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14 

 Chronosonic 

XVX

 Inst allation Guide

s

e C t I o n

 1� 3 —WasP 

  

15

W i l s o n   A u d i o   S p e c i a l t i e s

A u t h e n t i c   E x c e l l e n c e

of your Wilson Audio loudspeakers. The listening position should ideally be no 

more than 1.1 to 1.25 times the distance between the tweeters on each speaker. 

Therefore, in a long, rectangular room of 12’ x 18’, if the speaker tweeters are 

going to be 9’ apart, you should be sitting 9’11’’ to 11’3’’ from the speaker. This 

would be more than halfway down the long axis of the room.

Many people place the speakers on one end and sit at the other end of 

the room. This approach will not yield the finest sound. Carefully consider your 

listening position. Our experience has shown that any listening position that 

places your head closer than 14” from a wall will diminish the sonic results of 

your listening due to the deleterious effects of boundary interaction.

Speaker Orientation

Speaker placement and orientation are two of the most important consid-

erations in obtaining superior sound. The first thing you need to do is eliminate 

the sidewalls as a sonic influence in your system. Speakers placed too close to 

the sidewalls will suffer from a strong primary reflection. This can cause out-

of-phase cancellations, or comb filtering, which will cancel some frequencies 

and change the tonal balance of the music. Adhering to the Wilson Audio Setup 

Procedure outlined in the previous section is the best method with which to 

position your loudspeakers. 

A very important aspect of speaker placement is how far from the back 

wall to place the speakers. The closer a loudspeaker is to the back wall, the more 

pronounced the low bass energy and centering of the image will be. However, 

this comes at a definite reduction in stage size and bloom as well as a deteriora-

tion of upper bass quality. You must find the proper balance of these two fac-

tors, but remember, if you are partial to bass response or air and bloom, do not 

overcompensate your adjustments to maximize these effects. Overcompensated 

systems are sometimes pleasing in the short-term, but long-term satisfaction is 

always achieved through proper balance.

To make correct in-home set up of the Chronosonic XVX possible without 

test equipment, Wilson Audio has measured the correct geometric time domain 

alignment for different distance/ear height combinations. See the next section 

for details. By measuring the distance from the bottom-front baffle of your 

speaker to your ear when seated in the listening position, as well as height of 

the listener’s ear measured from the floor, you will be able to align the system 

for your listening position.

Summary of Contents for Chronosonic XVX

Page 1: ...S e c t i o n W i l s o n A u d i o S p e c i a l t i e s In s t a l l a t i o n a n d C a r e G u i d e...

Page 2: ...e G a n t r y 22 S e c t i o n 2 6 Ch r o n o s o n ic X V X So n o s 1 L ig h t i n g S y s t e m 23 Wil son Au d io is a registered t rademark of Wilson Audio S pecialties Inc S op h ia S a sh a W...

Page 3: ...c t i o n 7 5 De m o n s t r a t i o n Eq u ipm e n t 68 S e c t i o n 7 6 Mi s c e l l a n e o u s 69 B a t t e r y Re c y c l i n g o r D i s p o s a l 25 S e c t i o n 2 7 In s t a l l i n g t h e...

Page 4: ...S e c t i o n 1 C o n t e n t s a n d S t a gi n g W i l s o n A u d i o S p e c i a l t i e s...

Page 5: ...32 Allen Bit 0 10 ohm 1 0 ohm 1 5 ohm 3 20 ohm 2 1 ohm Resistors XVX Tool Kit Cool Fall Light Charging Cable Spike Pad QTY 8 Mechanical Diode QTY 8 A Spike QTY 8 Spike with nut QTY 8 2 Spike QTY 4 3...

Page 6: ...lignment in the time domain if the following process is meticulously followed You will need the following items Supplied hardware kit Tape measure Known listening position Masking Tape The Zone of Neu...

Page 7: ...s for small interactive rooms and three feet for large more neutral rooms 5 Now position yourself against the side wall perpendicular to the intended speaker location Stand between the two tape marks...

Page 8: ...ause out of phase cancellations or comb filtering which will cancel some frequencies and change the tonal balance of the music Adhering to the Wilson Audio Setup Procedure outlined in the previous sec...

Page 9: ...S e c t i o n 2 A s s e m b l y W i l s o n A u d i o S p e c i a l t i e s...

Page 10: ...flat sur face on the top of each spike The spikes should be screwed in all the way until they are hand tight then 1 16 further to tighten into place The Upper Midrange Module and the Tweeter Module fo...

Page 11: ...position of the front right spike into the detent on the top of the smaller 4 inch Midrange Module The fourth is named XVX Lower Mod ule Chronosonic Micrometer Position This indicates the pre cise po...

Page 12: ...Detent Position This table indicates the detent location in which the right front spike rests 5 Raise the tension spike located at the rear of the 4 inch Mid range Module such that the spike is not p...

Page 13: ...e The Chronosonic XVX Gantry is extremely heavy Ideally four installers should be present for the safe installation of the Gantry to the Woofer Module A u t h e n t i c E x c e l l e n c e Se c t ion...

Page 14: ...oolfall lights are secured using spring loaded pressure hardware and can be removed and re installed without tools Remove the two lights for recharging Adjustable Coolfall Light Source Se c t ion 2 6...

Page 15: ...hing the front woofer with the rear spike A u t h e n t i c E x c e l l e n c e Se c t ion 2 7 In s ta l l i ng t h e Upp e r Modu l e s i n t o t h e Ga n t ry 29 1 Turn on the two lights to aid in t...

Page 16: ...ometer so that it aligns with the corresponding number on the Micrometer Se c t ion 2 7 In s ta l l i ng t h e Upp e r Modu l e s i n t o t h e Ga n t ry 31 Once you ve properly set the Micrometer pos...

Page 17: ...sistant prepare to balance the module and guide the ball head posts installed on the top of the Tweeter Module into the opening of the slots on the bottom of the Upper Midrange Module 3 Once the ball...

Page 18: ...S e c t i o n 3 C o n n e c t i n g t h e M o d u l e s W i l s o n A u d i o S p e c i a l t i e s...

Page 19: ...ixtures which holds the cable in place is spring loaded Lifting the A u t h e n t i c E x c e l l e n c e Se c t ion 3 1 Dr e s s i ng t h e Ca b l e s 37 spring loaded back of fixture reveals a gap i...

Page 20: ...ssfully connect it to its corresponding binding post 12 After you have successfully shortened the exposed cable gently pull back on the cable dressing fixture You will see three opposing half oval slo...

Page 21: ...S e c t i o n 4 F i n a l S e t u p W i l s o n A u d i o S p e c i a l t i e s...

Page 22: ...pplied Allen wrench Screw the set screw into the diode until it meets the spike Place the assemblies out of the traffic pattern until they are needed during the installation Section 4 2 Using the Wils...

Page 23: ...e other channel Leveling the Chronosonic XVX 1 It is not necessary to use the jack to level the Chronosonic XVX 2 There is precision bubble level installed on the rear of the up per Micrometer Use thi...

Page 24: ...4 Resistors By removing the small glass cover on the upper bevel on the rear of the Woofer Module of your Chronosonic XVX you may gain access to the resistor plate These resistors serve several funct...

Page 25: ...e thus in need of additional deep bass reinforce ment the rear firing port configuration is recommended as a starting place If the mid to upper bass is lean in your installation the forward firing por...

Page 26: ...tra high quality attenuator for the Rear Tweeter improves the XVX s ability to interface within a variety of environments The rear tweeter is in play centered on a frequency of approximately 7kHz In a...

Page 27: ...S e c t i o n 5 S p e ci f ic a t i o n s W i l s o n A u d i o S p e c i a l t i e s...

Page 28: ...tal System Shipping Weight approx XLF port adjustable rear or front firing Rear vented Two Modules Bottom vented Sealed One 10 5 inch 26 67 cm Hard Paper Pulp One 12 5 inch 31 75 cm Hard Paper Pulp Tw...

Page 29: ...c XVX Installation Guide Se c t ion 5 4 Imp e da nce Mag n i t u de 57 W i l s o n A u d i o S p e c i a l t i e s A u t h e n t i c E x c e l l e n c e Section 5 3 Impedance Phase Section 5 4 Impedan...

Page 30: ...S e c t i o n 6 T im e A l ig n m e n t C h a r t s W i l s o n A u d i o S p e c i a l t i e s...

Page 31: ...Spike No Spike 39 in 99 cm 2 2 2 2 2 No Spike No Spike No Spike No Spike No Spike No Spike No Spike No Spike No Spike No Spike No Spike No Spike No Spike No Spike 38 in 96 5 cm 2 2 2 2 2 2 No Spike N...

Page 32: ...27 m 4 57 m 4 88 m 5 18 m 5 49 m 5 79 m 6 1 m 6 71 m 7 32 m 48 in 122 cm A70 A66 A63 A60 A58 A56 A54 2 A53 A52 A50 5 A49 5 A48 5 A48 A46 5 A45 47 in 119 5 cm A64 8 A61 5 A58 5 A56 2 A54 2 A52 5 A51 A5...

Page 33: ...S e c t i o n 7 W a r r a n t y W i l s o n A u d i o S p e c i a l t i e s...

Page 34: ...used damaged by accident or neglect or in A u t h e n t i c E x c e l l e n c e being transported or if the product has been tampered with or service or repair of the product has been attempted or per...

Page 35: ...d to be free of manufacturing defects in materials and workman ship for a period of five 5 years from the date of shipment to the dealer Demo equipment needing warranty service may be repaired on site...

Page 36: ...s you specific legal rights and you may also have other rights which vary from state to state Replacement Resistors Books and Literature Signature Loudspeaker Covers Installation Tools and Accessories...

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