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Chapter 4: Live Recording and Playback 33
On the VENUE System
To record a split of the Stage inputs:
1
Make sure the VENUE system and the
Pro Tools system are connected and configured.
2
Go to the Options page and click the
System
tab to access the System Configuration page to
confirm that your Stage inputs are active.
S ee
“Enabling Digital Splits” on page 11 for more in-
formation.
3
Set the level for the recording by adjusting the
input gain of each Stage input channel.
On the Pro Tools System
To record a split of the Stage inputs:
1
Launch Pro Tools and create a new session.
2
If necessary, confirm that track inputs are as-
signed correctly. To change a track’s input as-
signment, click the track’s Input Path selector
and choose the input source from the list.
3
Click the track’s Record Enable button. The
Record Enable button flashes when enabled,
and is lit solid when engaged.
4
In Pro Tools, confirm the record level. A con-
servative recording level is best with live record-
ings. Try to keep record level peaks in Pro Tools
to between –3 and –6 dB.
See Chapter 2, “Hardware Connections”
and Chapter 3, “Configuring VENUE and
Pro Tools” for more information.
If you want to record more than 81 Stage in-
put channels and you have a Pro Tools|HD
3 system (three Pro Tools HD cards total),
in VENUE route the Direct Outs of channels
81-96 to HDx 1 or MADI 1 assignable out-
puts, then assign to tracks in Pro Tools.
See “Creating a Session” on page 19 for
complete information on creating a
Pro Tools.
Pro Tools track input and output assignments
Input Path selector
A record-enabled track
To record enable all tracks at once, Option-
click (Mac) or Alt-click (Windows) a single
track’s Record Enable button.
A proper record level peak
If you want to increase recording levels, you
must increase the input gain for Stage input
channels on the VENUE system. 0 dBFS (the
maximum recording level available in
Pro Tools) equals 20 dBVU on the VENUE
system.
Record Enable button