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Convergent-Design.com
Release Notes
SDI A Out options in Output menu:
• LUT OFF (Quad-Split view with no LUT applied)
• LUT ON (Quad-Split view with LUT applied)
• MIRROR OLED (Quad-Split view with Preview/Program and other overlays)
•
LIVE-SWITCH PREVIEW (Preview input selection)
SDI B Out options in Output menu:
• LUT OFF (Quad-Split view with no LUT applied)
• LUT ON (Quad-Split view with LUT applied)
• MIRROR OLED (Quad-Split view with Preview/Program and other overlays)
•
LIVE-SWITCH PROGRAM (Program input selection)
NOTES:
•
When either output is set to Mirror OLED, LUT application mirrors OLED
• When SDI A Out is set to Live-Switch Preview, LUT is not applied
•
When SDI B Out is set to Live-Switch Program, LUT application mirrors OLED
QUAD-HD QUAD-SPLIT: TIMECODE BURN-IN
• •
Timecode window is baked into the Quad-Split recorded image
NEW FEATURES: ODYSSEY RAW BUNDLE (OD/7Q)
ODYSSEY RAW BUNDLE GRANT
•
Owners of individual RAW options granted full Odyssey RAW Bundle
•
Log in at account on CD website for Activation code
•
Od/7Q Rental options are now Odyssey RAW Bundle and Apollo
DUAL-HD RECORDING
• Record two HD video signals simultaneously in Apple ProRes (HQ/422/LT)
• Two SSDs required (one recording per SSD)
•
Matching timecode (input A, input B, Odyssey-generated or LTC)
•
Resolutions & frame rates must match
• No Genlock required
• 1080p 23.98, 24, 25, 29.97, 30
• 1080i 50, 60
• 720p 50, 60
SONY FS5 RAW SUPPORT
• Record RAW in CinemaDNG from the Sony PXW-FS5
•
Record RAW -> Apple ProRes from the Sony PXW-FS5
Note: Set FS5 to Picture Profile S-Log2, Color Mode S-Gamut/3200 or S-Gamut/5500
•
4K FS RAW -> 4K CinemaDNG 23.98, 25, 29.97, 50, 59.94
•
2K FS RAW -> 2K CinemaDNG 23.98, 25, 29.97, 50, 59.94, 100, 120, 200, 240
•
4K FS RAW Burst -> 4K CinemaDNG 100, 120
•
4K FS RAW -> 4K Apple ProRes 23.98, 25, 29.97, 50, 59.94
•
4K FS RAW -> UHD Apple ProRes 23.98, 25, 29.97, 50, 59.94
•
4K FS RAW -> 2K Apple ProRes 23.98, 25, 29.97, 50, 59.94
•
4K FS RAW -> HD Apple ProRes 23.98, 25, 29.97, 50, 59.94
•
2K FS RAW HS -> 2K Apple ProRes 100, 120, 200, 240
•
2K FS RAW HS -> HD Apple ProRes 100, 120, 200, 240
•
4K FS RAW Burst -> 4K/UHD Apple ProRes 100, 120
•
4K FS RAW Burst -> 2K/HD Apple ProRes 100, 120
IO 4K RAW SUPPORT
•
Record RAW in CinemaDNG from the IO Industries Flare 4K
•
4K RAW -> 4K CinemaDNG 23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60
NEW FEATURES: ALL MODELS (APOLLO, OD/7Q/7)
8-CHANNEL AUDIO SUPPORT
• Record 8-channel SDI embedded audio in Apple ProRes (HQ/422/LT)
• Up to 32 channels in Apollo Quad-HD (8 channels per video input)
•
Up to 16 channels in Apollo Dual-4K (8 channels per video input)
•
Up to 8 channels in Odyssey 4K/UHD/2K/HD
•
SDI embedded only, HDMI & Analog In limited to 2-Channel audio
•
Audio meters display first two channels per input (first four channels per input in Apollo Dual-4K)
•
Audio Out & HDMI/SDI embedded out use first two channels of video inpu
Note: 8-channel audio not available in RAW, RAW->Apple ProRes, DPX, or Apple ProRes 4444 modes