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Make Noise Pressure Points & Brains Expander

Control Module

Pressure Points

 is a controller in which 1 of 4 sets of 3 tuned voltages are selected by touching the corresponding printed copper wire at the bottom of the in-

strument.  Touching Pressure Points, you become part of the circuit, generating a gate signal (Gate Out), a control signal proportional to the amount of pressure 

applied (Press Out) and activating the corresponding Stage. The Tuned Voltages for the activated Stage appear at their respective X, Y and Z Outs. In this way, 

Pressure Points is like an analog sequencer that is played by hand.
2 pots allow the circuit to be adjusted for desired playing response. Up to 4 of these modules may be chained together to create controllers of varying size and 

complexity. The Gate and Press Outs are normalized to their respective Combined bus which is output at the last Gate or Press Out in the chain. In addition, 

stages can also be selected via clock inputs with the separately purchased expander module, 

Brains

.

PRESSURE OUTS:

 Unipolar CV Outputs 1, 2, 3, and 4. Sends out a CV 

signal based on the pressure applied to the corresponding touch plate. Pres-

sure Outputs are displayed using yellow output arrows on Pressure Points.

GATE OUTS:

 Gate Outputs 1, 2, 3, and 4. Sends out a high gate signal when 

the corresponding touch plate is pressed, and stays high until a new touch plate 

is pressed (a new “stage” is enabled). Gate Outputs are displayed using white 

output arrows on Pressure Points. Only one is referenced here (Gate Out 4).

TUNED VOLTAGE ROTARIES:

 The 

top row is Tuned Voltage row X, the middle 

row is Y, and the bottom row is Z. X range: 

0V to 8V. Y & Z range: 0V to 5.5V.

TUNED VOLTAGE OUTS:

 Each row of 

Tuned Voltages has a corresponding CV 

Output that that can be sent to other CV 

inputs in your system. When a “stage” is 

enabled with Pressure Points by pressing a 

touch plate, the corresponding vertical col-

umn of Tuned Voltages are simultaneously 

sent out to all 3 CV Outputs.

TOUCH SENSITIVITY POTENTIOM-

ETER:

 Set the Touch Sensitivity Adjustment 

Potentiometer further CCW when you want 

coarser Touch Plate response (less sensitive 

to the touch). Set it CW when you want finer 

Touch Plate response (more sensitive to the 

touch).

TOUCH PLATES:

 Touch Plates 1, 2, 3, 

& 4. Pressure Points requires the develop-

ment of a technique, and clean, bare 

hands. Touching the upper-most portion of 

the touchplate with as little of your finger as 

needed to activate the circuit, will generate 

simultaneous Pressure and Gate signals, 

which are sent to the Outs at the top of the 

associated vertical column. Also, the three 

Tuned Voltages X, Y, & Z (as set by the col-

umn’s Tuned Voltage rotaries), found in the 

middle of the module, are sent out to their 

corresponding Outs on the module’s left 

side. Each time a Touch Plate is pressed, 

5 signals are simultaneously sent out to 

control other parameters in your system: 

Pressure, Gate, and 3 Tuned Voltages.

Laying more of your finger down on the 

touchplate, and pressing harder, will gener-

ate a pressure control voltage proportional 

to amount flesh mashed into the copper of 

the touchplate. Pressing harder, more of 

your flesh comes into contact with a sensi

-

tive point in the circuit.

DIGITAL TRIMMER:

 If you cannot 

obtain the desired response, you might 

need to adjust the internal Digit Trimmer 

to compensate for size & moisture of your 

fingers, as well as playing technique and 

style of system setup (vertical, horizontal, 

angled). This requires a trimmer tool or 

jeweler’s screwdriver, and access to the 

module from the right side, where the Dig-

it Trimmer is located on the circuit board. 
Always turn the power for Pressure Points 

off while adjusting the trimmer. Default 

setting is 40% CW. CCW = less sensitiv-

ity. CW = more sensitivity. You will need 

to experiment with settings to achieve the 

desired playing response.

Pressure Points Tips & Tricks

 

The top row of Tuned Voltages range 0 to 

+8V, and may be used to generate gate 

signals, where full CCW is Gate Off and 

full CW is Gate On. 

 

Process the Pressure CV Signal with a 

slew limiter and attenuator on Channels 

1 or 4 of 

Maths

 to achieve larger than life 

modulations.  

 

Achieve a “Latched,” “Toggled,” or “Switch-

ing” CV signal, use two stages of Pressure 

Points, where one has a tuned voltage set 

to 0V (toggled Off), and the other has a 

Tuned Voltage set to the desired On state 

(+8V, or full CW, for example). Touch one 

stage to turn On, and the other to turn Off.  

 

Use for preset storage, where you have 4 

presets of 3 variables in a patch; variables 

being set by Tuned Voltages X, Y & Z. 

Additional variation is preset by apply-

ing the independent Press and/ or Gate 

signals from each stage to different patch 

points. If the Gate is not needed to initiate 

an event, apply it to a patch point via an 

Attenuator, and use it as a touch-controlled 

momentary modulation. 

 

All Tuned Voltage and Press CV Outs will 

drive a passive 4-way mult with no loading. 

 

All Gate Outs may be stacked to one Gate 

In for Gate mixing.

ACTIVE STAGE LEDS:

 Lights yellow 

to indicate which stage (1, 2, 3, or 4) is 

currently active.

CLOCK IN:

 Selects next stage or number to be counted on rising edge of clock, 

gate, pulse or trigger, of at least 1V. Patch here to sequence.

RESET IN:

 Jumps to last touched stage on rising edge of clock, gate, pulse or trig-

ger, of at least 1V. Use this input to control when the sequence is reset to the start 

or beginning of the sequence.

RUN IN:

 Gate or logic high (of at least 1V) will tell Brains to count, and thus run 

gate. Gate or logic low (below 1V) will stop Brains. Use this input to control when 

the sequence is turned on or turned off.

DIRECTION IN:

 Gate or logic high (of at least 1V) tells Brains to count forward. 

Gate or logic low (below 1V) tells Brains to count backward. Use this input to control 

the forward / backward movement of the sequence.

TOUCH-GATE OUT:

 Generates gate high, 10V, when any Touch Plate on a con-

nected Pressure Points is touched.

TOUCH-CLOCK IN:

 Secondary clock activated when Pressure Points is touched. 

This input serves a dual purpose. Used without a Master Clock applied to the Clock 

In, events initiated by touching Pressure Points will be quantized to the timing signal 

applied to the Touch-Clock In. When used along with the Clock In, a secondary 

sequence will be initiated whenever Pressure Points is touched, where the length 

and timing is determined by the relationship of the Touch-Clock to the Master Clock. 

Also, patching a dummy cable into this input breaks the connection between the 

Pressure Points Touch Plates and the sequence (stage) selection. In other words, 

the Pressure Output from the Touch Plates are independant of the stage sequence, 

and thus, independant of the Gate Output and Tuned Voltage Outputs.

Brains

 is a clocked sequential binary event machine, intended to be connected to tactile controllers such 

as the Pressure Points. as an expansion module. Once connected, Pressure Points provides data input 

to Brains in the form of touch-selectable Reset stage and Hold stage. Pressure Points also provides the 

tuned voltages and pulses per stage. Brains, when connected to either 1 or 2 Pres-

sure Points, will drive the stage selection in a sequential fashion, at a rate deter-

mined by the incoming clock at Clock In, thus forming a 4-Step or 8-Step, 3-channel 

analog sequencer. Binary control over Direction of the stage selection, Run/Stop 

and Reset are provided.

Summary of Contents for DPO

Page 1: ...V The Mod Bus Index CV Input is a bipolar CV input signal Range 4V The associated Mod Bus Index Attenuvertor acts as a bipolar level control for the Mod Bus Index CV Input The Mod Bus Index LED provid...

Page 2: ...he Optomix Take the Signal Out from the Optomix to the Feedback In on the Echophon Set the Optomix Control level to determine the amount of regenerations Other modules could be placed in the loop to c...

Page 3: ...r of the Erbe Verb sound It is an ultra wide range control over the size of the virtual space It goes from unrealistically small to unrealistically large with the full spectrum of realism between The...

Page 4: ...nse curve of the voltage function Response is continuously variable from Logarithmic through Linear to Exponential to Hyper Exponential The tick mark shows the Linear setting EOR END OF RISE OUT LED G...

Page 5: ...an output However there are no input only jacks and jacks are not normalled along the entiere bus Instead there are four distinct busses This means that you can patch an input anywhere on the system...

Page 6: ...uide The Impulse parameter sets the strength of this excitation thus allowing for control over both amplitude and harmonics Impulse must be set greater then 0 to achieve audible sound At lower setting...

Page 7: ...ous loss in high frequency content that is similar to the natural loss of en ergy in idio and membranophonic instruments The Optomix being a vactrol based circuit will never have the speed or tight to...

Page 8: ...ed of the playback recording Therefore long recordings may be achieved but at the cost of a lower sample rate meaning the resulting recordings will be of lower sound quality A Mid Fi setting may be ac...

Page 9: ...from the right side where the Dig it Trimmer is located on the circuit board Always turn the power for Pressure Points off while adjusting the trimmer Default setting is 40 CW CCW less sensitiv ity CW...

Page 10: ...accessed RENE CONCEPTS The primary goal of Ren is to have a maximum amount of artist controlled musical variation with a minimum amount of data input There are no menus All editing is done real time...

Page 11: ...or selects harmonics for emphasis by Flux and H Lock parameters P Out sets the phase modulation ratio N Out No effect CENTROID CV IN CV input for Centroid Range 0 8V CENTROID CV ATTENUATOR Bi polar at...

Page 12: ...D Monster Yes Should I beware of the Wogglebug Maybe The Wogglebug is a random voltage generator originally designed by Grant Richter of Wiard Synthesizers The Wogglebug s purpose is to overtake the C...

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