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Make Noise Mysteron

Digital Waveguide Module

The 

Mysteron

 is a voltage controlled dual digital waveguide algorithm that is a bit of a mystery even to those of us involved in its design. Despite being 

completely digital, it is highly organic, displaying variation in outcome often seen only in nature. It is a formless blob of DSP that you grow, modulate and patch 

program into new sounds, some vaguely recognizable and others completely otherworldly. The range of sounds possible is quite large. From pianissimo to 

fortissimo, short percussive bursts to bowed, sustaining pitches. The two waveguides can be pitched together or independently, mutated with harmonic or inhar-

monic waveforms and fed back into themselves or each other. 

COARSE PITCH ROTARY & LED:

 Sets length of waveguide or 

perceived pitch of sound, roughly 5 octaves. Quantized mode when set 

fully CCW. The 

“Mystery” LED

 indicates mutations. It flashes slowly on 

bowed/cross-feedback modes, and flashes quickly in quantized mode.

OUTPUT:

 AC coupled audio 

output. Range: ~10Vpp (de-

pending on settings; especially 

Impulse).

DEPTH CV INPUT & ATTENUATOR:

 

The 

Depth CV Input

 is unipolar. Range: 0V to 

+5V. The associated 

Depth Attenuator

 sets 

how much the waveguides are mutated. It is a 

unipolar combo control. With nothing patched    

to Depth CV In, it works as a standard panel 

control. With a signal patched, it works as a 

level control for that signal.

GENERATION ROTARY, ATTENUVER-

TOR & CV INPUT:

 The 

Generation Rotary

 

sets feedback of the output of the waveguides 

back to their inputs. At 12 noon there is no 

feedback. Degenerative feedback is CCW 

from NOON, and Regenerative feedback is 

CW from NOON. The 

Generation CV Attenu-

vertor

 is a bipolar attenuator for Generation 

CV In. The 

Generation CV Input

 is a bipolar 

signal input. Range: +/-4V.

FINE PITCH ROTARY:

 Adjust per-

ceived pitch by +/- 12%.

IMPULSE CV INPUT & ATTENUATOR:

 

The 

Impulse CV Input

 is unipolar. Range: 0V 

to +5V. The associated 

Impulse Attenuator

 

sets the strength of excitation, allowing for 

control over amplitude and harmonics. It is a 

unipolar combo control. With nothing patched 

to Impulse CV In, it works as a standard 

panel control. With a signal patched, it works 

as a level control for that signal. Must be set 

greater than 0% to achieve an audible sound.

EXCITE INPUTS & LEDS:

 Gate 

inputs for excitation. Mysteron will create 

no sound unless you patch something 

to at least one of these inputs. Requires 

a clock/gate signal amplitude of at least 

1.5V and width of at least 6ms. The 

associated 

Excite LEDs

 provide visual 

indication of the Mysteron’s excitation.

PITCH 2 CV INPUT:

 The exponential 

pitch control input. Range: 0V to +5V. 

Quantized mode range: 0V to +3V. Re-

sponse is 1V/Oct. Engage quantize mode 

for superior tracking.

!! IN (GATE):

 This is the gate input for deter-

mining the algorithm behavior. With Mutation 

Depth fully CCW, this changes the response of 

the Excite parameter for bowed attack. When 

not fully CCW, cross couples feedback paths 

of waveguides into each other (the “Mystery” 

LED Flashes to indicate the status). Requires 

a clock/gate signal amplitude of at least 1.5V 

and width of at least 6ms to operate. 

TYPE ROTARY, ATTENUATOR & 

CV INPUT:

 The 

Type Rotary

 sets the 

Type of Mutation. The 

Type CV Attenu-

ator

 is a unipolar level control for the 

Type CV Input. The 

Type CV Input

 is a 

unipolar CV input for the Type parameter. 

Range: 0V to +5V.

PITCH 1 CV INPUT & ATTENU-

VERTOR:

 The 

Pitch 1 CV Input

 is the 

exponential pitch control input. It is not 

applicable in quantized mode. Range: +/-

5V. The associated 

Pitch 1 Attenuvertor

 

is a bipolar control which adjusts the level 

of the signal coming into the Pitch 1 CV 

Input.

Mysteron 101

Making Sound:

 When the Mysteron is Excited (via the Excite Inputs), a burst of energy (in the form of noise and other waveforms) is injected into the wave-

guide. The Impulse parameter sets the strength of this excitation, thus allowing for control over both amplitude and harmonics. Impulse must be set greater 

then 0% to achieve audible sound. At lower settings, the sound will have fewer harmonics and less impact. This parameter could also be used as a digital 

VCA while the Mysteron is self-oscillating.The Excite inputs are wired in a normalization scheme, so that with either one patched, the other is triggered as 

well. Using both Excite inputs results in the two waveguides having different lengths, with the possibility of creating two independent pitches and timbres.

Controlling Pitch:

 The Pitch control sets the length of both waveguides. The length of the waveguide determines perceived pitch of the resulting sound. It 

will also alter the timbre of the sound. The Pitch Rotary, Pitch 1 and Pitch 2 all have an exponential response with a range of roughly 5 octaves. At the lowest 

end, the sounds are lower pitched and take longer to decay. Therefore, it is harder to discern the pitch, as there are greater harmonics. At the middle, the 

sounds are shorter and have fewer harmonics, making it easier to discern their pitch. At the highest end, the sounds have the potential to become so short 

it is hard to determine the pitch. Changes to the Pitch controls are applied to the most recently excited waveguide. If both waveguides are excited together, 

then both are the same length. The Excite inputs are normalled so patching into just one excites both together. Using both Excite Inputs independently, it 

is possible to have the two waveguides at different lengths, thus making two differently-pitched sounds. Removing all modulation from the Pitch 1 CV In, 

and setting the Pitch Rotary fully CCW engages quantize mode. The Mysteron remains in quantize mode as long as the Pitch Rotary remains at 0% with 

nothing patched into Pitch 1 CV In. Quantize mode is indicated by the double flashing of the “Mystery” LED. This forces the Mysteron to adhere to a 12-tone 

chromatic scale, with the pitch determined by Pitch 2 CV In. This is excellent for using the Mysteron in a melodic way alongside other sound sources such as 

an STO or DPO VCO.

Sound Sculpting:

 Once the Mysteron is excited, the Generation Rotary sets the feedback of the output of the waveguide back to the input. Degenerative 

feedback saps energy from the algorithm, making the sounds shorter and more percussive. Regenerative Feedback grows energy in the algorithm, making 

the sounds longer and less percussive. At 100% feedback, the sound is almost a bowed type dynamic. With Depth fully CCW (no Mutation), the “!!” Gate 

Input engages an alternate response to the Excite inputs for a bowing effect. With Depth greater than 0%, the “!!” Gate Input cross couples the output of 

each waveguide into the input of the other waveguide. This is influenced by the analog acoustic modeling synthesis of Ron Berry. With Mutations occurring, 

the results are more complex and depend upon the Type and Depth settings. The Mystery LED flashes to indicate these behaviors. The Mutation section 

features contains the Depth and Type controls. With Depth set fully CCW, Type will do nothing. To hear the effects of Type, Depth must be turned to at least 

10%. Depth sets the amount of mutated energy injected into the waveguide and Type selects the form of mutation. What is actually happening is that the 

waveguide is being excited more than just noise. The Type control is scanning through other waveforms to be used to excite the waveguide. Depth blends 

these other waveforms with the noise (from 0% WT/100% Noise to 100% WT/0% Noise). This dramatically changes the timbre and pitch of the sound. The 

“Mystery” LED lights to indicate Mutation. All other controls (Pitch, Impulse, Generation, !!) are still effective during Mutation.

Tips & Tricks:

 1) The Impulse parameter could be used as digital VCA. 2) For melodic tracking, set the Pitch Rotary fully CCW (quantize mode), and use 

only Pitch 2. Fine Tune will help to match the Mysteron to a VCO tuning. 3) For simplest usage, patch a gate or clock to only one Excite input.

Summary of Contents for DPO

Page 1: ...V The Mod Bus Index CV Input is a bipolar CV input signal Range 4V The associated Mod Bus Index Attenuvertor acts as a bipolar level control for the Mod Bus Index CV Input The Mod Bus Index LED provid...

Page 2: ...he Optomix Take the Signal Out from the Optomix to the Feedback In on the Echophon Set the Optomix Control level to determine the amount of regenerations Other modules could be placed in the loop to c...

Page 3: ...r of the Erbe Verb sound It is an ultra wide range control over the size of the virtual space It goes from unrealistically small to unrealistically large with the full spectrum of realism between The...

Page 4: ...nse curve of the voltage function Response is continuously variable from Logarithmic through Linear to Exponential to Hyper Exponential The tick mark shows the Linear setting EOR END OF RISE OUT LED G...

Page 5: ...an output However there are no input only jacks and jacks are not normalled along the entiere bus Instead there are four distinct busses This means that you can patch an input anywhere on the system...

Page 6: ...uide The Impulse parameter sets the strength of this excitation thus allowing for control over both amplitude and harmonics Impulse must be set greater then 0 to achieve audible sound At lower setting...

Page 7: ...ous loss in high frequency content that is similar to the natural loss of en ergy in idio and membranophonic instruments The Optomix being a vactrol based circuit will never have the speed or tight to...

Page 8: ...ed of the playback recording Therefore long recordings may be achieved but at the cost of a lower sample rate meaning the resulting recordings will be of lower sound quality A Mid Fi setting may be ac...

Page 9: ...from the right side where the Dig it Trimmer is located on the circuit board Always turn the power for Pressure Points off while adjusting the trimmer Default setting is 40 CW CCW less sensitiv ity CW...

Page 10: ...accessed RENE CONCEPTS The primary goal of Ren is to have a maximum amount of artist controlled musical variation with a minimum amount of data input There are no menus All editing is done real time...

Page 11: ...or selects harmonics for emphasis by Flux and H Lock parameters P Out sets the phase modulation ratio N Out No effect CENTROID CV IN CV input for Centroid Range 0 8V CENTROID CV ATTENUATOR Bi polar at...

Page 12: ...D Monster Yes Should I beware of the Wogglebug Maybe The Wogglebug is a random voltage generator originally designed by Grant Richter of Wiard Synthesizers The Wogglebug s purpose is to overtake the C...

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