Roland Fantom XR, Owner'S Manual

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196
Effects List
09: HUMANIZER
Adds a vowel character to the sound, making it similar to a human
voice.
fig.MFX-09
10: SPEAKER SIMULATOR
Simulates the speaker type and mic settings used to record the
speaker sound.
fig.MFX-10
Specifications of each Speaker Type
The speaker column indicates the diameter of each speaker unit (in
inches) and the number of units.
11: PHASER
A phase-shifted sound is added to the original sound and
modulated.
fig.MFX-11
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Level 0–127 Output Level
Parameter Value Description
Drive Sw OFF, ON Turns Drive on/off.
Drive # 0–127 Degree of distortion
Also changes the volume.
Vowel1 a, e, i, o, u Selects the vowel.
Vowel2 a, e, i, o, u
Rate # 0.05–10.00 Hz,
note Frequency at which the two vowels
switch
Depth # 0–127 Effect depth
Input Sync
Sw OFF, ON Determines whether the LFO for switch-
ing the vowels is reset by the input signal
(ON) or not (OFF).
Input Sync
Threshold 0–127 Volume level at which reset is applied
Manual # 0–100 Point at which Vowel 1/2 switch
49 or less: Vowel 1 will have a longer
duration.
50: Vowel 1 and 2 will be of equal du-
ration.
51 or more: Vowel 2 will have a longer
duration.
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Pan # L64–63R Stereo location of the output
Level 0–127 Output level
Parameter Value Description
Speaker Type (See the table right.) Type of speaker
Mic Setting 1, 2, 3 Adjusts the location of the mic
that is recording the sound of
the speaker.
This can be adjusted in three
steps, with the mic becoming
more distant in the order of 1,
2, and 3.
Mic Level # 0–127 Volume of the microphone
Direct Level # 0–127 Volume of the direct sound
Level # 0–127 Output Level
Parameter Value Description
Formant
2-Band
EQ
L in
R in
Overdrive
L out
R out
Pan R
Pan L
L in
R in
L out
R out
Speaker
Speaker
Type Cabinet Speaker Micro-
phone
SMALL 1 small open-back enclosure 10 dynamic
SMALL 2 small open-back enclosure 10 dynamic
MIDDLE open back enclosure 12 x 1 dynamic
JC-120 open back enclosure 12 x 2 dynamic
BUILT-IN 1 open back enclosure 12 x 2 dynamic
BUILT-IN 2 open back enclosure 12 x 2 condenser
BUILT-IN 3 open back enclosure 12 x 2 condenser
BUILT-IN 4 open back enclosure 12 x 2 condenser
BUILT-IN 5 open back enclosure 12 x 2 condenser
BG STACK 1 sealed enclosure 12 x 2 condenser
BG STACK 2 large sealed enclosure 12 x 2 condenser
MS STACK 1 large sealed enclosure 12 x 4 condenser
MS STACK 2 large sealed enclosure 12 x 4 condenser
METAL STACK large double stack 12 x 4 condenser
2-STACK large double stack 12 x 4 condenser
3-STACK large triple stack 12 x 4 condenser
Parameter Value Description
Mode 4-STAGE, 8-STAGE, 12-
STAGE Number of stages in the phaser
Manual # 0–127 Adjusts the basic frequency
from which the sound will be
modulated.
Rate # 0.05–10.00 Hz, note Frequency of modulation
Depth 0–127 Depth of modulation
Polarity INVERSE,
SYNCHRO Selects whether the left and
right phase of the modulation
will be the same or the opposite.
INVERSE: The left and right
phase will be opposite. When
using a mono source, this
spreads the sound.
SYNCHRO: The left and
right phase will be the same.
Select this when inputting a
stereo source.
Resonance # 0–127 Amount of feedback
Cross
Feedback -98– +98 % Adjusts the proportion of the
phaser sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
Mix # 0–127 Level of the phase-shifted
sound
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Level 0–127 Output Level
R in R out
L in L out
Phaser
Mix
2-Band
EQ
Phaser
2-Band
EQ
Mix
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