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6

CONTROLS AND CONNECTIONS

MONO INPUT CHANNEL

 GAIN: adjust the gain (sensitivity) of the line and mic inputs,

allowing connections of signal sources (both line and mic level)
having a wide range of signal level. As a practical rule, the GAIN
control must be set to the maximum allowable level that will not
activate the peak level indicator. This will maximize the signal to
noise ratio.

 H.F / MID FREQ. / MID LEVEL / L.F:  3-band equalizer with

parametric control of the mid range. While the High and Low
controls act on fixed frequency cuts, the Mid control allows to
choose the frequency to be lowered or raised.
H.F: adjusts the amount of boost or cut in the high frequency
range. Turning the control clockwise increases the amount of high
frequencies, counter-clockwise decreases it.
MID FREQ.: chooses the frequency to be lowered or raised.
MID LEVEL: adjusts the amount of boost or cut in the frequency
choosen by means of the MID FREQ. control.

Note

: If the MID LEVEL control is set at '0' (centre) there will be no alteration in

the mid frequency band (independently of the MID FREQ. control setting).

L.F: adjusts the amount of boost or cut in the low frequency range.
Turning the control clockwise increases the amount of low frequen-
cies, counter-clockwise decreases it.

3

 

 A / B: monitor sends volumes (pre fader, post tone controls).

They set the level of that input channel in the monitor outputs.

 1 / 2: effect sends volumes (post fader and post tone controls).

They adjust the quantity of channel signal that is sent both to the
correspondent built-in effect and to an external effect connected
to the 'EFF SEND 1/2' and to the 'STEREO EFF. RET. 1/2' sockets.

Note:

  On the channels where you don't want to have neither the internal effect

nor the external effect, turn these knobs fully anticlockwise.
Should the external effect only be required, then turn off the internal effect.

5

 

 PAN: this control allows to place the channel’s input signal

within the stereo image by assigning more or less of the signal
to the left or right master volume controls.

6

 

 PEAK: peak LED indicator. It lights when the signal level is

approaching the maximum (clipping) allowable level. The signal
is sampled in two points of the channel's signal path: • after the
input amplifier (micro and line); • after the equalizer.
If the LED is continuously lighted, you must reduce the input GAIN
or modify the equalizer settings, reducing the boost introduced by
the level controls HF, MID LEVEL and LF.

7

 

 Channel VOLUME fader.

8

 

 PHANTOM 48V DC: pushbutton for on/off switching of the

48V phantom power supply on the channels 5, 6, 7, 8 (the phantom
power supply allows use of condenser microphones).

Note

: Before pushing this button, make sure that the unit is turned off or that

all the slider controls are to their lowest settings.

 connections:

9

 

 MIC: balanced XLR microphone input (for microphones).

10

 

 LINE: unbalanced jack line input (for instruments and high

level sources).

Note

: Do not use both the MIC and the LINE input of one channel at the

same time).
Do not connect instruments or other high level sources to the MICRO inputs
(this will result in distortion due to excessive signal level).
Do not connect microphones to the LINE inputs (the resulting signal will be
of low level and low quality) .

STEREO INPUT CHANNEL

11

 

 GAIN: 

same as in the mono channel

.

12

 

 H.F / M.F / L.F.: 3-band equalizer.

H.F: adjusts the amount of high frequencies giving up to 15dB of
boost or cut at 15kHz.
M.F: adjusts the amount of mid frequencies giving up to 15dB of
boost or cut at 600Hz.
L.F: adjusts the amount of low frequencies giving up to 15dB of
boost or cut at 50Hz.

Note

: Turning the control clockwise increases the amount of high, mid or low

frequencies, counter-clockwise decreases it. The reaponse is flat at the center
position.

13

 

 A / B: 

same as in the mono channel.

14

 

 1 / 2: 

same as in the mono channel.

15

 

 BAL: stereo balance. Allows to adjust the level of the input

signal in the left or right master outputs. If the channel is used as
a mono channel it becomes a PAN control.

16

 

 PEAK: 

same as in the mono channel.

17

 

 Channel VOLUME fader.

 connections:

18

 

 L/R: unbalanced jack line inputs for stereo instruments.

For 'mono' connections use 'L / mono' input.

Содержание 716 S

Страница 1: ...stereo powered mixer stereo powered mixer 71 716S S...

Страница 2: ...71 716S S stereo powered mixer stereo powered mixer ENGLISH FRAN AIS 5 10 11 16 APPENDIX specifications block diagram connections example of connection 17 23...

Страница 3: ...3 2 3 KHz 75 1 6 LEVEL MID 0 15 2 12 4 8 8 12 15 4 2 dB 5 4 1 3 2 8 9 10 7 6 0 15 2 12 4 8 8 12 15 4 2 1 40 30 18 6 0 6 PAN 2 peak 5 0 4 1 3 2 8 9 10 7 6 5 0 4 1 3 2 8 9 10 7 6 L R M B 5 0 4 1 3 2 8...

Страница 4: ...ooked up to your system in a breeze La table de mixage amplifi 716S est synonyme de rationalit et de rendement Caract ris par une riche dotation de commandes et une grande puissance de sortie 716S r u...

Страница 5: ...e substituted use exclusively a cable of the same type and characteristics Never place any object on the power cable Never lay the power cable on a walkway where one could trip over it Never press or...

Страница 6: ...signal to the left or right master volume controls 6 PEAK peak LED indicator It lights when the signal level is approaching the maximum clipping allowable level The signal is sampled in two points of...

Страница 7: ...nds level controls for the external effects sends They are the mixes of the signals sent from 1 and 2 sends volumes on each channel and set the level of the signal appearing at the EFF SEND 1 and EFF...

Страница 8: ...e post master controls see fig 3 A page 21 These sockets can also be used as preamp outputs for connecting powered speakers or external power amplifiers It is possible to use the line and power output...

Страница 9: ...e unshielded cables for the connection of passive speaker enclosures to L R powered outputs Never operate the internal power amplifiers with loads below 4 ohms each Before switching on or off the mixe...

Страница 10: ...0 dB 3 10 20 INPUT LEVEL INPUT LEVEL effect 1 effect 2 ON B flat 5 4 1 3 2 8 9 7 6 flat 5 4 1 3 2 8 9 7 6 STEREO DIGITAL EFFECTS PROCESSOR Programs and effects description 00 09 STEREO GEN Adds a sho...

Страница 11: ...t de la surface d appui soient appropri es Pour viter les chocs utiliser pour l installation du produit un lieu s r com me une zone prot g e d acc s interdit au personnel non qualifi Au cas o l appare...

Страница 12: ...voie dans l image ster o en envoyant une plus grande quantit de signal a une ou l autre de les sorties master L R 6 PEAK voyant LED peak Il s allume quand le signal s approche de la distorsion Le sign...

Страница 13: ...ion est possible seulement si le bouton ON sur le panneau de l effet correspondant est enfonc L indicateur LED Mute siqnale que l effet a t d sactiv 13 CONTROLES ET CONNECTIONS DEPARTS ET RETOURS EFFE...

Страница 14: ...phiques limiteur processeur audio etc aux sorties master L et R Elles d pendent des r glages master L R voir fig 3 A page 21 Ces prises peuvent tre utilis es comme sorties pr amplifi es sorties de lig...

Страница 15: ...lit desir e dans chaque micro ou instrument Uniquement apr s avoir obtenu un timbre satisfaisant r glez l galiseur pour compenser les caract ristiques acoustiques du milieu De cette fa on les diff ren...

Страница 16: ...2 ON B flat 5 4 1 3 2 8 9 7 6 flat 5 4 1 3 2 8 9 7 6 STEREO DIGITAL EFFECTS PROCESSOR Programmes et description effets 00 09 STEREO GEN Ajoute un bref retard au signal pour cr er un effet st r o sur...

Страница 17: ...APPENDIX 17 71 716S S stereo powered mixer stereo powered mixer...

Страница 18: ...level Tape in nominal level Tape out nominal level Headphones load impedance Built in amplifier total output power Watts frequency response T H D S N R Protections Dimensions w x h x d Weight 8 60dB...

Страница 19: ...BLOCK DIAGRAM 19...

Страница 20: ...alanced XLR male socket XLR sockets L R POWER OUTPUTS unbalanced use heavy gauge unshielded cables unbalanced JACK socket unbalanced mono JACK plug JACK sockets L R POWER OUTPUTS unbalanced use heavy...

Страница 21: ...lug FIG 3 A L R INSERT SOCKETS Connection of external auxiliary equipment stereo Jack connectors EFF 2 MONITORS A B 1 2 L R MONO PHANTOM 48 V DC EFF 1 EFF SEND 1 STEREO EFF RET MONO OUT EFF SEND 2 INS...

Страница 22: ...ACK plug EFF 2 MONITORS A B 1 2 L R MONO PHANTOM 48 V DC EFF 1 EFF SEND 1 STEREO EFF RET MONO OUT EFF SEND 2 INSERT L R MUTE MUTE ON ON LINE INPUT OF A MIXER INPUT OF A POWERED SPEAKER INPUT OF A POWE...

Страница 23: ...0 6 PAN 2 peak 5 0 4 1 3 2 8 9 10 7 6 5 0 4 1 3 2 8 9 10 7 6 L R M B 5 0 4 1 3 2 8 9 10 7 6 A 5 0 4 1 3 2 8 9 10 7 6 L F 0 15 2 12 4 8 8 12 15 4 2 GAIN H F FREQ 1 3 18 3 2 3 KHz 75 1 6 LEVEL MID 0 15...

Страница 24: ...ourraient se pr senter lors de l installation et de l usage de l appareil Nous sommes votre disposi tion pour d ventuels conseils et informations suppl mentaires Elettronica Montarbo srl ne peut tre c...

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