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Tyros5 Reference Manual

21

1

Vo

ices –

Playing the

K

eyboar

d

–

Ensemble Voice Key Assign Status List (Indication only)

* Indicates an integer of 1 or higher.

Ensemble Voice Key Assign Type List

Parameter

On-screen
display

Full name

Description

Filter 1/
Filter 2

F*D

First * in Descend-
ing

The highest * notes (“*” indicates the num-
ber of notes) are selected from the input
notes and sent to the next stage.

A*D

After *-th in
Descending

The *th highest note and any higher notes
do not sound, but all lower notes are
selected from the input notes and sent to the
next stage.

F*A

First * in Ascend-
ing

The lowest * notes are selected from the
input notes and sent to the next stage.

A*A

After *-th in
Ascending

The *th lowest note and any lower notes do
not sound, but all higher notes are selected
from the input notes and sent to the next
stage.

THRU

Through

All input notes are sent as is to the next stage.

Assign

HI

Highest

Of the notes remaining after Filter 2, the highest is selected.

LO

Lowest

Of the notes remaining after Filter 2, the lowest is selected.

EA

Earliest

Of the notes remaining after Filter 2, the one input first of all is
selected.

LA

Latest

Of the notes remaining after Filter 2, the one input last of all is selected.

Key off
retrigger

RTG

Retrigger

Key Assign is updated whenever some of the keys are released (and
notes satisfying all applicable conditions are played).

(Not dis-
played)

-

Whenever keys are released, the corresponding voices simply stop
playing and are not reassigned. However, when you play in legato,
notes will be retriggered regardless of whether Key off retrigger is off
or on (Yes or No in the table below).

*

=2

*

=2

*

=2

*

=2

No.

Key Assign Type

Description

Key off retrig-
ger (*3)

1

Unison 1—latest

This setting results in complete unison. If one key is
played, all four parts will produce the same note. If
multiple keys are played, the unison note will be
selected based on the last one played.

Yes

2

Unison 2—highest and
lowest

This setting produces unison or a two-note harmony.
If one key is played, all four parts will produce the
same note; however, if two or more are played, the
parts will be split between the lowest and highest.

Yes

3

4 Voice Close—all parts on
retrigger

This setting is suitable for closed chords. If one key is played, all four
parts will produce a sound. If two or more keys are played, the parts will
be divided among the various notes of the chord.

Yes

4

4 Voice Close—all parts on

No

Part 1
Part 2
Part 3
Part 4

Part 1
Part 2
Part 3
Part 4

Part 1
Part 2
Part 3
Part 4

Part 1
Part 3
Part 2
Part 4

Part 1
Part 2
Part 3
Part 4

Part 1
Part 2
Part 3
Part 4

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Summary of Contents for Tyros5

Page 1: ... Manual This Reference Manual explains advanced features of the Tyros5 that are not explained in the Owner s Manual Please read the Owner s Manual first before reading this Reference Manual C S G DMI Development Division 2013 Yamaha Corporation 311PO A0 ...

Page 2: ...eatures with Song Playback 54 Song Playback Related Parameters Repeat Settings Channel Settings Guide Function 55 Creating Editing Songs Song Creator 59 5 Audio Recorder Player Recording and Playback Audio Files 76 Recording Your Performance 76 Converting a file 80 Editing the Recorded Data Multi Track Recording File 82 Re recording the Multi Track Recording File 84 Setting the Start End Points of...

Page 3: ...strations and LCD screens as shown in this manual are for instructional purposes only and may appear somewhat different from those on your instrument Note that all display examples shown in this manual are in English The company names and product names in this manual are the trademarks or registered trademarks of their respective companies Using the PDF manual To quickly jump to items and topics o...

Page 4: ...ng being plucked again Depending on how you play other effects such as shaking or breath noises for the Trumpet Voice or finger noises for the Guitar Voice are produced For details on how to best play each S Art Voice call up the information window pressing the 6 INFO button in the Voice Selection display S Art2 Super Articulation2 For wind instrument Voices and Violin Voices a special technology ...

Page 5: ...tar part can be played with just a single Voice using specific velocity values to play the desired sounds Because of the complex nature of these Voices and the precise velocities need to play the sounds they re not intended for playing from the keyboard They are however very useful and convenient when creating MIDI data especially when you want to avoid using several different Voices just for a si...

Page 6: ... playing two notes con tinuously for example C and D these two notes will be smoothly joined and not sound independent as they would on a piano AEM Articulation Element Modeling is the technology for simulating this characteristic of instruments During performance the most appropriate sound samples are selected in sequence in real time from huge quantities of sam pled data They are smoothly joined...

Page 7: ...ch Response is applied to the checkmarked parts 1 2 TOUCH Determines the Initial Touch Response type HARD 2 Requires strong playing to produce high volume Best for players with a heavy touch HARD 1 Requires moderately strong playing for higher volume MEDIUM Standard Touch Response SOFT 1 Produces high volume with moderate playing strength SOFT 2 Produces relatively high volume even with light play...

Page 8: ...lies the effect to the part for which PART ON OFF is on When more than one parts are on the RIGHT 1 part is given priority over the RIGHT 2 3 part In a similar way the RIGHT 2 part is given priority over the RIGHT 3 part MULTI When more than one parts are on the note played on the keyboard is sounded by the RIGHT 1 part and the harmonies effect are divided to the RIGHT 1 RIGHT 2 and RIGHT 3 parts ...

Page 9: ...f status Echo Types The Echo Tremolo or Trill effect is applied to the note played in the right hand section of the keyboard in time with the currently set tempo regardless of the ACMP and the LEFT part on off status Keep in mind that Trill works when you hold down two notes on the keyboard simultaneously or the last two notes if more than two notes are held and it plays those notes alternately Th...

Page 10: ...spaced in pitch This is the most commonly used tuning in music today PURE MAJOR PURE MINOR These tunings preserve the pure mathematical intervals of each scale especially for triad chords root third fifth You can hear this best in actual vocal harmonies such as choirs and a cappella singing PYTHAGOREAN This scale was devised by the famous Greek philosopher and is created from a series of per fect ...

Page 11: ...itch of the keyboard is transposed yet maintains the original pitch relationship between the notes 3 5 TUNE Select the desired note to be tuned by using the 3 buttons and tune it in cents by using the 4 5 buttons 6 7 PART SELECT Select the part to which the Scale Tune setting is applied by using the 6 7 buttons Then press the 8 button to add a checkmark or press the 8 button to remove the checkmar...

Page 12: ...utton to call up the VOICE SET display 3 Use the TAB E F buttons to call up the relevant setting page For information on the available parameters in each page see the Editable Parameters in the VOICE SET Dis plays on page 13 4 As necessary use the A B buttons to select the item parameter to be edited and edit the Voice by using the 1 8 buttons or sliders By pressing the D COMPARE button you can co...

Page 13: ... edited Voice is played monophonically or polyphonically This setting can also be made from the VOICE EFFECT MONO button on the panel 7 PORTAMENTO TIME Determines the pitch transition time when the edited Voice is set to MONO above 0 64 127 64 127 0 64 127 64 127 Actual Velocity for tone generator Depth 127 twice Depth 64 normal Depth 32 half Depth 0 TOUCH SENSE DEPTH Changes to velocity curve acc...

Page 14: ...amplitude volume 5 LFO PMOD Determines the degree to which After Touch modulates the pitch or the vibrato effect 6 LFO FMOD Determines the degree to which After Touch modulates the Filter modulation or the wah effect 7 LFO AMOD Determines the degree to which After Touch modulates the amplitude or the tremolo effect 1 BRIGHT Brightness Determines the cutoff frequency or effec tive frequency range o...

Page 15: ...epth 3 4 CHORUS DEPTH Adjusts the chorus depth 5 DSP ON OFF Determines whether the DSP effect is on or off This setting can also be made from the VOICE EFFECT DSP button on the panel 6 DSP DEPTH Adjusts the DSP depth If you want to re select the DSP type you can do so in the 2 DSP menu explained on page 15 7 PANEL SUSTAIN Determines the sustain level applied to the edited Voice when the VOICE EFFE...

Page 16: ...l up the operation display FUNCTION E REGIST SEQUENCE FREEZE VOICE SET TAB E F VOICE SET 2 Use the A B buttons to select the desired keyboard part 3 Use the 4 7 buttons to turn on or off of each item for the selected Part When the button is set to ON the corresponding parameter settings are called up automatically together with the Voice selection For information on which parameters are linked to ...

Page 17: ...rmation on the available parameters in each display see pages 15 and 18 4 As necessary use the A B buttons to select the item parameter to be edited and edit the Voice by using the 1 8 buttons or sliders 5 Play the keyboard FOOTAGES Page Editing Organ Voices Organ World After editing go to the Registra tion Memory function and save the setting The settings will be lost if you select another Voice ...

Page 18: ...VIBRATO SPEED Vibrato Speed Vintage Home type only Determines the speed of the vibrato effect controlled by the Vibrato On Off F but ton and Vibrato Depth G H buttons 4 MODE The MODE control selects between two modes FIRST and EACH In the FIRST mode attack percussive sound is applied only to the first notes played and held simultaneously while the first notes are held any subsequently played notes...

Page 19: ...the J PRESETS button then select the desired one from the various Preset Ensemble Voices For information on how to select more Ensemble Voices refer to the Owner s Manual 2 Press the E EDIT button to call up the Ensemble Voice edit display 3 Use the TAB buttons to call up the relevant setting page For information on the available parameters in each page see pages 20 24 4 Use the A E buttons to sel...

Page 20: ... or off Ensemble Voice Key Assignment Structure Each Part monitors all the pressed notes and plays the appropriate notes according to the settings you made For details about the settings refer to the Ensemble Voice Key Assign Status List You can conveniently call up the settings for all parts at once The current setting of each Part Key Assignment Status is displayed at the bottom of its own keybo...

Page 21: ... of all is selected Key off retrigger RTG Retrigger Key Assign is updated whenever some of the keys are released and notes satisfying all applicable conditions are played Not dis played Whenever keys are released the corresponding voices simply stop playing and are not reassigned However when you play in legato notes will be retriggered regardless of whether Key off retrigger is off or on Yes or N...

Page 22: ... all parts on No 13 3 Voice Open all parts on retrigger This setting produces a three note ensemble for open chords 1 Yes 14 3 Voice Open all parts on No 15 3 Voice Incremental 1 from highest retrigger Three note version of an ensemble with priority given to higher parts For example Parts 1 4 are played for one key Parts 1 4 and Part 2 are played for two keys and so on 1 Yes 16 3 Voice Incremental...

Page 23: ...ine control over the bal ance of all the parts These parameters correspond to the LEFT and RIGHT 1 3 parameters of the VOL VOICE tab in the MIXING CONSOLE display 3 6 Selects the part to which the editing is applied then set the value for each part Only the recommended Voices that are suitable for Ensemble Voices can be selected NOTE B OCTAVE Determines the range of the pitch change in octaves ove...

Page 24: ...mines the pitch vibration pitch range when the sound is being produced The higher the value the greater the pitch range D ATTACK PITCH RANGE Determines the actual pitch envelope immediately after the sound is produced The higher the value the greater the pitch range E ATTACK PITCH ADJUST TIME Determines the time between the moment the sound is produced and the moment the pitch envelope reaches the...

Page 25: ...d changes and colorful harmonies are instantly transformed into lifelike musical accompaniment Session These Styles provide even greater realism and authentic backing by mixing in original chord types and changes as well as special riffs with chord changes with the Main sections These have been programmed to add spice and a professional touch to your performances of certain songs and in certain ge...

Page 26: ...rd Fingering Type Chord Tutor Function With this function shown in the right half of this display you can see which notes to press for specifying the chord If you know a chord name but don t know how to play it use this function Although this function shows how to play a chord only in case of Fingered the indication is useful also when a type other than Sin gle Finger is selected Use the 6 buttons...

Page 27: ...if you split the notes between your left and right hands for example playing a bass note with your left hand and a chord with your right or by playing a chord with your left hand and a melody note with your right AI FINGERED Basically the same as Fingered with the exception that less than three notes can be played to indicate the chords based on the previously played chord etc AI FULL KEYBOARD Thi...

Page 28: ...he OTS Link function This parameter determines the timing in which the One Touch Settings change with the MAIN VARIATION A D change The OTS LINK button must be on REAL TIME One Touch Setting is immediately called up when you press a MAIN VARIATION button NEXT BAR One Touch Setting is called up at the next measure after you press a MAIN VARIATION button 3 SYNCHRO STOP WINDOW This determines how lon...

Page 29: ...s not contained in the selected Style MAIN C will be called up 7 TEMPO This determines whether the tempo setting of the Style changes or not when you change Styles LOCK The previous tempo setting is always maintained HOLD During Style playback the previous tempo setting is maintained When Style playback is stopped the tempo changes to that of the initial default tempo for the selected Style RESET ...

Page 30: ...isplay do not affect the One Touch Settings 4 Press the ONE TOUCH SETTING 1 4 button to which you wish to memorize your panel settings Follow the onscreen message To memorize various panel settings to other buttons press the G NO button then repeat steps 2 4 5 Press the F YES button to call up the Style Selection display and save the One Touch Setting as a Style For instructions on saving refer to...

Page 31: ...he Audio part If you select a preset Audio Style as starting data the Audio part will be used as is The Audio part cannot be deleted edited or created from scratch The created Style containing the Audio part can be used only via an instrument that supports Audio Styles as well as the SFF GE format The Audio part cannot be copied from another Style or Section in the ASSEMBLE page If you want to use...

Page 32: ...ting data changing the pattern length deletes the corresponding Audio part For the entire current Style set the Tempo and Time Signature in the display called up via the B button 4 Create the Source Pattern for each channel Realtime Recording on the BASIC page page 33 Lets you record the Style by simply playing the keyboard Step Recording on the EDIT page page 37 Lets you enter each note individua...

Page 33: ... Realtime Recording Characteristics in the Style Creator Loop Recording Style playback repeats the rhythm patterns of several measures in a loop and Style recording is also done using loops For example if you start recording with a two measure MAIN section the two measures are repeatedly recorded Notes that you record will play back from the next repetition loop letting you record while hearing pr...

Page 34: ...rn each channel on or off as desired If you selected an Audio Style as starting data turn the Audio part on or off via the H button 4 As soon as loop playback returns to the first beat in the first measure start playing the rhythm pattern to be recorded If the rhythm is difficult to play in real time break it up into individual parts and play each separately as the play back loops as shown in the ...

Page 35: ...tes while chords change during performance Rules when recording a Main or Fill With the default initial settings the Source Root Chord is set to CMaj7 This means that you should record a Source Pattern using a CMaj7 scale which will change according to the chords you specify during normal per formance Record a bass line phrase or chord backing which you want to hear when CMaj7 is specified See bel...

Page 36: ...g data turn the Audio part on or off via the H button 4 As soon as loop playback returns to the first beat in the first measure start playing the bass line chord backing or phrase to be recorded 5 Press the START STOP button to stop playback If you want to add more notes press the START STOP button again to continue recording To hear the playback sound of the already recorded channels with another...

Page 37: ...BASIC page It cannot be set on the EDIT page Unlike in Song Creator Chord and Lyrics data cannot be entered This is because such data is not necessary for Style playback For instructions on Step Recording refer to pages 60 63 For information on the EDIT page Event List display in Song Creator refer to page 72 Style Assembly This allows you to copy channel data as a Source Pattern from another pres...

Page 38: ...ing the Style During Style Assembly below 4 As desired execute the same operations for another channel Playing the Style During Style Assembly While you are assembling a Style you can play back the Style and select the method of playback Use the 6 7 PLAY TYPE buttons in the Style Assembly display to select the playback method SOLO Plays back the selected channel in the ASSEMBLY Page Any channels s...

Page 39: ...ected value For example when ORIGINAL BEAT is set to 8 Beat and BEAT CONVERTER is set to 12 all 8th notes in the section are shifted to 8th note triplet timing The 16A and 16B Beat Converter which appear when ORIGINAL BEAT is set to 12 Beat are variations on a basic 16th note setting 5 6 SWING Produces a swing feel by shifting the timing of the back beats depending on the ORIGINAL BEAT parameter a...

Page 40: ...e Undo function only has one level only the previous opera tion can be undone 1 2 CHANNEL Selects the desired channel part to which Dynamics is to be applied The selected channel is shown at the upper left of the display 3 4 ACCENT TYPE Determines the type of accent applied in other words which notes in the part s are emphasized with the Dynamics settings 6 STRENGTH Determines how strongly the sel...

Page 41: ...es within the selected channel 5 REMOVE EVENT This function lets you remove specific events from the selected channel 2 Use the 1 2 CHANNEL buttons to select the channel to be edited The selected channel is shown at the upper left of the display 3 Use the 4 8 buttons to edit the data 4 Press the D EXECUTE button to actually enter the edits for each display After the operation is completed this but...

Page 42: ...hese parameters before recording Set these parameters after recording Source Pattern settings Source Root Source Chord Determines what key and what chord type are used for playing Note Conversion from the Source Pattern NTR Conversion via the Chord Root change page 44 NTT Conversion via the Chord Type change page 44 Chord changes during normal performance Octave Setting of the Converted Notes High...

Page 43: ...f without executing the Save opera tion The parameters here should be set before recording If you change the settings after record ing the appropriate note conver sion cannot be done even when you specify various chord types NOTICE IMPORTANT C R C C R C R C C R C C R C C C R C R C C C R C C C C C R C C C C C R C C C C R C C R C R C R C R C R C C R C C R C C C R C C C R R R C C C C C R C C C C R C ...

Page 44: ...nship between notes MELODY Suitable for melody line transposition Use this for melody channels such as Phrase 1 and Phrase 2 CHORD Suitable for chordal parts transposition Use this for the Chord 1 and Chord 2 channels especially when they contain piano or guitar like chordal parts MELODIC MINOR When the played chord changes from a major to a minor chord this table lowers the third interval in the ...

Page 45: ... Suitable for arpeggio played sound of the guitar resulting in beautiful four note arpeg gio sounds 4 5 HIGH KEY This sets the highest key upper octave limit of the note transposition for the chord root change Any notes calculated to be higher than the highest key are transposed down to the next lowest octave This setting is available only when the NTR parame ter page 44 is set to Root Trans 6 NOT...

Page 46: ...e the following points Since only the Right 1 part performance will be recorded as a Multi Pad phrase you should select the desired Voice for the Right 1 part beforehand The Super Articulation Voices and the Organ Flutes Voices cannot be used for Multi Pad Recording If one of these Voices is set for the Right 1 part it will be replaced with the Grand Piano Voice when recording Since recording can ...

Page 47: ...p recording Press the H STOP button or the panel MULTI PAD CONTROL STOP button or the STYLE CONTROL START STOP button to stop recording when you ve finished playing the phrase 9 Listen back to your newly recorded phrase by pressing the appropriate MULTI PAD but ton 1 4 To re record the phrase repeat steps 6 8 10 Turn the Repeat parameter of each pad On or Off by using the 1 4 buttons If the Repeat...

Page 48: ...of the Multi Pads belonging to the Bank For instructions on managing the Multi Pad Bank refer to the Basic Operations of the Owner s Manual This section covers how to manage each Multi Pad 1 Select the Multi Pad Bank containing the Multi Pad to be edited Press the MULTI PAD CONTROL SELECT button to call up the Multi Pad Bank Selection display use the TAB E F buttons to call up PRESET USER or USB w...

Page 49: ...anual Copying the Multi Pad 1 Press the 3 button of Menu 2 in step 4 above 2 Select the Multi Pad to be copied by using the A B F and G buttons then press the 7 OK button The selected Multi Pad is copied to the clipboard 3 Select the destination location by using the A B F and G buttons If you want to copy the selected Pad to another bank press the 8 UP button to call up the Multi Pad Bank Selecti...

Page 50: ...n the Song The protection indication is marked at the upper left of the protected Song name on the display Prot 1 Indicates that the Preset Song is saved to the User drive This type of Song cannot be copied moved and transferred to external devices such as a USB flash memory and a computer Prot 2 Orig Indicates Yamaha protection formatted Songs commercially available Songs This type of Song which ...

Page 51: ...ameter to any channel except OFF page 55 RIGHT next parameter and LEFT cannot be turned off at the same time 2 RIGHT ON OFF Enables disables display of the right hand notation RIGHT and LEFT above cannot be turned off at the same time 3 CHORD ON OFF Enables disables display of the chords If the selected Song does not contain chord data chords are not displayed 4 LYRICS ON OFF Enables disables disp...

Page 52: ...ttings for display ing notation 5 QUANTIZE This gives you control over the note resolution in the notation letting you shift or correct the timing of all displayed notes so that they line up to a particular note value Make sure to select the smallest note value used in the Song 6 NOTE NAME Selects the type of the note name indicated at the left of the note in the notation from among the following ...

Page 53: ...play and cannot be shown properly revise the text data by manually entering appropri ate line breaks NOTE NOTE 1 TEXT LYRICS Switches the screen between the Lyrics display lyrics data in the Song is shown and the Text display a text file selected via the 5 6 buttons 5 6 TEXT FILE Calls up the text File Selection display After selecting press the EXIT button to return back to the Lyrics Text displa...

Page 54: ...4 Press the STYLE CONTROL ACMP button to turn on the auto accompaniment function then press the SYNC START button to enable synchronized start of the accompani ment 5 Press the STYLE CONTROL START STOP button or play chords in the chord section The Song and Style starts playing When you play chords pressing the SCORE button and turning CHORD on page 51 allows you to see the chord information When ...

Page 55: ...the directory in which the contained Songs are played in sequence when REPEAT MODE is set to ALL or RANDOM Here the directory refers to the path memorized to each of the SONG I IV buttons CURRENT Sequentially plays all Songs in the directory containing the currently selected Song starting with the currently selected Song ALL Sequentially plays all Songs in all directories memorized to the SONG I I...

Page 56: ...ts pre programmed in the commercially available Song data Nor mally this should be set to ON 5 6 LYRICS LANGUAGE Determines the language displayed in the Lyrics display AUTO When the language is specified in the Song data the lyrics are displayed accordingly When the language is not specified in the Song data the lyrics lan guage is regarded as INTERNATIONAL below INTERNATIONAL Handles the display...

Page 57: ... Song playback continues Your Tempo The same as Follow Lights except that Song playback matches the speed at which you play Guide menu for singing Karao Key This function lets you control the Song playback timing with just one finger while you sing along This is useful for singing to your own performance Song playback pauses waiting for you to sing Simply play any key on the keyboard playing the k...

Page 58: ...shows the current chord type After stopping playback go to the next step 2 Call up the operation display FUNCTION B SONG SETTING 3 Press the 8 button to turn P A T Performance Assistant Technology on 4 Press the SONG F K PLAY PAUSE button to start playback 5 Play the keyboard Along with Song playback try playing the bass line with the left hand area while playing various phrases or chords with the...

Page 59: ...age 72 1 16 For recording melodies Step Recording see below or edits the recorded melodies page 72 SYS EX For editing System Exclusive events tempo time signature etc See page 72 LYRICS For inputting editing a Song name and lyrics See page 72 Creating Editing Songs Song Creator Channel 1 Song Channel 2 Channel 3 Channel 4 Channel 5 Channel 6 Channel 7 Channel 8 Channel 9 Channel 10 Channel 11 Chan...

Page 60: ...ay CREATOR A SONG CREATOR TAB E F 1 16 3 Press the F button to select the channel for recording 4 Press the G STEP REC button to call up the STEP RECORD display 5 To execute Step Recording use the A J buttons and 1 8 buttons as well as the keyboard Refer to the example on page 62 for specific instructions 3 4 When a note is input the location bar beat clock note name velocity and length are listed...

Page 61: ...omes KBD VEL Actual resulting velocity fff 127 ff 111 f 95 mf 79 mp 63 p 47 pp 31 ppp 15 H Determines the gate time actual length of the note to be entered Normal 80 Tenuto 99 Staccato 40 Staccatissimo 20 Manual The gate time can be set to any desired percentage by using the DATA ENTRY dial I Determines the note type to be entered normal dotted or triplet J DELETE Deletes the data of the current l...

Page 62: ...e normal note type 1 7 Press the 7 button to select the eight note length 1 8 Play the D3 key This enters the second note 2 Enter the next notes and apply staccato 2 1 Press the H button to select Staccato 2 2 Press the 6 button to select the quarter note length 2 3 Play the keys E3 and F3 in order This completes the first measure 3 To enter a quarter note rest press the 6 button again To enter th...

Page 63: ...3 key yet Keep holding it while executing the following steps 4 4 While holding the G3 key press the C4 key Do not release the G3 and C4 keys yet Keep holding the notes while executing the following step 4 5 While holding the keys G3 and C4 press the 5 button After pressing the button release the keys This enters the notes G3 and C4 notes have been entered as shown in the notation on the previous ...

Page 64: ...ong New Song is called up for recording 2 Select the Style you want to use in the Song 3 Call up the operation display CREATOR A SONG CREATOR TAB E F CHORD 4 Press the G STEP REC button to call up the STEP RECORD display 5 Execute Step Recording by using the A J buttons and 1 8 buttons Refer to the example on page 65 for specific instructions 6 Press the SONG J STOP button or press the C button to...

Page 65: ... but ton is turned off since no Fill in is included in the notation example above 1 Enter the chords for the Main A section 1 1 Press the STYLE CONTROL MAIN A button 1 2 Press the 5 button to select the half note length 1 3 Play the chords C F and G in the chord section of the keyboard The recorded Song data will be lost if you select another Song or turn the power to the instrument off without ex...

Page 66: ...G7 in the chord section of the keyboard 3 Enter the chords for the Main B section 3 1 Press the STYLE CONTROL MAIN B button 3 2 Press the 4 button to select the whole note length 3 3 Play the chord C in the chord section of the keyboard If you want to record a Fill In Section turn on the AUTO FILL IN button then press one of the MAIN VARIATION A D buttons NOTE 2 2 2 1 F G7 2 3 3 2 3 1 3 3 C ...

Page 67: ...re by pressing the 3 button 4 6 REC END Punch Out Determines the Punch Out timing REPLACE ALL This deletes all data after the point at which recording is stopped PUNCH OUT The Song position at which recording is stopped is regarded as the Punch Out point This setting maintains all data after the point at which recording is stopped PUNCH OUT AT Actual overwrite recording continues until the beginni...

Page 68: ...EPLACE ALL NORMAL PUNCH OUT NORMAL PUNCH OUT AT 006 FIRST KEY ON REPLACE ALL FIRST KEY ON PUNCH OUT FIRST KEY ON PUNCH OUT AT 006 PUNCH IN AT 003 REPLACE ALL PUNCH IN AT 003 PUNCH OUT PUNCH IN AT 003 PUNCH OUT AT 006 Original data Start overwrite recording 1 Start overwrite recording 1 Start overwrite recording 1 Play back original data Play back original data Play back original data Play back ori...

Page 69: ...tons For details of the edit menu and available settings see page 70 4 Press the D EXECUTE button to execute the operation for the current display After the operation with the exception of the SETUP menu is completed this button changes to UNDO letting you restore the original data if you are not satisfied with the operation results The Undo function only has one level only the previous operation ...

Page 70: ...e For exam ple when the straight eighth notes and eighth notes triplet are contained in the same channel if you quantize by the straight eighth notes all notes in the channel are quan tized to straight eighth notes completely eliminating any triplet feel However if you use the eighth note eighth note triplet setting both the straight and triplet notes will be quantized correctly 7 8 STRENGTH Deter...

Page 71: ...o transpose channels 9 and 10 In general Drum Kits are assigned to these channels If you transpose the channels of Drum Kits the instruments assigned to each key will be changed NOTE F CH 1 8 CH 9 16 Toggles between the two channel displays Chan nels 1 8 and Channels 9 16 G ALL CH To simultaneously set all channels to the same value adjust the Channel Transpose for one of the channels while holdin...

Page 72: ... display A B Moves the cursor up down and selects the desired event C Moves the cursor to the top beginning of the Song D E Moves the cursor left right and selects the desired parameter of the highlighted event H FILTER Calls up the Filter display page 74 letting you select only the events you wish to be shown in the event list I SAVE Press to save the edited Song J MULTI SELECT Holding this butto...

Page 73: ...is generated by controlling the PITCH BEND wheel A T After Touch This event is generated when pressure is applied to a key after the note is played ScBar Score Start Bar Determines the top measure of a Song Tempo Determines the tempo value Time Time signature Determines the time signature Key Key signature Determines the key signature as well as the major minor setting for the music score shown on...

Page 74: ...vents D CTRL CHG Displays all types of Control Change message events E STYLE Displays all types of Style playback related events H ALL ON Checkmarks all event types I NOTE ALL OFF CHORD NOTE shown when C MAIN is on selects only the NOTE data CHORD shown when E STYLE is on selects only the CHORD data ALL OFF shown when D CTRL CHG is on removes all checkmarks J INVERT Reverses the checkmark settings...

Page 75: ...p between those points 2 If the LOOP button is turned on while the Song is playing back between the top of the Song and SPJ 02 playback will loop between SPJ 01 and SPJ 02 3 If the Song is playing back between the second SPJ 01 and SPJ 03 and LOOP is turned on playback jumps back to SPJ 02 and loops between SPJ 02 and the second SPJ 01 Loop End Marker In the examples above the actual data of the L...

Page 76: ... performance several times to make up the complete song For example 1 record your keyboard performance to the Main track 2 record your vocal via the microphone to the Sub track Multi Track File formats that can be used Multi Track Recording This section covers the basic procedure of Multi Track recording The operation steps can be summarized as follows 1 Record your keyboard performance to the Mai...

Page 77: ...formance is finished press the STOP button to stop record ing 5 3 To hear your new recording press the PLAY PAUSE button The data is automatically saved in the internal HDD but you may want to backup your data from time to time Copying is the easi est way to do this However since copying within a folder in the HDD is not possible you need to cre ate a new folder For details on file management refe...

Page 78: ... PLAY PAUSE button to start recording Immediately after this operation start singing along with the Main track playback 7 4 When your performance is finished press the STOP button to stop recording 7 5 To hear your new recording press the PLAY PAUSE button Press the 1 s and buttons simultaneously to instantly reset the recording volume to 90 If you call up a different display press the MODE button...

Page 79: ...Step 9 the data of Sub track is recorded to both Main and Sub tracks To avoid duplicate playback of Sub track press the 5 MUTE button in the Multi Track Recorder display 12 Press the EXIT MULTI TRACK button then press the G YES button to exit from the Multi Track Recorder display At this point the recorded data have not been processed with the Mixdown opera tion converting a Multi Track recording ...

Page 80: ... FILE button 4 Use the TAB buttons to select the USB flash memory then use the A J but tons to select the desired audio file 5 Press the EXIT button to return to the AUDIO RECORDER PLAYER display 6 Press the F MULTI TRACK button then press the F YES button The conversion of the audio files wav mp3 to the Main track of the Multi Track recording file aud is completed 7 Execute the same operations fr...

Page 81: ... TAB buttons to select the USB flash memory then use the A J but tons to select the desired audio file 5 Press the EXIT button to return to the AUDIO RECORDER PLAYER display 6 Press the J MIXDOWN button to call up the MIXDOWN display 7 If necessary press the B FILE NAME button change the file name then press the 8 OK button 8 If necessary press the C SAVE TO button use the TAB and A J buttons to s...

Page 82: ...splay 3 Press A FILE button 4 Select the desired audio file by using A J buttons 5 Press EXIT button to return to the AUDIO RECORDER PLAYER display Editing the Recorded Data Multi Track Recording File The data is automatically saved in the internal HDD but you may want to backup your data before editing Copying is the easiest way to do this However since copying within a folder in the HDD is not p...

Page 83: ...I NORMALIZE button 3 At the prompt press the G OK button to start normalizing the selected track To cancel the operation press the H CANCEL button 2 Adjusting the Volume Balance On the TRACK PLAY meter you can adjust the volume of Main and Sub tracks sepa rately Use the 4 6 buttons or sliders to adjust the Main Sub track volume By using the 3 5 buttons you can also mute the Main Sub tracks 3 Delet...

Page 84: ...C Mix the recorded data NORMAL REC PLUS PLAYBACK 4 If you select NORMAL REC PLUS PLAYBACK play back the recorded audio and practice the part that you want to overdub while the audio is playing Change the volume settings if necessary If you wish to add a keyboard played Voice from the Tyros5 select the desired Voice If you wish to record your singing voice or an external instrument connect a microp...

Page 85: ...rded over and remain as the original data they play back normally to guide you in and out of the recording 1 Execute Steps 1 5 in Editing the Recorded Data Multi Track Recording File on page 82 to select the recorded data to be re recorded 2 Use the F TRACK SELECT button to select the track to be re recorded 3 Use the B C buttons to select a recording method Replace a certain range of the data PUN...

Page 86: ... punch in out position while listening to the playback 500 milliseconds loop playback before after the speci fied point The DATA ENTRY dial lets you adjust the point in seconds and the PREV NEXT buttons lets you adjust in milliseconds 2 3 Press the 7 MODE button to select After Before After repeats 500 milliseconds after the Nudge Data Position and Before repeats 500 milliseconds before the Nudge ...

Page 87: ...ke or you re not completely satisfied with your performance press the EXIT button to return to the Multi Track Recorder display then undo the Punch In Out operation by pressing the G UNDO but ton This function lets you set the Start and End points for the audio file This action is non destructive and affects only the playback of the data it does not actually delete any data from the start or end o...

Page 88: ...l the files in the current folder press the 6 ALL button 3 2 Press the 7 OK button to confirm the selection 4 Press the EXIT button 5 Press the AUDIO RECORDER PLAYER MODE button several times to call up the PLAYLIST display then check the Playlist to confirm that the files have been added If the Playlist already has audio files additional files are automatically put at the end of the list Added fi...

Page 89: ... window and selects the previous or next audio file in the Playlist You can use the AUDIO RECORDER PLAYER PLAY PAUSE button to pause and resume play at any time dur ing your performance 6 Press the AUDIO RECORDER PLAYER STOP button to stop playback To disengage the Playlist mode press the AUDIO RECORDER PLAYER MODE button several times to call up the Audio Recorder Player display then select an au...

Page 90: ...ct it Then press the 8 OK button The entry is deleted 3 Move the cursor to the desired location in the list with the 5 6 buttons and press the 3 INSERT button Copy and Insert 1 Press the 4 COPY button 2 Select the desired file entry by using the 5 buttons and press the 6 button to actually select it Then press the 8 OK button The entry is copied 3 Move the cursor to the desired location in the lis...

Page 91: ...ords so you can quickly call up the panel settings Song data and Style data you use fre quently 1 Select the desired Record from the MUSIC FINDER display 2 Press the H ADD TO FAVORITE button then press the G YES button to add the selected Record to the FAVORITE page 3 Select the FAVORITE page by using the TAB E F buttons and check to see if the Record has been added As with the ALL page you can se...

Page 92: ...lecting the desired Style press the EXIT button to return back to the EDIT display For SONG or AUDIO Records this field cannot be edited D BEAT Changes the beat time signature of the Record for search purposes For SONG or AUDIO Records this field cannot be edited E FAVORITE Selects whether the edited Record is added to the FAVORITE page or not 1 TEMPO Changes the Tempo For SONG or AUDIO Records th...

Page 93: ...peration and return to the MUSIC FINDER display in Step 1 press G NO to return to the EDIT display in Step 2 press H CANCEL 4 Press the F YES button to delete the current Record The Music Finder feature handles all the Records including the presets and additionally created Records as a single Music Finder file Keep in mind that individual Records panel settings Song audio and Style files cannot be...

Page 94: ...ss the A J buttons to select the desired Music Finder file A message appears prompting you to select one of the following options F REPLACE All Music Finder Records currently in the instrument are deleted and replaced with the Records of the selected file G APPEND The Records called up are added to the Records currently in the instrument H CANCEL Cancels the file selection operation Selecting REPL...

Page 95: ...o call up the Registration Bank Selection dis play then press one of the A J buttons to select the desired Bank 2 Make sure the MENU 1 is shown at the bottom right corner of the display 3 Press the 7 EDIT button to call up the REGISTRATION EDIT display 4 Select a particular Registration Memory to be edited by pressing any of the A D and F I buttons 5 Press the 1 button to rename or the 5 button to...

Page 96: ... FREEZE 2 Use the 2 7 buttons to select the desired item then use the 8 buttons to enter or remove the checkmark Items having checkmarks will be frozen when FREEZE is turned on 3 Press the EXIT button to exit from the operation display 4 Press the FREEZE button on the panel to turn the Freeze func tion on With this operation you can freeze or maintain checkmarked items even when you select another...

Page 97: ...T TAB E F REGISTRATION SEQUENCE 4 If you use a pedal specify here how the pedal will be used to advance or to reverse through the sequence Use the C or D button to select the pedal for advancing or reversing through the Registration Sequence For example if two pedals are connected Pedal 1 is used for advancing while Pedal 2 is used for reversing Note that the pedal settings here other than OFF wil...

Page 98: ...gistration Sequence behaves when reach ing the end of the sequence SEQUENCE END are included as part of the Registration Memory Bank file To store your newly programmed Registration Sequence save the cur rent Registration Memory Bank file 1 Press the REGIST BANK and buttons simultaneously to call up the REGISTRATION BANK Selection display 2 Make sure the MENU 2 is shown at the bottom right corner ...

Page 99: ...und the left most number indicating that this Registration Memory number is currently selected 4 Use the TAB buttons or Foot Pedal during your keyboard per formance To return to the status in which no Registration Memory number is selected press the E and F buttons simultaneously in the Main display The Registration Sequence is indicated at the upper right of the Main display letting you confirm t...

Page 100: ...RMONY button Turns on or off the Vocal Harmony w VOCAL EFFECT button Turns on or off the Vocal Effect which can be set on the display called up via VH TYPE SELECT 8 EDIT For details refer to page 104 e TALK button Switches the microphone setup between the Vocal setup used during microphone performance and Talk setup used during talk or between a certain performance and the next performance When se...

Page 101: ...d 1 On the MIC SETTING display in step 3 above press the H USER MEMORY button 2 Press the 6 SAVE button to save the file to USER For details on the naming and deleting procedures refer to the Basic Operations section in the Owner s Manual Making and Saving the Microphone Settings Vocal Talk The settings on the TALK page are microphone settings that are active when the Talk function is on NOTE 2 3 ...

Page 102: ...B Boosts or cuts the level of the corresponding band by up to 12 dB 1 SW Switch Turns the Noise Gate on or off 2 TH Threshold Adjusts the input level at which the gate begins to open 3 SW Switch Turns the Compressor on or off 4 TH Threshold Adjusts the input level above which the Compressor is applied 5 RATIO Adjusts the compression ratio Higher ratios result in a more compressed sound with a redu...

Page 103: ...rom those in the VOCAL page TALK MIXING selected by E button 1 VOLUME Determines the output volume of the microphone sound 2 PAN Determines the stereo pan position of the microphone sound 3 REVERB DEPTH Determines the depth of the reverb effects applied to the microphone sound 4 CHORUS DEPTH Determines the depth of the chorus effects applied to the microphone sound 5 6 REDUCTION LEVEL Determines t...

Page 104: ...ETUP button to call up the Setup display then set the value by using the 2 5 and 7 buttons For information on each parameter see page 105 3 After you finish setting the value press the EXIT button to close the Setup display Setting and Editing Vocal Harmony Types Check that the microphone is properly connected Owner s Manual chapter 8 and the settings Reference Manual page 101 are adjusted correct...

Page 105: ...ontrol the harmony 4 5 KEYBOARD OFF Keyboard performance does not affect the Vocal Harmony UPPER Notes played to the right of the Split Point control the harmony LOWER Notes played to the left of the Split Point control the harmony 7 CHORD In Chordal mode the following parameters determine which data in a Song is used for chord detection OFF Chords are not detected from the Song data XF Chords of ...

Page 106: ... are three tabs in the Vocal Harmony Edit display refer to pages 107 110 for editing each tab OVERVIEW Edits basic parameters for Vocal Harmony type includ ing Mode Chordal Type and Vocal Effect etc PART Adjusts volume and panning etc for each of the har mony notes Harm 1 2 3 and Lead DETAIL Detailed editing for Vocal Harmony type 5 Press the I SAVE button to save your edited Vocal Harmony type Fo...

Page 107: ... applied to your singing voice For information on each parameter see page 108 3 Press the G VOCAL EFFECT EDIT button to edit the Vocal Effect On the display called up via this operation use the 3 5 buttons to select the parameter then use the 6 7 buttons to set the value If necessary you can change the Effect Type from the one selected in Step 1 also on this display via the 1 2 buttons For informa...

Page 108: ... refer to the Data List Vocal Har mony Parameter List on the website 5 LEAD Determines the amount of Vocal Effect that is applied to the lead vocal sound 6 HARM Harmony Determines the amount of Vocal Effect that is applied to the harmony vocal sound 7 REVERB Determines the amount of reverb applied to the overall Vocal Harmony sound both lead and harmony 8 CHORUS Determines the amount of chorus eff...

Page 109: ...taves 3 octaves Harmony 1 2 3 3 octaves 22 scale degrees Unison 3 octaves 22 scale degrees DETUNE selected by B button Determines the fine pitch setting for each part Adjust this to produce a warm chorusing effect or to achieve a nat ural less than perfect vocal sound When Pitch Correct is set to Off the Lead part is not available Settings 50 cents 50 cents FORMANT selected by C button Determines ...

Page 110: ...er to the Data List Vocal Harmony Parameter List on the website Settings OFF SOFT 1 SOFT 2 HARD Editing the Detail Tab Parameters Use the 2 5 buttons to select the desired parameter then set the value of the selected parameter by using the 6 7 buttons For information on each parameter refer to the Data List Vocal Harmony Parameter List on the website ...

Page 111: ...h Vocoder Edit display 5 Use the TAB buttons to call up the desired tab then edit the Synth Vocoder by using A E G and J buttons and 1 8 buttons or sliders There are two tabs in the Synth Vocoder Edit display refer to pages 112 114 for editing each tab OVERVIEW Edits basic parameters for Synth Vocoder type including Carrier Vocoder Attack Release and HPF High Pass Fil ter etc DETAIL Detailed editi...

Page 112: ...the 1 8 buttons or sliders For information on each parameter see page 113 2 Press the G VOCAL EFFECT EDIT button to edit the Vocal Effect Use the 1 5 buttons to select the desired effect type and parameter then set the value of the selected parameter by using the 6 7 buttons For information on each parameter refer to the Data List on the website 2 NEXT PAGE ...

Page 113: ...om the HPF Settings 0 127 5 SHIFT Determines the amount in BPF by which the cutoff frequency value of the BPFs for the Inst Input is shifted This parameter can be used to change the character of the Vocoder sound Settings 2 1 0 1 2 6 OFFSET Adjusts the cutoff frequencies of all BPFs for the Inst Input finely This parameter can be used to finely change the character of the Vocoder sound Settings 63...

Page 114: ...ons or sliders BAND PASS FILTER 1 10 parameters Determines each output gain of the BPF 1 10 for the Inst Input keyboard performance sound The BPF 1 corre sponds to the lowest Formant while the BPF 10 corresponds to the highest Formant Settings 18dB 18dB Feedback howling may result depend ing on the setup settings Be careful especially when you increase values NOTE ...

Page 115: ...SOLE button then save your edits for future recall Editing VOL VOICE Parameters C H VOICE Allows you to re select the Voices for each part D I PANPOT Determines the stereo position of the selected part channel E J VOLUME Determines the volume of each part or channel giving you fine control over the bal ance of all the parts Note the following operation limitations For each Style part you can selec...

Page 116: ... Manual Editing FILTER Parameters D I HARMONIC CONTENT Allows you to adjust the Resonance page 14 for each part E J BRIGHTNESS Determines the brightness of the sound for each part by adjusting the Cutoff Fre quency page 14 ...

Page 117: ...wheel for each keyboard part The range is from 0 to 12 with each step corresponding to one semitone D I OCTAVE Determines the range of the pitch change in octaves over two octaves up or down for each keyboard part The value set here is added to the setting made via the OCTAVE buttons E J TUNING Determines the pitch of each keyboard part in cents 1 3 TRANSPOSE Allows you to set transposition for ov...

Page 118: ...e Send Level Depth for each Part as well as Return Level for all Parts When the Connection is set to Insertion on the EFFECT PARAMETER EDIT display the Effect of this Block is applied to a specific channel of the Style and Song DSP2 9 The Effects of these Blocks are applied to a specific Part or Channel with the exception of the Multi Pads and microphone input Different Effect Types can be selecte...

Page 119: ...r to the next section 8 Save the Effect Settings to a Registration Memory Song or Style For instructions refer to the Owner s Manual Effect Block Effect applicable parts Effect characteristics REVERB All parts Reproduces the warm ambience of playing in a concert hall or jazz club CHORUS All parts Produces a rich fat sound as if several parts are being played simultane ously In addition other type ...

Page 120: ...e display for editing the effect parameters 2 Use the 4 5 buttons to select a parameter then use the 6 7 but tons to edit the value When Reverb Chorus or DSP1 is selected as the Effect Block you can adjust the Return Level via the 8 button If you want to change the Effect Block and Type use the 1 3 buttons 3 If DSP 2 9 is selected as the Effect Block edit the Variation parameter if desired Press t...

Page 121: ...ving the settings as a User Effect 6 Press the I SAVE button again to execute the Save operation In the Naming window called up via this operation assign the name to the User Effect Type then press the 8 OK button to save the User Effect Type If you want to call up the User Effect Type saved here select the corre sponding Effect Block and USER Category in the Effect Type Selection display 5 6 ...

Page 122: ...rade five band Master EQ which is applied to the entire sound You can select one of five preset EQ types and create two User Master EQ types by editing the related parameters In addition to the Master EQ Part EQ is available letting you boost cut the high band or low band for each Part MASTER EQ PART EQ Editing EQ Parameters 0 Q also called Bandwidth or Shape GAIN FREQ Frequency 5 bands EQ1 Low EQ...

Page 123: ...the same time 4 If desired adjust the Q bandwidth and the FREQ center frequency of the band selected in step 3 To adjust the bandwidth also called Shape or Q use the 1 buttons The higher the value of Q the nar rower the band width To adjust the FREQ center frequency use the 2 buttons The available FREQ range is different for each band 5 Press the H or I STORE 1 or 2 button to execute the Store ope...

Page 124: ...rom LINE OUT MAIN jacks PHONES jacks LOOP SEND jack and optional speaker 5 SUB1 When one of these columns jacks is checked the selected part drum instruments will be output from only the selected SUB jack s 6 SUB2 7 SUB3 8 SUB4 PANEL Page DRUM PERCUSSION Page Press A button When using one of the SUB Line Out settings make sure that you ve connected cables to the appropriate LINE OUT SUB jacks on t...

Page 125: ...Tyros5 Reference Manual 125 9 Mixing Console Editing the Volume and Tonal Balance Block Diagram ...

Page 126: ...r Lock 4 Tap 5 Auto Power Off 3 FADE IN TIME Determines the time it takes for the Style Song volume to fade in or go from mini mum to maximum range of 0 20 0 seconds 4 FADE OUT TIME Determines the time it takes for the Style Song volume to fade out or go from maxi mum to minimum range of 0 20 0 seconds 5 FADE OUT HOLD TIME Determines the time the volume is held at 0 following the fade out range of...

Page 127: ...o set this function use the 1 7 SELECT buttons to select the desired parameter then use the 8 8 MARK ON OFF buttons to enter or remove the checkmarks Repeat this step as desired Items having checkmarks will be locked 4 Tap This allows you to set the percussion sound and the velocity which sounds when the TAP TEMPO button is tapped 5 Auto Power Off For details refer to the Owner s Manual 2 4 PERCUS...

Page 128: ...ram change number you need to specify when selecting the Voice from an external MIDI device 3 TIME STAMP Determines whether or not the Updated Date and Updated Time are shown on the File Selec tion display 5 6 VOICE CATEGORY BUTTON OPTIONS Determines how the Voice Selection display is opened when one of the VOICE buttons is pressed OPEN SELECT Opens the Voice Selection display with the previously ...

Page 129: ... FORMAT Formats the media selected by A B buttons Refer to the Owner s Manual chapter 11 1 2 HARD DISK SLEEP TIME The hard disk unit will go into a sleep mode after a specified time of inactivity both to maximize the lifetime of the hard disk and to minimize unnecessary mechanical noise This parameter determines the sleep time 3 4 SONG AUTO OPEN Turns the Song Auto Open function on or off When thi...

Page 130: ...Manual I MAIN PICTURE Lets you select a background picture for the Main display You can select a picture from among various pictures provided on the Preset Page After selecting press the EXIT button to close the Selection display If you want to use an original picture prepare the desired file a bitmap BMP file no greater than 320 x 240 pixels in the USB flash memory copy it from the USB flash memo...

Page 131: ...r details about which parameters belong to System Setup MIDI SETUP Resets the MIDI settings including the MIDI Setups on the USER tab display to the original factory status USER EFFECT Resets the current Effect settings and the following data User Effect Types page 120 User Master EQ Types page 123 User Compressor Types page 123 User Vocal Harmony Types page 106 User Microphone Settings page 101 M...

Page 132: ...file When the file is selected a message is displayed according to the content of the file Press the desired button F SYSTEM SETUP FILES Parameters set on the various displays such as the FUNCTION H UTILITY and microphone setting display are handled as a single System Setup file Refer to the Data List Parameter Chart for details on which parameters belong to System Setup G MIDI SETUP FILES The MID...

Page 133: ...ing WPS from the Tyros5 146 Manually Setting the Access Point Mode 146 Setting the Time Zone 147 Assigning a Specific Function to Each Pedal The functions of the foot pedals connected to the ASSIGNABLE FOOT PEDAL 1 2 3 jacks can be changed individually from the default settings sustain etc for example letting you use the footswitch to start stop Style playback or use the foot controller to produce...

Page 134: ...all subsequent notes will not sustain This makes it possible to sustain a chord for example while other notes are played staccato You can turn this pedal function on or off for each keyboard part on this display SOFT Allows you to use a pedal to control the Soft effect Pressing this pedal reduces the volume and changes the timbre of the notes you play This is effective only for certain appropriate...

Page 135: ...me as the STYLE CONTROL START STOP button TAP TEMPO Same as the TAP TEMPO button SYNCHRO START Same as the SYNC START button SYNCHRO STOP Same as the SYNC STOP button INTRO 1 3 Same as the INTRO I III buttons MAIN A D Same as the MAIN VARIATION A D buttons FILL DOWN Plays a fill in which is automatically followed by the previous Main section that of the button on the immediate left FILL SELF Plays...

Page 136: ...l up the MIDI display 4 Use the TAB E F buttons to call up the relevant page then set various parameters to edit the current MIDI template SYSTEM MIDI System Settings page 138 TRANSMIT MIDI Transmit Settings page 139 RECEIVE MIDI Receive Settings page 140 BASS Bass Note Settings for Style Playback via MIDI Receive page 141 CHORD DETECT Chord Type Settings for Style Playback via MIDI Receive page 1...

Page 137: ...hould be used when you wish to set the tempo on the MIDI device connected to the Tyros5 Playback or recording of the Tyros5 syn chronizes with an external clock received via MIDI A MIDI Accord 1 MIDI accordions allow you to transmit MIDI data and play connected tone generators from the keyboard and bass chord buttons of the accordion This template lets you play melodies from the keyboard and contr...

Page 138: ...meter to the appropriate set ting MIDI USB 1 or USB 2 In this case make sure that the external device is connected properly e g to the instrument s MIDI IN terminal and that it is properly transmitting a MIDI clock signal TRANSMIT CLOCK Turns MIDI clock F8 transmission on or off When set to OFF no MIDI clock or Start Stop data is transmitted even if a Song or Style is played back RECEIVE TRANSPOSE...

Page 139: ...uttons to select the channel via which the selected part will be transmitted 3 Use the 4 8 button to determine the types of data to be sent The following MIDI messages can be set on the TRANSMIT RECEIVE display NOTE Note events page 73 CC Control Change page 73 PC Program Change page 73 PB Pitch Bend page 73 AT After Touch page 73 1 1 2 3 The dots corresponding to each channel 1 16 flash briefly w...

Page 140: ...rator by using these five parts in addition to the other parts excepting the microphone sound 3 Use the 4 8 button to determine the types of data to be received 1 1 2 3 The dots corresponding to each channel 1 16 flash briefly whenever any data is received on the channel s If WLAN is shown in the PORT1 line this instrument can han dle MIDI messages received via a Wireless LAN Adaptor con nected to...

Page 141: ...f channels 2 Use the 1 8 buttons to set specific channels to ON or OFF You can also set all channels to OFF by pressing the I ALL OFF button Chord Type Settings for Style Playback via MIDI Receive The explanations here apply to the CHORD DETECT page in step 4 on page 136 This page lets you select the MIDI channels over which the MIDI data from the external device will be used to detect the Chord T...

Page 142: ...he parameters on this display as desired On this display two settings below can be made Each footswitch F00 F29 on the MFC10 sends a note number to the Tyros5 and the Tyros5 determines how it responds to which function is executed by that note number Each foot controller on the MFC10 sends control change messages over a specific control change number to the Tyros5 and the Tyros5 determines how it ...

Page 143: ...nnect the MIDI cable from the Tyros5 and the MFC10 and connect the MIDI OUT terminal of the MFC10 to the MIDI IN ter minal of the Tyros5 according to the setting above by using a MIDI cable 7 Operate the MFC10 to confirm whether you can properly control the Tyros5 from the MFC10 as set in step 4 8 Press the EXIT button to return to the MIDI Template Selection display and save the settings above to...

Page 144: ...CTION button 2 Press the J WIRELESS LAN button to call up the available networks in the Wireless LAN display 3 Confirm that the MODE parameter is set to INFRASTRUCTURE MODE If necessary use the 1 2 MODE CHANGE buttons to set this to INFRASTRUCTURE MODE 4 Use the A B buttons to select the desired network 5 Use the 7 8 CONNECT buttons to connect to the selected network If necessary enter the appropr...

Page 145: ...less LAN display 3 Confirm that the MODE parameter is set to INFRASTRUCTURE MODE If necessary use the 1 2 MODE CHANGE buttons to set this to INFRASTRUCTURE MODE 4 Use the A B buttons to select Other 5 Use the 7 8 CONNECT buttons to call up the Manual Setup display 6 Enter the SSID Security and Password settings for the network Use B to select SSID C to select Security and D to select Password 7 Us...

Page 146: ...directly 1 Press the FUNCTION button J WIRELESS LAN 1 or 2 MODE CHANGE 2 Press the G YES button This calls up the network information on of the Tyros5 3 If necessary press the I DETAIL button and enter the SSID Security and Password settings Use the B SSID button C SECURITY button and D PASSWORD button to enter each setting 4 Press 7 or 8 SAVE button and follow the onscreen instructions The Tyros5...

Page 147: ...s shown on the dis play You can set the Time Zone and Daylight Saving Time for your local time 1 Press the FUNCTION button J WIRELESS LAN I DETAIL 2 Use the TAB buttons to call up the OTHERS display 3 Select your Time Zone and set the Daylight Saving Time Use B to select the Time Zone and C to set the Daylight Saving Time 4 Press one of the 7 or 8 SAVE buttons and follow the onscreen instructions ...

Page 148: ... the Tyros5 you ll need to retrieve the Instrument Info file from the Tyros5 as described below 1 Connect the USB flash memory to the USB TO DEVICE terminal 2 Call up the OWNER display FUNCTION H UTILITY TAB E F OWNER 3 Press the E EXPORT INSTRUMENT INFO button 4 Follow the onscreen instructions This saves the Instrument Info file to the root directory in the USB flash memory Installing the Expans...

Page 149: ...Tyros5 Reference Manual 149 Appendix Uninstalling the Expansion Pack data You can uninstall the Expansion Pack data by Factory Reset FILES FOLDERS see page 131 ...

Page 150: ...1 72 90 DETAIL Synth Vocoder 111 DETAIL Vocal Harmony 106 DETUNE Vocal Harmony 109 Displaying Available Networks 144 Display related settings Voice Category Button Options Utility 128 Drums Voice 5 DSP 15 DSP DEPTH Voice Set 15 DSP1 Mixing Console 118 DSP2 9 Mixing Console 118 DYNAMICS 40 E EA Ensemble Voice 21 Echo Types Harmony Echo 9 Edit Multi Pad 48 EFFECT Parameters 118 EFFECT parameters Syn...

Page 151: ...MING 28 Overdub Recording 33 OVERVIEW Synth Vocoder 111 OVERVIEW Vocal Harmony 106 OWNER 130 P P Bnd Pitch Bend 73 PAN Vocal Harmony 109 PANEL SUSTAIN Voice Set 15 PANPOT Ensemble Voice 23 Parameter Lock Utility 127 PART Vocal Harmony 106 PART EQ Mixing Console 122 PART OCTAVE Voice Set 13 PART ON OFF 29 PART ON OFF Ensemble Voice 23 Password 145 PASTE 72 PEDAL 86 PEDAL PUNCH IN OUT 67 Performance...

Page 152: ...se 7 TOUCH SENSE Voice Set 13 TRANSMIT MIDI 136 TRANSPOSE Vocal Harmony 109 TRANSPOSE ASSIGN 11 TREMOLO Organ World 17 TUNE EFFECT Ensemble Voice 23 TUNE Parameters 117 Tuning 10 TUNING Ensemble Voice 23 U Undo 77 UNDO REDO 89 Up Down 90 USB Wireless LAN Adaptor 144 USER MEMORY Microphone Setting 101 Utility 126 V VARIATION DSP 15 VELOCITY CHANGE 41 VIBRATO Organ World 17 VIBRATO Voice Set 15 VIBR...

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