Tyros5 Reference Manual
35
2
Styles – Playing Rhy
thm
and Accompaniment –
Recording Bass, Chord 1–2, Pad and Phrase 1–2
The procedure below applies to Step 4 in the Basic Procedure on
.
1
From the BASIC page, while holding down the [F] (REC CH) button, press one of the
[3
]–[8
] buttons to select the desired channel as Record target.
A confirmation message appears, prompting you whether or not to delete the already recorded data of the selected
channel. Press the [G] (YES) button to delete data and the selected channel is specified as the Record target. Note
that channel data of the preset Style cannot be overdubbed.
2
If necessary, select a Voice then practice the bass line, chord backing, or phrase to be
recorded.
Press one of the [3
]–[8
] buttons (selected channel) to call up the Voice Selection display then select the
desired Voice. After selecting, press the [EXIT] button to return to the original display. With the selected Voice,
practice the phrase or chord backing to be recorded.
• Available Voices for recording
Any except for the Organ World Voices/Drum Kit/SFX kit Voices can be used for recording.
• Record a phrase in C Maj7 (for playing appropriate notes while chords change during performance)
Rules when recording a Main or Fill
With the default initial settings, the Source Root/Chord is set to CMaj7. This means that you should record a
Source Pattern using a CMaj7 scale, which will change according to the chords you specify during normal per-
formance. Record a bass line, phrase or chord backing which you want to hear when CMaj7 is specified. See
below for details.
• Use only the CMaj7 scale tones when recording the BASS and PHRASE channels (i.e., C, D, E, G, A, and B).
• Use only the chord tones when recording the CHORD and PAD channels (i.e., C, E, G, and B).
If you observe this rule, Style playback notes are appropriately converted depending on the chord changes you
make during your performance.
Rules when recording an Intro or Ending
These Sections are designed assuming that the chord is not changed during playback. This is why you need not
observe the rule for Main and Fill-In Sections described above, and you can create special chord progressions
when recording. However, follow the rules below since the Source Root/Chord is set to CMaj7.
• When recording the Intro, make sure that the recorded phrase leads properly into the CMaj7 scale.
• When recording the Ending, make sure that the recorded phrase begins with or properly follows a CMaj7
scale.
C R C
C R C
C = Chord note
C, R = Recommended note
NEXT PAGE
