Analogue Solutions NYBORG 12, Руководство пользователя

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Analogue Solutions | Nyborg | Manual
VCO 1 & 2
The voltage controlled oscillators (VCOs 1
and 2) produce the raw audio waveform
usually used as the initial source for sound
creation.
They provide cyclic audio waveforms that
can be pitched.
VCOs usually receive treatment from the
VCF to turn their basic tones into pleasant
sounds. Both VCOs have almost identical
controls. Both are described below.
TUNE
Controls pitch adjustment of the VCO. Use
this to tune the VCOs to each other, and to
themselves.
OCTAVE
The VCOs can be transposed up one or two
octaves.
When VCO1’s Octave switch is on the first
setting FREE, then MIDI-CV Pitch will no
longer change the pitch.
FREE (run) allows VCO1 to be used like a
LFO – that is as a CV control source,
unaffected by pitch. Or, it is good for VCO
Sync effects.
When VCO2’s Octave switch is on the first
setting WIDE, then the Tune range of the
TUNE control becomes extremely wide. It will be harder to set a specific pitch, but the
wide range allows some great effects when used in conjunction with other settings.
MODULATION
This controls the amount of modulation to either pulse width or pitch from the
modulation source selected by the SOURCE switch.
Turn this knob clockwise in increasing amounts to apply pulse width modulation (PWM)
to the VCO’s square wave. This will have the effect of thickening up the VCO sound.
Extreme settings of modulation may result in the sound cutting out (which can be used
for creative effect!) Turn this knob anti-clockwise in increasing amounts to apply
frequency modulation (FM) to the VCO. In a central position, there will be no
modulation to either PW or Frequency
Nyborg - Nov 2017
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