105
Chapter 7 Changing Effect Settings
7
DS
→
CHO (Distortion
→
Chorus)
This effect connects distortion and chorus in series.
fig.RE07-129
The parameters are essentially the same as “OD
→
CHO,”
with the exception of the following two.
DS DRIVE (Distortion Drive) 0–127
Specify the amount of distortion for the overdrive. The
volume will change together with the amount of distortion.
CHO BAL (Chorus Balance) D100:0E–D0:100E
Specify the relative volume levels for the distortion sound
that does not pass through chorus, versus that which does.
A setting of D100:0E will result in output of solely the
distortion sound, while a setting of D0:100E will cause only
the distortion sound that is passed through chorus to be
output.
DS
→
FL (Distortion
→
Flanger)
This effect connects distortion and flanger in series.
fig.RE07-130
The parameters are essentially the same as in “OD
→
FL,”
with the exception of the following two.
DS DRIVE (Distortion Drive) 0–127
Specify the amount of distortion for the distortion. The
volume will change together with the amount of distortion.
FL BAL (Flanger Balance) D100:0E–D0:100E
Specify the volume balance between the distortion sound
that does not pass through the flanger and the distortion
sound that does pass through the flanger.
A setting of D100:0E will output only the distortion sound,
and a setting of D0:100E will output only the distortion
sound that is passed through the flanger.
DS
→
DLY (Distortion
→
Delay)
This effect connects distortion and delay in series.
fig.RE07-131
The parameters are essentially the same as in “OD
→
DLY,”
with the exception of the following two.
DS DRIVE (Distortion Drive) 0–127
Specify the amount of distortion for the overdrive. The
volume will change together with the amount of distortion.
DLY BAL (Delay Balance) D100:0E–D0:100E
Specify the volume balance between the distortion sound
that does not pass through the delay and the distortion
sound that does pass through the delay.
A setting of D100:0E will output only the distortion sound,
and a setting of D0:100E will output only the distortion
sound that is passed through the delay.
EH
→
CHO (Enhancer
→
Chorus)
This effect connects an enhancer and a chorus in series.
fig.RE07-132
EH SENS (Enhancer Sensitivity) 0–127
Specify the sensitivity of the enhancer.
EH MIX (Enhancer Mix Level) 0–127
Specify the volume of the overtones generated by the
enhancer, relative to the original sound.
CHO PREDLY (Chorus Pre delay) 0.0–100 ms
Specify the time delay from the original sound until the
chorus sound is heard.
CHO RATE (Chorus Rate) 0.05–10.0 Hz
Specify the modulation frequency of the chorus sound.
CHO DEPTH (Chorus Depth) 0–127
Specify the modulation depth of the chorus sound.
L in
R in
Chorus
Distortion
L out
R out
Balance E
Balance E
Balance D
Balance D
L in
R in
Flanger
Distortion
L out
R out
Balance E
Balance E
Balance D
Balance D
Feedback
L in
R in
Delay
Distortion
L out
R out
Balance E
Balance E
Balance D
Balance D
Feedback
Chorus
L in
R in
L out
R out
Mix
Mix
Enhancer
Enhancer
Balance E
Balance E
Balance D
Balance D