K 16K 16K Hz
STEREO EFFECTS
40
30
18
6
0
6
+
PAN
2
peak
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
L R
M
B
5
0
4
1
3
2 8
9
10
7
6
A
5
0
4
1
3
2 8
9
10
7
6
L.F.
0
15
2
12
4
8 8
12
15
4
2
GAIN
H.F.
FREQ.
1.3
.18
.3 2
3 KHz
.75 1.6
LEVEL
MID.
0
15
2
12
4
8 8
12
15
4
2
dB
5
4
1
3
2 8
9
10
7
6
0
15
2
12
4
8 8
12
15
4
2
- +
- +
- +
1
40
30
18
6
0
6
+
PAN
2
peak
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
L R
M
B
5
0
4
1
3
2 8
9
10
7
6
A
5
0
4
1
3
2 8
9
10
7
6
L.F.
0
15
2
12
4
8 8
12
15
4
2
GAIN
H.F.
FREQ.
1.3
.18
.3 2
3 KHz
.75 1.6
LEVEL
MID.
0
15
2
12
4
8 8
12
15
4
2
dB
5
4
1
3
2 8
9
10
7
6
0
15
2
12
4
8 8
12
15
4
2
- +
- +
- +
1
40
30
18
6
0
6
+
PAN
2
peak
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
L R
M
B
5
0
4
1
3
2 8
9
10
7
6
A
5
0
4
1
3
2 8
9
10
7
6
L.F.
0
15
2
12
4
8 8
12
15
4
2
GAIN
H.F.
FREQ.
1.3
.18
.3 2
3 KHz
.75 1.6
LEVEL
MID.
0
15
2
12
4
8 8
12
15
4
2
dB
5
4
1
3
2 8
9
10
7
6
0
15
2
12
4
8 8
12
15
4
2
- +
- +
- +
1
40
30
18
6
0
6
+
PAN
2
peak
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
L R
M
B
5
0
4
1
3
2 8
9
10
7
6
A
5
0
4
1
3
2 8
9
10
7
6
L.F.
0
15
2
12
4
8 8
12
15
4
2
GAIN
H.F.
FREQ.
1.3
.18
.3 2
3 KHz
.75 1.6
LEVEL
MID.
0
15
2
12
4
8 8
12
15
4
2
dB
5
4
1
3
2 8
9
10
7
6
0
15
2
12
4
8 8
12
15
4
2
- +
- +
- +
1
40
30
18
6
0
6
+
PAN
2
peak
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
L R
M
B
5
0
4
1
3
2 8
9
10
7
6
A
5
0
4
1
3
2 8
9
10
7
6
L.F.
0
15
2
12
4
8 8
12
15
4
2
GAIN
H.F.
FREQ.
1.3
.18
.3 2
3 KHz
.75 1.6
LEVEL
MID.
0
15
2
12
4
8 8
12
15
4
2
dB
5
4
1
3
2 8
9
10
7
6
0
15
2
12
4
8 8
12
15
4
2
- +
- +
- +
1
40
30
18
6
0
6
+
PAN
2
peak
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
L R
M
B
5
0
4
1
3
2 8
9
10
7
6
A
5
0
4
1
3
2 8
9
10
7
6
L.F.
0
15
2
12
4
8 8
12
15
4
2
GAIN
H.F.
FREQ.
1.3
.18
.3 2
3 KHz
.75 1.6
LEVEL
MID.
0
15
2
12
4
8 8
12
15
4
2
dB
5
4
1
3
2 8
9
10
7
6
0
15
2
12
4
8 8
12
15
4
2
- +
- +
- +
1
40
30
18
6
0
6
+
PAN
2
peak
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
L R
M
B
5
0
4
1
3
2 8
9
10
7
6
A
5
0
4
1
3
2 8
9
10
7
6
L.F.
0
15
2
12
4
8 8
12
15
4
2
GAIN
H.F.
FREQ.
1.3
.18
.3 2
3 KHz
.75 1.6
LEVEL
MID.
0
15
2
12
4
8 8
12
15
4
2
dB
5
4
1
3
2 8
9
10
7
6
0
15
2
12
4
8 8
12
15
4
2
- +
- +
- +
1
40
30
18
6
0
6
+
PAN
2
peak
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
L R
M
B
5
0
4
1
3
2 8
9
10
7
6
A
5
0
4
1
3
2 8
9
10
7
6
L.F.
0
15
2
12
4
8 8
12
15
4
2
GAIN
H.F.
FREQ.
1.3
.18
.3 2
3 KHz
.75 1.6
LEVEL
MID.
0
15
2
12
4
8 8
12
15
4
2
dB
5
4
1
3
2 8
9
10
7
6
0
15
2
12
4
8 8
12
15
4
2
- +
- +
- +
1
STEREO DIGITAL
EFFECTS PROCESSOR
EXTERNAL
EFFECTS SEND
STEREO
EXTERNAL
EFFECTS
40
30
18
6
0
6
+
BAL
2
peak
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
B
5
0
4
1
3
2 8
9
10
7
6
A
5
0
4
1
3
2 8
9
10
7
6
0
15
2
12
4
8 8
12
15
4
2
GAIN
H.F.
5
4
1
3
2 8
9
10
7
6
0
15
2
12
4
8 8
12
15
4
2
- +
- +
1
M.F.
0
15
2
12
4
8 8
12
15
4
2
- +
L.F.
L R
40
30
18
6
0
6
+
BAL
2
peak
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
B
5
0
4
1
3
2 8
9
10
7
6
A
5
0
4
1
3
2 8
9
10
7
6
0
15
2
12
4
8 8
12
15
4
2
GAIN
H.F.
5
4
1
3
2 8
9
10
7
6
0
15
2
12
4
8 8
12
15
4
2
- +
- +
1
M.F.
0
15
2
12
4
8 8
12
15
4
2
- +
L.F.
L R
40
30
18
6
0
6
+
BAL
2
peak
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
B
5
0
4
1
3
2 8
9
10
7
6
A
5
0
4
1
3
2 8
9
10
7
6
0
15
2
12
4
8 8
12
15
4
2
GAIN
H.F.
5
4
1
3
2 8
9
10
7
6
0
15
2
12
4
8 8
12
15
4
2
- +
- +
1
M.F.
0
15
2
12
4
8 8
12
15
4
2
- +
L.F.
L R
40
30
18
6
0
6
+
BAL
2
peak
5
0
4
1
3
2 8
9
10
7
6
5
0
4
1
3
2 8
9
10
7
6
B
5
0
4
1
3
2 8
9
10
7
6
A
5
0
4
1
3
2 8
9
10
7
6
0
15
2
12
4
8 8
12
15
4
2
GAIN
H.F.
5
4
1
3
2 8
9
10
7
6
0
15
2
12
4
8 8
12
15
4
2
- +
- +
1
M.F.
0
15
2
12
4
8 8
12
15
4
2
- +
L.F.
L R
XLR IN
pin 1 - GND
pin 2 -
pin 3 -
9/10 11/12 13/14 15/16
0
3
6
9
12
3
6
9
12
dB 0
3
6
9
12
3
6
9
12
dB
0 dB
3
6
9
3
6
9
12
15
18
0
3
6
9
3
6
9
12
15
18
dB 0
3
6
9
3
6
9
12
15
18
peak peak
Montarbo
▲ ▲ ▲
Montarbo
☞ each monitor output can drive up to 10
parallel connected active stage monitors
Montarbo Montarbo
▲ ▲
passive speaker enclosures passive speaker enclosures
L powered outputs (350W / 4
Ω
)
A-B monitor outputs
R powered outputs (350W / 4
Ω
)
▲
micro
▲
line
instrument
▲
L/R insert outputs
▲
external accessories
▲
▲
▲
stereo headphones
phones
output
▲
▲
▲
▲
L/R tape
in/out
stereo tape recorder
L/R L/R L/R L/R
9/10 11/12 13/14 15/16
stereo inputs
stereo instruments
Montarbo
▲
mono out
▲ ▲ ▲ ▲
send 1
stereo return 1
external stereo effects processor external stereo effects processor
▲
▲
▲
▲
▲ ▲
stereo return 2
send 2
23