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Chronosonic
XVX
Inst allation Guide
A u t h e n t i c E x c e l l e n c e
™
3. While sitting, have someone measure your ear height from the
floor directly below your ear canal. You should be relaxed in your
chair, as you would be when listening to music.
4. Now measure the distance (on the floor) from the point on the
floor below your ear to the base of the loudspeaker.
5. There are four charts for the lower submodule, which consist of
settings for both the Lower Midrange Module and the 4-Inch Mid-
range Module as well as the proper Micrometer setting. The first
chart, labeled “XVX Lower Array Alignment Block Step,” specifies
the step on which the lower-midrange module’s rear spike will
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rest. The second, “XVX Lower Midrange Spike Length,” deter-
mines the rear spike length for the lower submodule. The third,
“XVX Lower 4-Inch
Detent Position,” specifies the position of
the front right spike into the detent on the top of the smaller
4-inch Midrange Module. The fourth is named “XVX Lower Mod-
ule Chronosonic Micrometer Position.” This indicates the pre-
cise position of the lower submodule in the Gantry as adjusted
by the Chronosonic XVX Micrometer.
6. There are four charts for the upper submodule. The first,
labeled “XVX Upper Tweeter
Detent Position,” specifies the po-
sition of the spike detent for the tweeter. The second, labeled
“Tweeter Module Spike Length”, indicates which spike to install
in the rear of the upper module. The third labeled “XVX Tweeter
Alignment Block Step,” specifies the step on which the up-
per-midrange module’s rear spike will rest. The fourth is named
“XVX Upper Module Array Chronosonic Micrometer Position.”
This indicates the position of the upper submodule in the Gan-
try as adjusted by the Chronosonic XVX Micrometer.
Section 2.3—Configuring the Lower Submodule
Note: This is a good time to remove the protective “frisk” from the surface
of the painted enclosure. Refer to the instructions in section 4.3.
W i l s o n A u d i o S p e c i a l t i e s
Summary of Contents for Chronosonic XVX
Page 4: ...S e c t i o n 1 C o n t e n t s a n d S t a gi n g W i l s o n A u d i o S p e c i a l t i e s...
Page 9: ...S e c t i o n 2 A s s e m b l y W i l s o n A u d i o S p e c i a l t i e s...
Page 21: ...S e c t i o n 4 F i n a l S e t u p W i l s o n A u d i o S p e c i a l t i e s...
Page 27: ...S e c t i o n 5 S p e ci f ic a t i o n s W i l s o n A u d i o S p e c i a l t i e s...
Page 33: ...S e c t i o n 7 W a r r a n t y W i l s o n A u d i o S p e c i a l t i e s...
