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Live Recording Guide 32
4
Click the track’s Record Enable button. The
Record Enable button flashes when enabled,
and is lit solid when engaged.
5
When Pro Tools starts receiving audio, con-
firm the record level. A conservative recording
level is best with live recordings. Try to keep re-
cord level peaks in Pro Tools to between
–3 and –6 dB.
6
In the Edit window toolbar, or in the Trans-
port window (
Window > Transport
) click the Re-
cord button to arm the Transport.
7
When you are ready to start recording, click
Play or press the Spacebar. To stop, click Stop or
press the Spacebar.
Recording Digital Splits
(HDx and VENUE MADI only)
You can record a one-for-one direct digital split
of all Stage input channels, letting you do a true
multi-track live recording. Later, you can mix
and edit the tracks in Pro Tools. Tracks recorded
using digital splits also serve as the basis for HDx
or VENUE MADI Virtual Soundchecks.
The pickoff point for each channel split is post-
analog input gain, but pre-digital trim and all
channel processing, including high pass filter.
Thus, the gain for any input channel sent to
Pro Tools is dependent on the VENUE system
input gain setting of that Stage input channel.
A record-enabled track
To record enable all tracks at once, Option-
click (Mac) or Alt-click (Windows) a single
track’s Record Enable button.
A proper record level peak
Use RMS metering on your VENUE system
to get a better idea of how VENUE input lev-
els translate to Pro Tools recording levels.
On your VENUE system, go to Option > In-
teraction page. Under Meter, choose RMS
Ballistics.
Record Enable button
Arming the Transport
Use RMS metering on your VENUE system
to get a better idea of how VENUE input lev-
els translate to Pro Tools recording levels.
On your VENUE system, go to Option > In-
teraction page. Under Meter, choose RMS
Ballistics.