background image

©2015 - Compiled by Robert Anselmi 

Reason101.net

Visit  

www.makenoisemusic.com

 for full manual

Make Noise Soundhack Erbe-Verb

Reverb FX Module

The 

Soundhack Erbe-Verb

 is more than a collection of reverb algorithms or presets, it is a unique, modeless, continuously variable reverb algorithm with com-

plete voltage control. Typical reverb types such as plate, room, hall, shimmer and others may be programmed by adjusting the knobs. The continuously variable 

algorithm allows for hybrid and unreal spaces to be found. Traveling between spaces is possible by modulating the algorithm or manually sweeping parameters. 

More than an end-of-chain effects unit, it’s a whole new building block for modular synthesis. Like the Echophon, it’s coded by Tom Erbe of soundhack. 

SIGNAL IN & ATTENUATOR:

 AC 

Coupled Audio input for the Erbe-Verb.

Expects standard signal level of 10Vpp. 

The associated 

Input Attenuator

 sets 

the input level. Unity is set at 3 o’clock.

MIX CV IN & ATTENUATOR:

  Unipolar CV input. Range 0V to +5V. The 

Mix Attenuator

 blends between the Dry (un-processed) & Wet (processed) 

Signal. With nothing patched to Mix CV In, works as standard panel control. 

With a signal patched to Mix CV In, it works as an attenuator for that signal.

L (MONO) & R OUTS:

 Patch 

the Audio signal output here. Both 

outputs are AC coupled, 10Vpp (de-

pending upon level setting & source 

material). 

L (Mono):

 Left portion 

of stereo reverb image, which also 

serves as MONO reverb image. 

R:

 

Right portion of stereo reverb image.

ABSORB CV IN & ABSORB 

ROTARY:

 CV input for the Absorp-

tion parameter. Range: +/- 5V. The 

Absorb Rotary

 is a unipolar control 

for absorption. Full CCW = 0 diffusion 

/ 0 damping; 10 o’clock = full diffusion 

/ 0 damping; full CW = full diffusion / 

full damping. Absorb will affect both 

the tone and the time of the Decay. 

Increasing the Absorb parameter value 

will decrease the Decay times and also 

have the effect of making the reverb 

tail sound darker. Absorb is feedback 

based, so the response is slower than 

that of Size or Pre-Delay. Greater 

impact is achieved with slower CV 

signals, such as envelopes from Maths 

with long Rise/Fall settings, for ex-

ample. Note: Absorb is highly inuenced 

by the Decay parameter. The greater 

the Decay setting, the more dramatic 

the Absorb response.

DECAY ROTARY, DECAY CV IN 

& ATTENUVERTOR:

 The 

Decay 

Rotary

 is a unipolar control for Decay. 

0-120% reflection gain. This changes 

the length of the reverb “tail,” from very 

short all the way up to infinity (Full CW). 

Decay uses internal feedback to put 

energy back into the reverb algorithm, 

resulting in sustaining the reverb. 

This sustaining increases the time it 

takes for the reverberations to settle, 

or decay to zero amplitude. Decay is 

by nature a function of Size. Smaller 

spaces tend to have shorter Decay 

times while Larger spaces tend to have 

longer Decay times. The 

Decay CV In

 

is a CV input for the Decay parameter. 

Range: +/- 5V. The associated 

Decay 

Attenuvertor

 is a bipolar level control 

for the Decay CV Input.

Typical Reverb Space Emulations

Coffin: 

Size: full CCW / PreDelay: full CCW 

/ Decay: 9:00 / Absorb: (low-cost oak) 9:00; 

(luxury) 2:00

Room:

 Size: 12:00 / PreDelay: 12:00 / Decay: 

12:00 / Depth: 12:00  / Absorb: 2:00

Plate:

 Size: 1:00 / PreDelay: full CCW / Decay: 

1:00 / Depth: 12:00 / Absorb:10:00

Hall:

 Size: 3:00 / PreDelay: 11:00 / Decay: 1:00 

/ Depth: 1:00 / Speed:   11:00 / Absorb: 11:00

Heaven:

 Size: full CW / PreDelay:  full CW / 

Decay: full CW

Ambient:

 Size: 4:00 / PreDelay: 11:00 / Decay: 

2:00 / Depth: 2:00 - 3:00 / Speed: 12:00 - 3:00

Reverse:

 Mix: full CW / Size: full CCW / 

PreDelay: 3:00 - full CW / Decay: full CCW / 

Absorb:  full CCW / Depth: 12:00 / Reverse: 

ON

Shimmer:

 Size: 4:00 / PreDelay: 11:00 / De-

cay: 2:00 / Depth: full CW / Speed: 12:00 - 3:00

SIZE ROTARY:

 Unipolar rotary that sets 

the Size of the space. Ranges from “cof-

fin” CCW (~35 cu. ft.) to “heavens.” CW 

(~9.3 million cu. ft.). 
This is the most defining parameter of 

the Erbe-Verb sound. It is an ultra-wide 

range control over the size of the virtual 

space. It goes from unrealistically small to 

unrealistically large, with the full spectrum 

of realism between. The entire range of 

possible sizes are available at all times. 

This means it is possible to travel from 

one space to another, or to modulate 

between several spaces. Typical settings 

for the Size parameter are: 

Coffin:

 Full 

CCW; 

Room:

 12 o’ clock; 

Plate:

 1 - 2 

o’ clock; 

Hall:

 3 o’ clock; 

Ambient:

 4 o’ 

clock; 

Heaven:

 Full CW.

REVERSE BUTTON, GATE IN & 

LED:

 The 

Reverse Button

 toggles the 

Reverse on/off. In Reverse, Pre-Delay 

determines the Reverse buffer size — 

using internal clock: 42ms - 500ms; using 

external clock (

Tempo In

): 0.1ms - 5.46s 

synchronized. The 

Reverse Gate In

 

will Reverse momentarily on Gate high. 

Requires a 1.5V trigger signal to operate. 

The 

Reverse LED

 provides visual indica-

tion of Reverse state. When lit, Reverse is 

enabled. Flickering indicates the Reverse 

buffer rate.

CV OUT & LED:

 Control signal repre-

senting the average energy of the algo-

rithm. Range 0V - 10V. The associated 

CV 

LED

 provides visual indication of the CV 

being output.

DEPTH ROTARY, DEPTH CV IN & ATTENUVERTOR:

 The 

Depth 

Rotary

 is a bipolar control for Depth and type of Internal Modulation. 

Minimum modulation at 12 o’clock. Cyclic modulation CCW from 12 o’clock. 

Cyclic modulation is a multiphase cascaded chorus effect, which ranges from 

very subtle chorusing to extreme doppler swirls. Ergodic modulation CW 

from 12 o’clock. Ergodic modulation causes random room dimension shifting, 

which can become very granular at high depth. Shimmer at Full CW. The 

Depth CV In

 is a CV input for the Depth parameter. Range: +/- 5V. The as-

sociated 

Depth Attenuvertor

 is a bipolar level control for the Depth CV Input.

PRE-DELAY ROTARY & PRE-DELAY CV IN:

 The 

Pre-Delay Rotary

 controls the 

amount of Pre-Delay or Reverse time. Using the internal clock, it operates as unipolar, 

with a range of 7ms - 500ms. Using external clock (Tempo In), it operates as bipolar, 

with divisors & multipliers of 1/12, 1/8, 1/6, 1/4, 1/3, 1/2, 2/3, 1/1, 3/2, 2/1, 3/1, 4/1, 6/1, 

8/1, and 12/1, where 1/1 is at 12 o’clock. Pre-delay is independent of the SIze param-

eter. The 

Pre-Delay CV In

 is a CV input for the Pre-Delay parameter. Range: +/- 5V.

TILT ROTARY, TILT CV IN & ATTENUVERTOR:

  The 

Tilt Rotary

 is a bipolar control for Tilt. Low 

Gain: +12 dB to -12 dB, High Gain: -24dB to + 24dB. Unity at 12 o’clock. ). Tilt is a reverb EQ; it shapes 

the final tone of the reverb. It is the last operation in the algorithm, so it has no effect on energy, feedback, 

or nature of the reverberations. At 12 o’clock, Tilt has no effect. As you turn CCW, the high end is cut and 

the low end boosted, resulting in thick, thunderous sounds that fill out empty spaces. Turn CW, and the low 

end is cut and high end boosted, resulting in thin, bright sounds that give room in the space. Tilt is useful 

for tailoring the reverb to sit well in the rest of your patch. The 

Tilt CV In

 is a CV input for the Tilt param-

eter. Range: +/- 5V. The associated 

Tilt Attenuvertor

 is a bipolar level control for the Tilt CV Input.

TEMPO IN:

 Allows synchronization of 

echoes to multiple or division of an exter-

nal clock. While following external tempo, 

the 

Speed

 and 

Pre-Delay

 are multiple or 

division of the incoming clock. Requires 

clock/gate signal amplitude of at least 

1.5V and width of at least 6ms.

SPEED CV IN, SPEED 

ROTARY & LED:

 

CV input for the Speed 

parameter. Range: +/- 5V. 

The 

Speed Rotary

 is a 

unipolar control for Speed 

of internal modulation. Us-

ing internal clock: 1/2 - 256 

cps; using external clock 

(

Tempo In

): 1/48 - 9,000 

cps. The 

Speed LED

 pro-

vides visual indication of 

Internal Modulation rate.

SIZE CV IN & ATTENU-

VERTOR:

 CV input for 

the Size parameter. Range: 

+/- 5V. Patch here to morph 

between spaces or create 

spaces that are large at one 

end and small at the other. 

Modulation of this parameter 

will be very dramatic. Use 

the associated 

Size Attenu-

vertor

 for subtle modula-

tions. It is a bipolar level 

control for the Size CV Input.

Summary of Contents for DPO

Page 1: ...V The Mod Bus Index CV Input is a bipolar CV input signal Range 4V The associated Mod Bus Index Attenuvertor acts as a bipolar level control for the Mod Bus Index CV Input The Mod Bus Index LED provid...

Page 2: ...he Optomix Take the Signal Out from the Optomix to the Feedback In on the Echophon Set the Optomix Control level to determine the amount of regenerations Other modules could be placed in the loop to c...

Page 3: ...r of the Erbe Verb sound It is an ultra wide range control over the size of the virtual space It goes from unrealistically small to unrealistically large with the full spectrum of realism between The...

Page 4: ...nse curve of the voltage function Response is continuously variable from Logarithmic through Linear to Exponential to Hyper Exponential The tick mark shows the Linear setting EOR END OF RISE OUT LED G...

Page 5: ...an output However there are no input only jacks and jacks are not normalled along the entiere bus Instead there are four distinct busses This means that you can patch an input anywhere on the system...

Page 6: ...uide The Impulse parameter sets the strength of this excitation thus allowing for control over both amplitude and harmonics Impulse must be set greater then 0 to achieve audible sound At lower setting...

Page 7: ...ous loss in high frequency content that is similar to the natural loss of en ergy in idio and membranophonic instruments The Optomix being a vactrol based circuit will never have the speed or tight to...

Page 8: ...ed of the playback recording Therefore long recordings may be achieved but at the cost of a lower sample rate meaning the resulting recordings will be of lower sound quality A Mid Fi setting may be ac...

Page 9: ...from the right side where the Dig it Trimmer is located on the circuit board Always turn the power for Pressure Points off while adjusting the trimmer Default setting is 40 CW CCW less sensitiv ity CW...

Page 10: ...accessed RENE CONCEPTS The primary goal of Ren is to have a maximum amount of artist controlled musical variation with a minimum amount of data input There are no menus All editing is done real time...

Page 11: ...or selects harmonics for emphasis by Flux and H Lock parameters P Out sets the phase modulation ratio N Out No effect CENTROID CV IN CV input for Centroid Range 0 8V CENTROID CV ATTENUATOR Bi polar at...

Page 12: ...D Monster Yes Should I beware of the Wogglebug Maybe The Wogglebug is a random voltage generator originally designed by Grant Richter of Wiard Synthesizers The Wogglebug s purpose is to overtake the C...

Reviews: