Behringer Eurorack MX3242X, Руководство пользователя

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EURORACK MX3242X
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Fig. 4.1: Example of a studio organization with four Patchbays
In the first eight modules of Patchbay
1
the Subgroup outputs are directly connected to the corresponding
multitrack inputs. In addition to that it is also possible to record the signals coming from a Subgroup on a
different track of the multitrack. To save space and provide a clearly structured configuration, the Direct
Outputs are connected both to the top and bottom jacks. Modules 17 & 18 are the stereo master output, which
is half-normalled and thus allows for recording both to the DAT recorder and the tape deck, simply by
patching it accordingly. Modules 19 & 20 (tape deck) are open, because it does not make sense connecting
the inputs and outputs of the tape deck. 21 & 22 are normalled and route the DAT recorder outputs to the
2-Track-ins of the mixing console. So it always is possible to control the recorded data on the 2-Track from
the mixing console. The CD player and the HiFi system are connected to modules 23 & 24, which are open,
because they only serve as a source.
In Patchbay
2
the first 16 modules are normalled (1 through 8 IN could also be used to connect the
corresponding monitor inputs – if the console has a separate monitor section). MIDI devices such as
samplers, expanders, keyboards, etc. are usually set up in every corner of the room. To make the cabling
better structured we route these units to modules 9 through 16. This allows further workmanship of the MIDI
devices at the mixing console. Modules 17 through 20 are normalled and have the FX inputs and the Aux
Sends connected, 21 through 24 are also normalled and are patched to the two stereo Aux Returns with the FX
outputs.
In patchbay
3
, modules 1 through 16 are for the channel insert. These modules are half-normalled, so that
you have an additional route for the channel signals. The same applies to the insert paths of the Subgroups
and the master output. The headphones amp is connected to 23 & 24, which are normalled and connected to
the Control Room outputs of the mixing console. Of course, you can also use pre-fader Aux paths for the
headphones mix.
Patchbay
4
manages the dynamics and frequency-processing devices in an open configuration (modules
1 through 16). Multigates and Compressors should be used here, in particular. Modules 17 through 24 are used
to provide a “parallel split”, i.e. two modules are patched to each other on the rear with one patch cord, so that
you can split up a signal applied on the front panel to several destinations. These modules have a parallel
configuration.
It should be noted that Patchbays should be placed one below the other in such a way that the patch cords
won’t hang all over the Patchbays. In our example you don’t have to span great distances, for instance, to
patch the Dynamics and EQ’s to the insert paths.
4. APPLICATIONS