7.4.4. Phaser
A phaser uses a steep multipole filter whose frequency can be modulated by an LFO,
sweeping across the spectrum of the input, causing that familiar “whooshing” sound. It is
similar to flanging, but is filter and phase-based instead of time-based.
Control
Description
Hertz/Sync
(Rate Type )
Sets the mode of the LFO Rate control beneath it. See
.
LFO Wave
Selects one of six modulation waveforms: Sine, Triangle, Saw, Ramp, Square, or
SampleAndHold (which is an independent random S&H).
Frequency
Sets the harmonic center for the modulation effect.
Feedback
Controls the amount of phaser resonance.
LFO Rate
Controls the speed of the phaser effect, with sync options and without.
Appears as a Mod
Destination in the Mod Matrix.
LFO Amount
Determines the depth of the modulation effect. If depth is 0, the filter frequency stays in
one position.
Poles
Determines the steepness of the filter frequency response from 2 (subtle) to 12 (extreme).
Stereo
Gradually changes the phaser from mono to stereo output.
Dry/Wet
Controls the balance between the input signal and the effected signal.
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Arturia - User Manual CZ V - FX (Effects)
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