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©2015 - Compiled by Robert Anselmi 

Reason101.net

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Make Noise Rene

Sequencer Module

René

 is deep, but all you really need to know: Patch one clock to XCLK, and a second clock to YCLK, adjust clock rates and/ or divisors, tune voltages per loca-

tion (the knobs) as desired. Adjusting those two clocks relative to each other will create seemingly innite variations on the theme that is your sequence.

René is the world’s first and only Cartesian sequencer for music synthesizers. It uses Descarte’s cartesian coordinate system to unlock the analog step se

-

quencer from the shackles of linearity. Like the classic analog sequencers, there are only 16 steps, each having an associated knob with which the note for that 

step is tuned. However, using René, the patterns are not limited to 16 steps in length because the path taken through those steps is, for all practical purposes, 

infinite. In fact, René does not “step” at all, but rather it maps coordinates to locations in a grid. As a result, it is possible to move in ways that you would never 

imagine. The 16 steps on René are called “locations,” and rather than one clock input, there are two; the X axis, and the Y axis.

X-CLOCK IN:

 Clock/

Gate signal (of width 

>.5ms and amp >2.5V) 

input drives the X-

axis counter. If using 

Maths to clock, then 

set Vari-Response to 

Linear. When René 

counts Snake style, 

X-CLK steps linearly 

through a stored set of 

coordinates; it drives 

the sequence.

QCV OUT:

 The 

quantized CV of 

the currently ac-

tive location. QCV 

may also yield a 

stored quantized 

CV (if selected on 

Q Page), in which 

case the corre-

sponding location 

potentiometer is 

no longer “live.” 

Range: 4 octaves.

CV OUT:

 

The un-quan-

tized CV of 

the currently 

active loca-

tion. At the 

CV Out, the 

location po-

tentiometers 

are always 

“live.” Range: 

0 to 4.5V.

GATE X & Y OUTS:

 These 

outs reflect the X- & Y-Gate 

Page programming. When 

René hits a location, and it is 

on (lit) on the X- and/or Y-Gate 

PGM Page, the out(s) go high 

for a duration determined by 

the X-CLK width and any PGM 

logic operations for that axis 

clock or gate. When counting 

Snake style, the Gate Out is 

always a skinny pulse (2ms). 

Range: 0V (off) or +8V (on). 

TOUCH PLATE SENSITIVITY CON-

TROL:

 To decrease sensitivity, turn 

CCW. To increase sensitivity, turn CW.

CV PROGRAMMING GRID:

 Pots 

used for programming (PGM). LED lights 

indicate currently active location(s).

X IN CV ATTENUATOR:

 Attenuates 

the incoming X-CV input signal.

Y IN-

PUTS:

 

Identical 

to the X- 

inputs, but 

applied 

to the 

Y-Axis. 

See the 

X- inputs 

for an 

explana

-

tion.

X-CV IN:

 CV at this input 

generates a number that 

is added to the number 

generated by the X-axis 

counter, to create the X 

coordinate. When René 

counts Snake style, X-CV 

scans linearly through a 

set of stored coordinates.  

X-CV is normalled to 

+5V so that with nothing 

patched the attenuator 

acts as an offset generator.

X-MOD IN:

 The state 

of this input (either 

high or low) further 

determines behavior 

of René, depending on 

the selections made in 

the X-Fun PGM page. 

For example, when 

CLK-RST is selected 

under X-Fun, a logic 

high at this input will 

Reset the X-axis 

counter to 0.

PGM 1:

 Used to cycle through the six 

programming (PGM) Pages. 

PGM 2:

 When in a PGM Page, press 

to return to “play” mode. While in “play” 

mode, press to latch currently-held loca-

tions. Also used to store module settings 

on power-down. When in “play” mode, 

press and hold until all PGM LED’s blink 

(about 2-3 seconds).

TOUCH PLATE GRID:

 Used to 

select locations for programming (PGM) 

and latching.

GATE-X & -Y LEDS:

 Flashes to 

indicate gate activity at the output.

PGM PAGE LEDS:

 Lights when as-

sociated PGM Page is accessed.

RENE CONCEPTS:

 The primary goal 

of René is to have a maximum amount of 

artist-controlled musical variation, with a 

minimum amount of data input. There are 

no menus. All editing is done real-time, and 

the programming becomes a key perfor

-

mance element.

The basic concept: each axis is being 

driven by the corresponding clock and CV, to generate a number from 0 to 3. These numbers together make 

up the coordinates for the jump to the next location (ex.: If X hits 2 and Y is at 3, then René goes to Loc.14).

René Logic (X-Fun / Y-Fun PGM Page)

There are 3 rows of the logic processing. 

CLK by MOD

Gate 

by MOD

 and 

Gate by opposing CLK

. With the Clock Logic Ops 

(locations 9, 10, 11) the MOD input is 

AND

OR

XOR

 against the 

CLK, and the result drives the counter for the associated axis. With 

the Gate Logic Ops (locations 5, 6, 7) the MOD is AND, OR, XOR 

against the CLK and the result drives the gate programming logic 

(X gate or Y gate pages). The last part of the chain is the gate on/

off, thus giving gate programming top level control. When you want a 

location to not generate an event, turn off the gate.
(NOTE: 0 = FALSE = OFF, 1 = TRUE = ON)

For CLK by MOD logic ops, the results apply to both the sequence 

movement and the associated gate outs. For Gate by MOD logic 

ops, the results apply only to the associated gate outs.

Programming (PGM) Pages

Access Page (A):

 Allow access (on; lit) or deny access (off; unlit) to a location.

X-Gate & Y-Gate:

 Turn on/off locations that generate a gate at the G-X / G-Y Outs.

X-Fun & Y-Fun:

 Edit the behavior of the X & Y axis. 

FWD:

 counts forward. 

BWD:

 

counts backward. 

PEND:

 counts forward, then backward. 

SNAKE:

 Scans linearly 

through 8 preset coordinate patterns. Uses both X- and Y-axes, so this can be set on 

either “FUN” page. 

CLK RST:

 Pulse at the MOD Input will reset the associated axis 

counter to 0. Used to reset the counter. 

GLIDE:

 Glides between locations when a gate 

is present at the MOD In. Only one axis needs to be programmed for glides to func

-

tion. 

SEEK

 (on; lit)/

SLEEP

 (off; unlit): Lets you program rests in sleep mode. When an 

Access location is off, the step is counted and silent. In Seek mode, this same location 

is ignored, and next available location is played (without the rest between locations).

Quantize (Q):

 Lets you select scales to be used at the QCV Out. You can also store 

quantized voltages (see SQV section).

8 Snake Mode Memorized Coordinate Sets

 (conceived & illustrated by yerpa58).

Stored Quantized Voltages (SQV - Q PGM Page - Locations 12, 13, 14, and 15)

To store all 16 Voltages as set by the potentiometers and the PGM Scale as set by touch grid Locations 0 thru 11, touch and 

hold either Location 12, 13, 14, or 15 until all 6 PGM LEDs flash. When one of these four locations are on (lit), the QCV Out 

produces voltages per location as well as the scale in which they were initially stored. The scale may still be edited on the fly, 

but the pots on the CV Programming Grid is no longer “live.” To turn off the active SQV, press it once again to toggle off.
With the scale and the voltages you have programmed stored, you effectively have two channels of CV. The most common 

use would be to apply the QCV to 1V/ Octave input on your VCO, program your scale and the notes you want to use in your 

composition, and store those to one of the 4 locations (12, 13, 14, 15).  If you want variations, then store those variations to 

the remaining locations. Now, patch the CV Out (un-quantized) to a timbre control, such as FM Index, wave shape, or filter 

resonance. Because your QCV is using the SQV to drive the VCO, the un-quantized CV Out is now independent, and you are 

able to turn the pots on the CV Programming Grid to program new timbre CV, without changing the notes/pattern driving your 

VCO pitch. Apply the Gate Outs to EG/VCA combo, or Low Pass Gate, and you have full control of one voice.

ACTIVE SCALE

Summary of Contents for DPO

Page 1: ...V The Mod Bus Index CV Input is a bipolar CV input signal Range 4V The associated Mod Bus Index Attenuvertor acts as a bipolar level control for the Mod Bus Index CV Input The Mod Bus Index LED provid...

Page 2: ...he Optomix Take the Signal Out from the Optomix to the Feedback In on the Echophon Set the Optomix Control level to determine the amount of regenerations Other modules could be placed in the loop to c...

Page 3: ...r of the Erbe Verb sound It is an ultra wide range control over the size of the virtual space It goes from unrealistically small to unrealistically large with the full spectrum of realism between The...

Page 4: ...nse curve of the voltage function Response is continuously variable from Logarithmic through Linear to Exponential to Hyper Exponential The tick mark shows the Linear setting EOR END OF RISE OUT LED G...

Page 5: ...an output However there are no input only jacks and jacks are not normalled along the entiere bus Instead there are four distinct busses This means that you can patch an input anywhere on the system...

Page 6: ...uide The Impulse parameter sets the strength of this excitation thus allowing for control over both amplitude and harmonics Impulse must be set greater then 0 to achieve audible sound At lower setting...

Page 7: ...ous loss in high frequency content that is similar to the natural loss of en ergy in idio and membranophonic instruments The Optomix being a vactrol based circuit will never have the speed or tight to...

Page 8: ...ed of the playback recording Therefore long recordings may be achieved but at the cost of a lower sample rate meaning the resulting recordings will be of lower sound quality A Mid Fi setting may be ac...

Page 9: ...from the right side where the Dig it Trimmer is located on the circuit board Always turn the power for Pressure Points off while adjusting the trimmer Default setting is 40 CW CCW less sensitiv ity CW...

Page 10: ...accessed RENE CONCEPTS The primary goal of Ren is to have a maximum amount of artist controlled musical variation with a minimum amount of data input There are no menus All editing is done real time...

Page 11: ...or selects harmonics for emphasis by Flux and H Lock parameters P Out sets the phase modulation ratio N Out No effect CENTROID CV IN CV input for Centroid Range 0 8V CENTROID CV ATTENUATOR Bi polar at...

Page 12: ...D Monster Yes Should I beware of the Wogglebug Maybe The Wogglebug is a random voltage generator originally designed by Grant Richter of Wiard Synthesizers The Wogglebug s purpose is to overtake the C...

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