48
Chronosonic
XVX
Inst allation Guide
A u t h e n t i c E x c e l l e n c e
™
by the end user.
Resistor Fine Tuning
In rare instances for some installations, it is desirable to alter the level of the tweeter to
overcome tonal balance problems. If there is a need to increase the level of the tweeter by 1dB, a
1.0Ω resistor should be used (4 X 1.0Ω in series/parallel). If a decrease in tweeter level is desired,
a 3.2Ωs resistor will decrease the level by 1dB (4 X 3.2Ω in series/parallel).
Note: These specialized resistors can be ordered from you authorized Wilson dealer. Only
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use Wilson replacement resistors in your Chronosonic XVX.
Section 4.5—Adjusting the Chronosonic XVX’s XLF Port
Choosing a Port Configuration
Based on the measured bass response of the two different port configura-
tions, our experience suggests the following as a starting point: For inherently
lossy and lean rooms, which are thus in need of additional deep bass reinforce-
ment, the rear-firing port configuration is recommended as a starting place. If
the mid-to-upper bass is lean in your installation, the forward-firing port config-
uration is probably optimal.
If your installation requires the Chronosonic XVX to be installed close to
the rear wall behind the speakers, start by installing the port in its front-firing
configuration first so as to avoid potential bass overload in your room. However,
if another loudspeaker has already proven to be too lean in this same location,
start with the Chronosonic XVX’s port in the rear firing configuration.
In systems where the Chronosonic XVX is replacing an Alexandria X-2, X-1
Grand SLAMM, Alexia or other rear-firing bass port system, it is generally recom-
mended that the rear-firing port configuration be initially installed.
Because there are a vast number of acoustical environments into which
the Chronosonic XVX is installed, it is impossible to give absolute instructions
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W i l s o n A u d i o S p e c i a l t i e s
Summary of Contents for Chronosonic XVX
Page 4: ...S e c t i o n 1 C o n t e n t s a n d S t a gi n g W i l s o n A u d i o S p e c i a l t i e s...
Page 9: ...S e c t i o n 2 A s s e m b l y W i l s o n A u d i o S p e c i a l t i e s...
Page 21: ...S e c t i o n 4 F i n a l S e t u p W i l s o n A u d i o S p e c i a l t i e s...
Page 27: ...S e c t i o n 5 S p e ci f ic a t i o n s W i l s o n A u d i o S p e c i a l t i e s...
Page 33: ...S e c t i o n 7 W a r r a n t y W i l s o n A u d i o S p e c i a l t i e s...
