Notes:
The RY30 has four separate note assign
tables that can be selected by using the “VOICE
NOTE ASSIGN TABLE SELECT” job described
above. Each of these is completely separate so
you can program four independent groups of note
assignments for different applications.
If the cursor is located at the note number
parameter, a MIDI note number received while
the [-SPACE] key is held will be assigned to the
current voice. This makes it easy to specify note
n u m b e r s f r o m a k e y b o a r d o r o t h e r M I D I
c o n t r o l l e r .
JOB 07: VOICE NOTE ASSIGN TABLE COPY
Summary:
Copies the currently selected voice note
assign table to the specified destination table
number.
Settings:
Destination table number: 0 . . . 3
Procedure:
Use the [INC] and [DEC] keys, the
[DATA] slider, or the numeric keys to select the
destination table number.
Press the [ENTER] key — “Sure” will
appear on the display. Press the [ENTER] key
again to store the table or press [EXIT] to can-
cel the operation. “Complete!” will appear on
the display briefly when the table has been
stored.
Notes: This function is useful when you want to
create a voice note assign table that is only
slightly different from an existing table. Simply
copy the existing table to a new table number,
then make the necessary changes using the
“VOICE NOTE
ASSIGN
TABLE SETUP” job
described above.
JOB 08: VOICE NOTE ASSIGN TABLE
CLEAR
UTILITY MODE
Summary:
Clears the currently selected voice note
assign table (i.e. all voice assignments are
turned “off”).
Settings:
None
Procedure:
Press the [ENTER] key
—
“Sure” will
appear on the display. Press the [ENTER] key
again to clear the table or press [EXIT] to can-
cel the operation. “Complete!” will appear on
the display briefly when the table has been
cleared.
Notes:
This function can be used to turn all assign-
ments “off prior to creating a new voice note
assign table that requires only a few assign-
ments.
JOB 09: PITCH NOTE ASSIGN
Summary:
Determines which of the RY30 voices
will be pitch-controlled by MIDI note-on events
received on a channel or channels set to
“PITCH” as described in the “RECEIVE
CHANNEL” function on page 71.
Settings:
Channel: 01 . . . 16
Voice: I00 . . . I95 (internal), C00 . . . C31 (card)
Procedure:
Use the and keys to move the
cursor to the channel or voice parameter. Use
the [INC] and [DEC] keys, the [DATA] slider,
or the numeric keys to set the channel. Use the
[INC] and [DEC] keys, the [DATA] slider, or
the instrument pads to select the voice to be
controlled.
Notes:
This function, used in conjunction with the
“RECEIVE CHANNEL” function (page 71),
makes it possible to have up to 16 different
voices pitch-controllable over the corresponding
MIDI channels.
Channel numbers must be the same as chan-
n e l n u m b e r s s e t t o
“PITCH” using the
“RECEIVE CHANNEL” function otherwise the
PITCH NOTE ASSIGN settings will be ignored.
73
Summary of Contents for RY30
Page 1: ...YAMAHA AUTHORIZED PRODUCT MANUAL RHYTHM PROGRAMMER ...
Page 2: ...YAMAHA RHYTHM PROGRAMMER ...
Page 10: ......
Page 11: ...2 ...
Page 56: ...47 ...
Page 68: ...PATTERN MODE 60 ...
Page 74: ...SONG MODE 66 ...
Page 86: ...UTILITY MODE 78 ...
Page 102: ...VOICE EDIT MODE RY30 VOICE LIST 94 ...
Page 104: ...VOICE EDIT MODE 96 ...
Page 108: ...PAD BANK MODE RY30 PAD BANK ASSIGNMENTS 100 ...
Page 124: ...YAMAHA ...