Roland Fantom XR, Owner'S Manual

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203
Effects List
34: 2BAND STEP FLNGR
(2BAND STEP FLANGER)
A step flanger that lets you apply an effect independently to the low-
frequency and high-frequency ranges.
fig.MFX-34
35: OVERDRIVE
Creates a soft distortion similar to that produced by vacuum tube
amplifiers.
fig.MFX-35
36: DISTORTION
Produces a more intense distortion than Overdrive. The parameters
are the same as for “35: OVERDRIVE.”
fig.MFX-36
37: VS OVERDRIVE
This is an overdrive that provides heavy distortion.
fig.MFX-37
Low Depth 0–127 Modulation depth for the low-
range flanger sound
Low Phase 0–180 deg Spaciousness of the low-range
flanger sound
Low
Feedback # -98– +98% Proportion of the low-range
flanger sound that is to be re-
turned to the input (negative
values invert the phase)
High Pre Delay 0.0–100.0 ms Delay time from when the origi-
nal sound is heard to when the
high-range flanger sound is
heard
High Rate # 0.05–10.00 Hz, note Rate at which the high-range
flanger sound is modulated
High Depth 0–127 Modulation depth for the high-
range flanger sound
High Phase 0–180 deg Spaciousness of the high-range
flanger sound
High
Feedback # -98– +98% Proportion of the high-range
flanger sound that is to be re-
turned to the input (negative
values invert the phase)
Balance # D100:0W–D0:100W Volume balance of the original
sound (D) and flanger sound
(W)
Level 0–127 Output volume
Parameter Range Explanation
Split Freq 200–8000 Hz Frequency at which the low and
high ranges will be divided
Low Pre Delay 0.0–100.0 ms Delay time from when the origi-
nal sound is heard to when the
low-range flanger sound is
heard
Low Rate # 0.05–10.00 Hz, note Rate at which the low-range
flanger sound is modulated
Low Depth 0–127 Modulation depth for the low-
range flanger sound
Low Phase 0–180 deg Spaciousness of the low-range
flanger sound
Low
Feedback # -98– +98% Proportion of the low-range
flanger sound that is to be re-
turned to the input (negative
values invert the phase)
Low Step
Rate # 0.10–20.00 Hz, note Rate at which the steps will cy-
cle for the low-range flanger
sound
High Pre Delay 0.0–100.0 ms Delay time from when the origi-
nal sound is heard to when the
high-range flanger sound is
heard
High Rate # 0.05–10.00 Hz, note Rate at which the high-range
flanger sound is modulated
Parameter Range Explanation
R in R out
L in
L out
Split
High Band Step Flanger
Split
Low Band Feedback
High Band Feedback
High Band Feedback
Low Band Feedback
Low Band Step Flanger
High Band Step Flanger
Low Band Step Flanger
High Depth 0–127 Modulation depth for the high-
range flanger sound
High Phase 0–180 deg Spaciousness of the high-range
flanger sound
High
Feedback # -98– +98% Proportion of the high-range
flanger sound that is to be re-
turned to the input (negative
values invert the phase)
High Step
Rate # 0.10–20.00 Hz, note Rate at which the steps will cy-
cle for the high-range flanger
sound
Balance # D100:0W–D0:100W Volume balance of the original
sound (D) and flanger sound
(W)
Level 0–127 Output volume
Parameter Value Description
Drive # 0–127 Degree of distortion
Also changes the volume.
Amp Type SMALL, BUILT-IN,
2-STACK, 3-STACK Type of guitar amp
SMALL:
small amp
BUILT-IN:
single-unit type
amp
2-STACK:
large double stack
amp
3-STACK:
large triple stack
amp
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Pan # L64–63R Stereo location of the output
sound
Level 0–127 Output Level
Parameter Value Description
Drive # 0–127 Degree of distortion
Also changes the volume.
Tone # 0–127 Sound quality of the Overdrive ef-
fect
Amp Sw OFF, ON Turns the Amp Simulator on/off.
Parameter Range Explanation
Amp
Simulator
2-Band
EQ
L in
R in
Over
drive
L out
R out
Pan R
Pan L
L in
R in
L out
R out
Pan R
Pan L
Amp
Simulator
2-Band
EQ
Distortion
L in
R in
L out
R out
Pan R
Pan L
Amp
Simulator
2-Band
EQ
Overdrive
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