A I R C R A F T
SA160
A I R C R A F T
A I R C R A F T
Symphony
SECTION 9
SUPPLEMENTS
14 of 15
Feb 25, 2005
(2) Bottom Row Keys
The NRST key
displays the nearest airport page. Then, rotating the
small right knob
steps through the NRST Pages.
The OBS key
is used to select manual or automatic sequencing of
waypoints. Pressing the OBS key selects OBS mode, which will retain
the current "active to" waypoint as the navigation reference even after
passing the waypoint (i.e., prevents sequencing to the next waypoint).
Pressing the OBS key again will return to normal operation, with
automatic sequencing of waypoints. Whenever OBS mode is selected,
the user may set the desired course to/from a waypoint using the OBS
Page, or an external OBS selector on your HSI or CDI.
The message key
is used to view system messages and to alert the
pilot to important warnings and requirements.
The flight plan key
allows creating, editing, activating and
inverting flight plans, as well as access approaches, departures and
arrivals. A closest point to flight plan feature is also available from the
flight plan key.
The procedures key
allows selecting approaches, departures and
arrivals from the active flight plan. When using a flight plan, available
procedures for departure and/or arrival airport are offered automatically.
Otherwise, the user may select the desired airport, then the desired
procedure.
Feb 25, 2005
Summary of Contents for SA-160
Page 1: ......
Page 2: ......
Page 14: ...SA 160 A I R C R A F T A I R C R A F T Symphony...
Page 50: ...SA 160 A I R C R A F T A I R C R A F T Symphony...
Page 54: ...SA 160 A I R C R A F T A I R C R A F T Symphony...
Page 64: ...SA 160 A I R C R A F T A I R C R A F T Symphony...
Page 136: ...SA 160 A I R C R A F T A I R C R A F T Symphony...
Page 194: ...SA 160 A I R C R A F T A I R C R A F T Symphony...
Page 212: ...SA 160 A I R C R A F T A I R C R A F T Symphony...
Page 214: ...SA160 A I R C R A F T A I R C R A F T Symphony...
Page 216: ...SA160 A I R C R A F T A I R C R A F T Symphony...
Page 235: ...SA160 A I R C R A F T A I R C R A F T Symphony...
Page 236: ...SA160 A I R C R A F T A I R C R A F T Symphony...
Page 238: ...SA160 A I R C R A F T A I R C R A F T Symphony...
Page 256: ...SA160 A I R C R A F T A I R C R A F T Symphony...
Page 258: ...SA160 A I R C R A F T A I R C R A F T Symphony...
Page 272: ...SA160 A I R C R A F T A I R C R A F T Symphony SECTION 9 SUPPLEMENT 3...
Page 273: ...SA160 A I R C R A F T A I R C R A F T Symphony...
Page 274: ...SA160 A I R C R A F T A I R C R A F T Symphony SECTION 9 SUPPLEMENT 4...
Page 276: ...SA160 A I R C R A F T A I R C R A F T Symphony SECTION 9 SUPPLEMENT 4...
Page 287: ...SA160 A I R C R A F T A I R C R A F T Symphony SECTION 9 SUPPLEMENT 4...
Page 288: ...SA160 A I R C R A F T A I R C R A F T Symphony SECTION 9 SUPPLEMENT 4...
Page 290: ...SA 160 A I R C R A F T A I R C R A F T Symphony...
Page 299: ...SA 160 A I R C R A F T A I R C R A F T Symphony...
Page 300: ...SA 160 A I R C R A F T A I R C R A F T Symphony...
Page 302: ...SA160 A I R C R A F T A I R C R A F T Symphony...
