SA263
Collider Delay+Reverb Owner’s Manual
12
A
NALOG
This delay engine reproduces the characteristic dark sound of bucket brigade analog delays.
Traditional analog bucket brigade delays can be either resonant or warm. This engine focuses on
warmth and was inspired in part by the classic Memory Man© delay.
Time Knob Range
: 40 milliseconds to 1.2 seconds
CONTROL 1:
Modulation Depth
–
Controls the depth of the modulation.
CONTROL 2:
Modulation Rate
–
Controls the speed of the modulation. Turn all the way to the
left for no modulation.
T
APE
A detailed re-creation of classic moving-head tape delays. Repeats are bandwidth limited and have
artifacts characteristic of vintage tape delay units, such as filtering, preamp saturation, noise, wow
and flutter.
Time Knob Range
: 20 milliseconds to 1.2 seconds
CONTROL 1:
Modulation Depth
–
Controls the depth of the modulation.
CONTROL 2:
Modulation Rate
–
Controls the speed of the modulation. Turn all the way to the
left for no modulation.
R
EVERSE
A classic reverse tape sound that became popular in 60s psychedelic rock. The Collider can create
several overlapping reversed delays that fade in and fade out regularly to create a pulsing tremolo
effect. The TONE knob mixes in additional delay taps to add more layering to the reverse sound.
Time Knob Range
: 200 milliseconds to 2.6 seconds
TONE:
Mixes in an additional Reverse Delay tap
.
CONTROL 1:
Modulation Depth
–
Controls the depth of the modulation.
CONTROL 2:
Modulation Rate
–
Controls the speed of the modulation. Turn all the way to the
left for no modulation.
O
IL
C
AN
This is a dark, jangly, warbling and distorted delay inspired by old oil can designs. It previously
appeared in the “Extended Delay Engines” on the Nemesis, but we felt it deserved a spot on the face
of the Collider.
Time Knob Range
: 20 milliseconds to 800 milliseconds
CONTROL 1:
Modulation Depth
–
Controls the depth of the modulation.
CONTROL 2:
Modulation Rate
–
Controls the speed of the modulation. Turn all the way to the
left for no modulation.