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Make Noise Passive Multiple & CV Bus

Utility Modules

The 

Passive Multiple

 is a simple but important module that allows for sending a signal to multiple destinations. Within the Make Noise system the Multiple may 

also be used for combining clock, gate and pulse signals together to create interesting timing sources (in other words, it acts as a Gate combiner aka logic OR 

circuit). It has 9 inter-connected sockets that may be split into different group combinations depending upon how it is patched. The jacks circled in white will 

make or break the interconnects between the 3 groups of three, thus allowing for three 3-way, one 5-way / one 3-way or one 7-way multiple. The Multiple is pas-

sive. The Make Noise system does not require Buffered Multiples since all critical control signals are already buffered.
The 

CV Bus

 provides visual indication of level, rate and polarity for up to 4 color-coded control signals that will be shared throughout a patch. They are distribut-

ed across the center of the system allowing for quick, clean and intuitive patching. The visual indication makes navigating complex patches easier and intuitive. 

The CV Bus also has the tools needed for integrating the Make Noise system with the outside world. A 1/4” Mono input with plenty of gain allows for bringing 

external signals into the system. The optimal 10Vpp signal level is visually indicated. A high quality Stereo Line Driver converts powerful modular synthesizer 

signal levels to the commonly used Line Level. There is mini-jack inputs for Left and Right, a single Master Volume control, and a TRS Stereo 1/4” output jack. 

This output is capable of driving long cable out to a PA System or a set of Headphones. It has AC coupling and a built-in limiting circuit (with visual indication).

INPUTS & OUTPUTS:

 Each jack can operate as an input or an output, except the white-circled jacks, which are “input only.” 

Patching into one input creates a split of that input into all other jacks, which can then operate as outputs, where the input signal can 

be tapped. A few other notes:

 

You can input a signal into any one of the 9 jacks. The output is tapped from any of the other jacks. 

 

You can split any kind of signal: audio, CV, or gates.

 

You can also mix (combine) clock, gate and pulse signals (OR logic). You cannot mix audio or other CV signals. Combination 

of Audio / other CV signals is not supported, but will not damage anything.

 

The only time a buffered multiple is needed is when control voltage is sent from an unbuffered output to multiple destinations 

that require unity at the input; typically, 1v/oct inputs. Because all critical CV outputs in the Make Noise System are buffered, a 

passive multiple is all that is needed.

 

White-circled jacks make or break connections within the Multiple. While all other jacks are normalled, meaning, they split the 

signal to all other outputs, the white-circled jacks are “input only,” and are not used as outputs. In this way, you can create 

various multiple combinations: three 3-way, one 5-way & one 3-way, or one 7-way multiple. From a practical standpoint, here’s 

what that means: 

 

3x (1 input / 2 outputs)

 

1x (1 input / 4 outputs) and 1x (1 input / 2 outputs)

 

1x (1 input / 6 outputs)

INPUTS & OUTPUTS:

 As with the standard Multiple, each jack can operate as an input or an output. However, there are no “input only” jacks, and jacks are 

not “normalled” along the entiere bus. Instead, there are four distinct busses. This means that you can patch an input anywhere on the system to produce four 

corresponding output splits. The lines on the faceplate denote the four busses.

 

You can input a signal into any one of the 20 jacks. The outputs are then tapped from the four jacks associated to the input (noted by the lines on the 

faceplate). In order to create additional splits of a single input, patch from one of the split outputs into a second bus line. For example, if you input a signal 

on the first jack (at the left), Bus 1 outputs 4 signals via the Bus one output jacks. Take on of those outputs and patch into the second jack (from the left) to 

create an additional set of 4 output splits. Bus 1 now has 3 outputs (the fourth being sent into Bust 2 input), and Bus 2 has 4 outputs (for a total of 7 splits 

of the one input signal). The CV Bus is a 4 input / 16 output multiple.

 

You can split any kind of signal: audio, CV, or gates.

 

You can also mix (combine) clock, gate and pulse signals (OR logic). You cannot mix audio or other CV signals. Combination of Audio / other CV signals 

is not supported, but will not damage anything.

 

The only time a buffered multiple is needed is when control voltage is sent from an unbuffered output to multiple destinations that require unity at the input; 

typically, 1v/oct inputs. Because all critical CV outputs in the Make Noise System are buffered, a passive multiple is all that is needed.

 

Here are some of the combinations that can be created with the CV Bus: 

 

4x (1 input / 4 outputs)

 

2x (1 input / 7 outputs) -- 

note: 1 split output is sent into a second bus input.

 

1x (1 input / 10 outputs) -- 

note: 2 split outputs are sent into second and third bus inputs.

 and 1x (1 input / 4 outputs)

 

1x (1 input / 13 outputs)  -- 

note: 3 split outputs are sent into second, third, and fourth bus inputs.

For an informative video about the CV Bus, see here: 

Make Noise System Tutorial 3: Control Voltage (CV) and Polarity

.

INPUT 

& GAIN 

ROTARY:

 

1/4 inch audio 

input jack 

for outside 

sources to be brought into the 

modular system. Since line levels 

are lower than modular levels, 

there is a unipolar 

Gain Rotary

 to 

increase the amplitude of the audio 

input signal.

OUTPUT & LED CLIP 

INDICATOR:

 After the 

audio signal / gain path, you 

can use this 1/8 inch jack 

to output the audio to any 

destination in your modular 

system. The 

LED Clip 

Indicator

 will show as a red 

exclammation mark if the 

level is too hot / volume too 

high. If this happens, ease 

back on the Gain Rotary.

IN/OUT LEVEL, RATE, POLARITY & COL-

OR CODING:

 Surrounding each Input & output 

jack is an LED. This indicates the following: 

Level

 

is indicated by the brightness of the LED. Brighter = 

higher level, duller = lower level. 

Rate

 is indicated 

by the pulse of the LED. 

Polarity

 is indicated by 

position of the LED. Positive = upper circle half lit, 

negative = lower circle half lit. 

Color

 indicates the 

different busses on the system. Green is bus 1, red 

is bus 2, yellow is bus 3, and orange is bus 4. The 

colors are a great visual indicator, so that you can 

see which signals are being output on each bus.

L (MONO) & R 

INPUT & LEV-

EL ROTARY:

 

This is the mono 

/ stereo audio 

output from the 

modular system. 

The associated 

unipolar 

Level 

Rotary

 allows 

you to adjust the 

output volume.

LINE OUT 

(TRS):

 1/4 

inch Stereo 

TRS audio 

jack that can 

be used to 

send the final 

modular output 

to headphones, 

PA system, 

or DAW for 

recording.

PASSIVE MULTIPLE

CV BUS (available as part of the 

Shared System with CV Bus

 and 

Black & Gold Shared System

)

Summary of Contents for DPO

Page 1: ...V The Mod Bus Index CV Input is a bipolar CV input signal Range 4V The associated Mod Bus Index Attenuvertor acts as a bipolar level control for the Mod Bus Index CV Input The Mod Bus Index LED provid...

Page 2: ...he Optomix Take the Signal Out from the Optomix to the Feedback In on the Echophon Set the Optomix Control level to determine the amount of regenerations Other modules could be placed in the loop to c...

Page 3: ...r of the Erbe Verb sound It is an ultra wide range control over the size of the virtual space It goes from unrealistically small to unrealistically large with the full spectrum of realism between The...

Page 4: ...nse curve of the voltage function Response is continuously variable from Logarithmic through Linear to Exponential to Hyper Exponential The tick mark shows the Linear setting EOR END OF RISE OUT LED G...

Page 5: ...an output However there are no input only jacks and jacks are not normalled along the entiere bus Instead there are four distinct busses This means that you can patch an input anywhere on the system...

Page 6: ...uide The Impulse parameter sets the strength of this excitation thus allowing for control over both amplitude and harmonics Impulse must be set greater then 0 to achieve audible sound At lower setting...

Page 7: ...ous loss in high frequency content that is similar to the natural loss of en ergy in idio and membranophonic instruments The Optomix being a vactrol based circuit will never have the speed or tight to...

Page 8: ...ed of the playback recording Therefore long recordings may be achieved but at the cost of a lower sample rate meaning the resulting recordings will be of lower sound quality A Mid Fi setting may be ac...

Page 9: ...from the right side where the Dig it Trimmer is located on the circuit board Always turn the power for Pressure Points off while adjusting the trimmer Default setting is 40 CW CCW less sensitiv ity CW...

Page 10: ...accessed RENE CONCEPTS The primary goal of Ren is to have a maximum amount of artist controlled musical variation with a minimum amount of data input There are no menus All editing is done real time...

Page 11: ...or selects harmonics for emphasis by Flux and H Lock parameters P Out sets the phase modulation ratio N Out No effect CENTROID CV IN CV input for Centroid Range 0 8V CENTROID CV ATTENUATOR Bi polar at...

Page 12: ...D Monster Yes Should I beware of the Wogglebug Maybe The Wogglebug is a random voltage generator originally designed by Grant Richter of Wiard Synthesizers The Wogglebug s purpose is to overtake the C...

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