IMG STAGE LINE DMIX-20, Инструкция по эксплуатации

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35
English
8.5dB
CH01
3.0 dB
CH09
3.0 dB
AUX1 AUX2 AUX3 SUB1 SUB2 AUX4 SUB3 SUB4
3.0 dB
CH17-18 CH19-20 FX1 FX2 USB
3.0 dB
CH08
3.0 dB
CH16
3.0 dB
CH02
3.0 dB
CH10
3.0 dB
3.0 dB
3.0 dB
CH03
3.0 dB
CH11
3.0 dB
3.0 dB
3.0 dB
CH04
3.0 dB
CH12
3.0 dB
3.0 dB
3.0 dB
CH05
3.0 dB
CH13
3.0 dB
3.0 dB
3.0 dB
CH06
3.0 dB
CH14
3.0 dB
CH07
3.0 dB
CH15
3.0 dB 3.0 dB 3.0 dB
DCA 1 DCA 2
DCA 3 DCA 4
DCA 5 DCA 6
CH01
8.5dB
Long Fader
CH01
Mute Mute
Solo
DCA
M i a n
3.0 dB
MAIN
Fig. 20 Mixer
The screen view “Long Faders” always goes automatically to the screen
page of the channel currently selected� To go to another screen page,
tap the buttons and �
8.5dB
CH01
CH01 M i a n
8.5dB
CH02
CH02
8.5dB
CH03
CH03
8.5dB
CH04
CH04
8.5dB
CH05
CH05
8.5dB
CH06
CH06
8.5dB
CH07
CH07
3.0 dB
Assign
Channel
System
Routing
PEQ
GEQ FX 1
FX 2 Gate
Comp
Long Mixer
DCA Faders
CH08
8.5dB
CH08
Mute Mute Mute Mute Mute Mute Mute Mute Mute
Solo Solo Solo Solo Solo Solo Solo Solo
MAIN
Fig. 21 Long faders
The bar graphs next to the faders indicate the current signal level
of the channels� For the sum channel MAIN and for the subgroups,
separate LED level indicators (4) are available� The CLIP LED lights up
when the channel is overloaded and the signal is distorted� In this
case, reduce the volume of the corresponding sum channel or of the
input channels assigned�
To make sure that the signal sum MAIN or the signal of a sub-
group never exceeds a specific level, define the compressor in the
corresponding sum channel as a limiter (
☞
chapter 5�4�2)�
Another option for checking all signal levels is the screen view “Meter”
(fig� 23); to call up this view, use the key METER (16)�
-3.0dB
CH01
Sig Lim
By means of a green bar (in the centre) and the
dB value (above the bar), the screen view “Meter”
indicates the volume setting of the fader for each
channel� The bar graph “Sig” on the right side in-
dicates the current signal level ahead of the fader�
The bar graph “Lim” on the left side indicates the
level attenuation by the compressor
Fig. 22
The colour of the small boxes beneath the bar graph “Lim” indicates
the status of the noise gate:
Grey: switched off
Red: gate closed
Green: gate open
Assign
Channel
System
Routing
PEQ
GEQ FX 1
FX 2 Gate
Comp
Mixer
DCA
Long
Faders
-3.0dB
CH01
-3.0dB
CH10
-3.0dB
CH02
-3.0dB
CH03
-3.0dB
CH04
-3.0dB
CH05
-3.0dB
CH06
-3.0dB
CH07
-3.0dB
CH08
-3.0dB
CH09
SUB1
-3.0dB -3.0dB
SUB2
-3.0dB
SUB3
-3.0dB
SUB4
-3.0dB -3.0dB -3.0dB -3.0dB
FX1
-3.0dB -3.0dB
-3.0dB
CH11
-3.0dB
AUX4
-3.0dB
CH12
-3.0dB
CH13
-3.0dB
CH14
-3.0dB
CH15
-3.0dB
CH16
-3.0dB
AUX1
-3.0dB
AUX2
-3.0dB
AUX3
CH17-18 CH19-20 FX2 MAIN USB
Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim
Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim
Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim Sig Lim
Fig. 23 Meter
5.7.2 Signals for stage monitors
To create the mixed signal for a stage monitor:
1) As described in chapter 5�3�3: For each of the input channels whose
signal is to be sent to the monitor, use the corresponding Aux Send
control to adjust the signal part desired�
2) When the Aux way of the monitor has been selected, use the fader
of the Aux way in the screen view “Mixer” or “Long Faders” or in
another view to adjust the total volume for the monitor�
3) If required, process the mixed signal of the Aux way for the monitor,
e� g� adjust the basic sound with the graphic equalizer (
☞
chap-
ter 5�5�2) or use the parametric equalizer ( ☞ chapter 5�5�1) to
attenuate critical feedback frequencies by means of a notch filter�
In addition, it is also possible to process the dynamic range with a
compressor (
☞
chapter 5�4�2)�
5.7.3 Internal effects
To add effects of the two effect processors of the mixer:
1) As described in chapter 5�3�4: For each of the input channels whose
signal is to be provided with effects, use the corresponding FX1
and FX2 Send controls to adjust the signal part desired�
2) As described in chapter 5�3�4: If required, route the effect signals
to the sum channel MAIN and /or to the subgroups and /or add
them to the monitor ways�
3) Set the effects ( ☞ chapter 5�7�3�1)�
4) Use the faders “FX1” and “FX2” of the effect ways in the screen
view “Mixer” or “Long Faders” or in another view to adjust the
total volume of the respective effect way�
5) If required, process the mixed signal that is routed to the effect
processors, e� g� adjust the sound with the parametric equalizer
(
☞ chapter 5�5�1) or process the dynamic range ( ☞ chapter 5�4)�