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13

EURORACK MX3242X

All Aux Sends are mono, post-EQ and post-mute. To make sure that the signal form the Main input channel is

sent to the Aux bus, SOURCE buttons 

 and 

 should be up (not pressed). However, you can also split

the Aux buses and use them both for the Main input channel and for the Mix-B channel. Aux Sends 1 

 and

  can  be  set  either  pre  or  post-fader  using  button 

,  while  Aux  Sends  3  through  6  are  always

post-fader. Aux Sends 3 and 4 as well as 5 and 6 are controlled by potentiometers 

 and 

. The SHIFT

button 

 determines whether Aux 3 and 4, or 5 and 6 are active. Aux control 3 (marked FX) controls the level

sent to the on-board digital Effects Processor. Of course, you can also drive an external effects device from

Aux Send 3. Simply use the Aux Send jack 3 and any of the Aux Return inputs on the rear of the MX3242X to

connect to the external device. In this case, the on-board Effects Processor does no longer receive a signal

from Aux Send 3.
For almost all effect send purposes, you will want Aux Sends to be post-fader, so that when a fader level is

adjusted, the effect intensity from that channel follows the fader. Otherwise, when the fader is pulled down, the

effect signal from that channel will still be audible. For cueing purposes, Aux Sends will usually be set

pre-fader, i.e. independent of the channel fader.
Most effects devices sum internally the left and right inputs. The very few that don’t may be driven in true stereo

by using 2 Aux Sends.
There is +15 dB of gain on every Aux Send. Such a high boost is usually only appropriate where the channel

fader is set around -15 dB or lower. Here, an almost exclusively “wet” signal will be heard. In most consoles,

such a wet mix requires the use of a pre-fader setting for channel Aux Send, losing fader control. With the

EURORACK you can have a virtually wet mix even in a post-fader configuration, i.e. with total fader control.
The headphones amplifier BEHRINGER POWERPLAY PRO HA4400 gives you a straightforward tool to

realize four independent headphone mixes in stereo.

2.1.4 Routing, fading and muting

Fig. 2.6: Fader range of Main input channel

Level to the Main mix, Subgroup buses or direct outputs is ultimately determined by the channel faders 

.

2. OPERATION

Содержание Eurorack MX3242X

Страница 1: ...User s Manual EURORACK MX3242X Version 1 2 May 2001 www behringer com ENGLISH...

Страница 2: ...pliances including amplifiers that produce heat Power Source The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance...

Страница 3: ...o share our joy with you because you are the most important member of the BEHRINGER family With your highly competent suggestions for new products you ve greatly contributed to shaping our company and...

Страница 4: ...rus flanger pitch shifter speaker simulation and various combinations s Extremely high headroom offering a huge dynamic range s Balanced inputs and main outputs for highest signal integrity s Ultra mu...

Страница 5: ...15 2 3 1 Main input channels 16 2 3 2 Subgroups 16 2 3 3 Main mix 16 2 3 4 Direct output on each Main input channel 16 2 4 Main section 17 2 4 1 Aux Send buses 17 2 4 2 Aux Returns additional stereo l...

Страница 6: ...7 4 3 5 Open 27 4 3 6 Patchbay organization 27 4 3 7 Looming problems 29 4 4 Expanding the MX3242X 29 4 4 1 Expander Port 29 4 4 2 Modifications 30 5 TECHNICAL BACKGROUND 33 5 1 Mixing 33 5 1 1 Equali...

Страница 7: ...as they may seem at first provided you understand the language used The vocabulary of mixing is pretty straightforward a slot in a recorder will always be referred to as a track while that in a mixer...

Страница 8: ...be used for external effects devices Stereo Aux Returns additional stereo Line inputs The MX3242X is equipped with 4 stereo Aux Returns located above the Subgroups The inputs can be used as stereo eff...

Страница 9: ...e Power Supply Any amplifier circuit is limited in its transient response by the available current Every mixer has numerous operational amplifiers op amps inside to process line level signals When bei...

Страница 10: ...s Please note that each angle can be mounted on a specific side only To be able to reach the rear connectors when the MX3242X is mounted in a rack you should rotate the interface panel by 90 after loo...

Страница 11: ...e input signal onto the level meters in the Main section This also sends the SOLO PFL signal to the speakers For overall level setting you should use the mono PFL bus rather than the post fader and po...

Страница 12: ...he EQ IN button The HI and LO bands work with shelving type filters raising or lowering all frequencies beyond the selected value The cutoff frequencies of the HI and LO bands are 12 kHz and 80 Hz res...

Страница 13: ...ds to be post fader so that when a fader level is adjusted the effect intensity from that channel follows the fader Otherwise when the fader is pulled down the effect signal from that channel will sti...

Страница 14: ...he various processing options in the Main input channels for the recorded tracks a method that is anything but straightforward The EURORACK MX3242X features a FLIP switch see fig 2 3 which simply exch...

Страница 15: ...red For example in a live situation you can create a FOH mix with the Main Mix bus and use the Mix B channels to mix down a live recording The Mix B channels can also be used as a pre fader monitor bu...

Страница 16: ...you can use the Subgroup insert points located on the interface panel 2 3 3 Main mix The MX3242X features two insert points for the Main Mix bus 2 3 4 Direct output on each Main input channel Fig 2 10...

Страница 17: ...ept Aux FX Return 3 the corresponding Aux Return is automatically set to mono signal on left and right channel These inputs have a BALANCE and a LEVEL control Like the Main input channels Aux Returns...

Страница 18: ...also chapter 3 PRACTISE Here the signal is always taken pre fader and routed to the mono PFL bus SOLO Pressing button once deactivates the mono PFL bus and replaces it with a separate stereo SOLO bus...

Страница 19: ...board carton Use the LEVEL control to set the volume of the monitors The MONO button allows you to check that stereo signals are mono compatible All buttons are effective on the monitor output only Th...

Страница 20: ...in Mix stereo field When the MAIN Mix button is up the PAN control has no influence on the Subgroup signals In live applications Subgroups are often used to combine various groups of instruments and c...

Страница 21: ...Flanger 8 Medium Studio 24 Bright Flanger 9 Large Studio 25 Delay Reverb 10 Medium Concert 26 Chorus Medium Reverb 11 Large Concert 27 Chorus Large Reverb 12 Stage 28 Flanger Medium Reverb 13 Vocal 2...

Страница 22: ...Heavy pitch shifting can also be used to produce a Mickey Mouse type voice effect Delay Reverb Probably the most popular combination used for vocals solo guitars etc The program employs a Bright Room...

Страница 23: ...l i e unity gain 5 Route the channel as desired then switch off all PFL SOLO buttons Now set up the next channel 3 4 Desk normalization All board settings should be set to the normal default condition...

Страница 24: ...t a track sheet which is still a good idea to be able to figure out channel assignments even after years On the lower part of the console s panel you can attach a strip of tape on which to make notes...

Страница 25: ...for keyboards sound modules etc It should be noted though that the TO MAIN MIX button in the Mix B Main section must be pressed and the LEVEL control for the Mix B bus set to 12 o clock The Main Mix...

Страница 26: ...s or turning individual modules With the help of our ULTRAPATCH PRO PX2000 an easy to use 24 Patchbay offering phone jacks throughout you can easily understand the four different modes With the ULTRAP...

Страница 27: ...the digital cable route which causes interference in the digital path Use the BEHRINGER ULTRAMATCH SRC2000 specifically designed for this and other digital signal related functions Microphone inputs o...

Страница 28: ...n every corner of the room To make the cabling better structured we route these units to modules 9 through 16 This allows further workmanship of the MIDI devices at the mixing console Modules 17 throu...

Страница 29: ...atch leads with the screen connected at both ends Having designed mains hum out of the system make up your cable looms from the Patchbays outwards and use cable ties flexible sheaths multicores etc to...

Страница 30: ...fications The modifications described below require some soldering skills and should therefore be attempted only if you have sufficient experience in soldering If in doubt please contact an electronic...

Страница 31: ...31 EURORACK MX3242X Fig 4 10 Partial view of pc board carrying 8 mono and 8 Mix B input channels 4 APPLICATIONS...

Страница 32: ...signals are routed to the Mix B channels where you can use the Mix B LEVEL control to determine the level sent to the direct outputs When you connect the direct outputs to the multi track recorder Ta...

Страница 33: ...The broader the band the more musical but less instrument specific the effect Applying boost over a narrow bandwidth will sound honky For sounds which require drastic corrective EQ it is advisable to...

Страница 34: ...ty of dynamic range and treble pre emphasis is not often necessary Just don t let the signal distort When mixing or recording keep the channel fader levels around or below 0 dB If you do find the fade...

Страница 35: ...ables for the 2 Track in out traffic centre post signal ve sleeve ground screen It is possible to connect unbalanced sources to the balanced inputs Use either mono jacks or connect the ring and sleeve...

Страница 36: ...ve Ground Shield Sleeve Ground Shield Tip Tip Sleeve Sleeve Strain relief clamp Strain relief clamp Ring cold ve For connection of balanced and unbalanced plugs ring and sleeve have to be bridged at t...

Страница 37: ...300 Hz to 20 kHz 15 dB High 12 kHz 15 dB Lo Cut filter 3 dB at 75 Hz 18 dB oct Main Mix Max output 28 dBu balanced on XLR Aux Send max output 22 dBu unbalanced on jack Control Room output 22 dBu unba...

Страница 38: ...o that you can restore a specific recording or live set up if need be Particularly for live applications with several groups or a series of similar concerts it can be of great help to have the require...

Страница 39: ...ll be repaired or replaced within 30 days of receipt of the product at BEHRINGER 2 If the product needs to be modified or adapted in order to comply with applicable technical or safety standards on a...

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