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©2015 - Compiled by Robert Anselmi 

Reason101.net

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Make Noise Phonogene

Sampler / Looper Module

The 

Phonogene

 is a digital re-visioning and elaboration of the tape recorder as musical instrument. It takes its name from a little known, one of a kind instru-

ment, used by composer Pierre Schaeffer. While not an emulation, it expands upon the original concepts. It is informed by the worlds of Musique Concrète 

(where speed and direction variation were combined with creative tape splicing to pioneer new sounds) and Microsound (where computers allow for sound to 

be divided into pieces smaller then 1/10 of a second, and manipulated like sub-atomic particles). Having CV control over every parameter, it is most dynamic 

as a digital audio buffer for the modular synthesist. The Phonogene is comprised of a pair of tool-sets: Tape Music tools allow for sounds to be recorded on the 

fly, layered, manually cut into pieces, re-organized, and played backward or forward at differing speeds. The Microsound Tools allow for you to divide the audio 

buffer into progressively smaller pieces called Genes (aka particles, grains, granules). You can then step through those pieces in chronological order, and/or in 

nonlinear fashion (providing random access of the audio buffer). Both sets of tools complement each other, which is why they were grouped into one module.

SIGNAL IN & ATTENUATOR:

 Audio 

input. Line level or modular synth levels 

are acceptable. AC Coupled. The associ-

ated 

Signal In Attenuator

 sets the input 

level. For line level, set at 70% CW (2Vpp), 

and for mod synth levels, set at 30% CW 

(10Vpp); noted on the faceplate.

SOUND ON SOUND CV IN:

 Sets the mix of previ-

ously recorded loop with live Signal input when recording, 

to allow for SOS-type “overdubs.” Also allows for setting 

monitoring level of live input signals with previously 

recorded loop. Can also be used as a CV cross-fader 

(between live & loop) or VCA for loop (no live signal). 

Range: 0V to 10V, linear response. Normalized to +10V.

SOUND ON SOUND AT-

TENUATOR:

 With nothing 

patched to SOS CV In, this 

works as a standard panel 

control. With signal patched 

to SOS CV In, this works as 

an attenuator for that signal.

SIGNAL OUT:

 

Audio signal output. 

10Vpp, depending on 

Signal In Attenuator 

setting and the source 

material. AC coupled.

SLIDE ROTARY:

 Manual bipolar rotary 

for scanning the pieces of sound that result 

from setting Gene-Size to greater than 

10%. Moves/slides through the Genes (aka 

grains). Allows for scrubbing of the recorded 

material, and is always dependent upon the 

Gene-size setting.

SLIDE CV IN & ATTENUVERTOR:

 

Bipolar CV input for Slide. Range +/-4V. 

The associated 

Slide Attenuvertor

 sets the 

bipolar level for the incoming CV.

GENE-SIZE CV IN & ATTENUATOR:

 

Unipolar CV input setting size divisor of 

audio buffer, dividing with respect to the 

buffer size as set by Record or Splice length. 

This parameter “auto-splices” the recorded 

material like a machine. Operates with great 

precision and can cut pieces to a granular 

level. Nondestructive. At 0V there is no 

effect. Range 0V to +8V. The associated 

Gene-size Attenuator

 sets the level for the 

incoming CV. It is unipolar.

GENE SHIFT CV IN:

 A clock signal at 

this input advances Phonogene to the next 

Gene, in chronological order. Always depen-

dent upon the Gene-size setting. Needs at 

least 1.5V trigger signal to operate.

SPLICE CV IN:

 Input for using external 

signal to splice the loop. Sees only rising 

edge of the signal. Needs at least 1.5V trig-

ger signal to operate.

EOS CV OUT & LED:

 Outputs a short 4 

ms pulse at the end of each Splice. With no 

Splices, EOS outputs a pulse at the end of 

each loop. The associated 

EOS LED

 flashes 

at each pulse output.

GENE-SIZE ROTARY:

 Manual unipolar 

control which sets Gene-Size divisor.

Recording Time and Quality: 

The Phonogene audio buffer is 2MB, nonvolatile, high number of fast read and write cycles. Nonvolatile means the 

Phonogene remembers both samples and splices on power down. The high number of read and write cycles is key to longevity of the module. High speed 

read and write cycles allow for short sample times, making microsound possible. Because the record and playback frequency is continuously variable from 

88.2khz to 5.5khz by the Varispeed controls, the longest possible recording or loop length is determined by the speed of the playback/recording. Therefore, 

long recordings may be achieved, but at the cost of a lower sample rate, meaning the resulting recordings will be of lower sound quality. A “Mid-Fi” setting 

may be achieved by setting the Varispeed rotary at around 50%, so that both Varispeed LEDs are off. This records a good quality, 2-second sample length, 

and allows for a good range of speed variation. Playback is stopped while you record. To record shorter samples at higher quality, set the Varispeed rotary 

CCW. To record longer samples at lower quality, set the Varispeed rotary CW. Sample length can range from approximately >0 to 30 seconds.

Erase Routine:

 Hold the Splice button for 3 seconds to erase all splices at once. The Rec LED flashes to indicate splices have been erased. If you then 

press the REC button while still holding the Splice button down, the Recording is also erased. Note: Erasing splices is non-destructive to your audio.

Broken Echo Mode:

 This hidden function allows for realtime processing of audio signals. To enter Broken Echo mode, create a sample/loop/Splice (just 

press the Rec button and record enitre memory bland, for example). Then press and hold the Rec button until you pass through the EOS (EOS flashes) 

and Rec will be stuck On. To exit Broken Echo mode, press the Rec button again (do not Hold it though, or you will go back into Broken Echo mode). In this 

mode the Phonogene is similar to the Echoplex, with the SOS switch activated. This is similar to covering the Erase head of a tape recorder, allowing a spool 

of tape to be recorded over and over and over again, without erasing the previous recordings. This is a great mode for building walls of sound, drones, or 

making crude echo FX. Phonogene still minds Splices, Varispeed, Gene-size, Gene Shift, and Slide.  Any modulation of these parameters are recorded.  Be 

sure to set the SOS Attenuator control according to your desired results. For example, live input processing requires the attenuator to be set at around 50%, 

while massaging captured content requires a setting of 100% Wet. Adding or removing splices during Broken Echo Mode is not supported.

VARISPEED ROTARY & LEDS:

 Manual 

bipolar speed and direction control. When 

set to 50% playback is stopped, turning CCW 

from 50% decreases playback speed in 

backward direction, turning CW from 50% in-

creases playback speed in forward direction. 

Two LEDs are associated with this rotary. The 

2 associated LEDs

 show in which direction 

the Phonogene is playing. The left (blue) 

LED indicates reverse playback. The right 

(orange) LED indicates forward playback. 

When no LEDs are lit, playback is stopped. 

LEDs also flash when a new splice is found 

(see the 

Organize

 controls).

VARISPEED CV IN & ATTENUVER-

TOR:

 Bipolar speed and direction control 

where 0V stops playback, positive control 

signal increases playback speed in forward 

direction, negative control signal increases 

playback speed in reverse direction. Range 

+/-4V. The associated 

Varispeed Attenuver-

tor

 sets the bipolar level for the incoming CV.

ORGANIZE CV IN & ATTENUATOR:

 

Unipolar CV input which selects the next 

Splice to be played. The currently selected 

Splice will play to the end before the next 

Splice is selected. The Varispeed LEDs flash 

whenever this control finds a new Splice. 

Range: 0V to +5V. The associated 

Organize 

Attenuator

 sets the level for the incoming 

CV. It is unipolar.

RECORD BUTTON & LED:

 Manual, momen-

tary button to toggle record on/ off. The Record 

LED indicates when recording is taking place. 

When not lit, recording is not taking place.

SPLICE BUTTON:

 Pressing drops splice marker 

on a loop. When loop is Organized, the splices (re

-

sulting audio segments) are re-arranged according 

to the Organize CV. Phonogene plays whichever 

splice is selected by Organize parameter.

ORGANIZE Rotary:

 Manual Unipolar 

control which selects the next Splice to be 

played. The Varispeed LEDs will flash when

-

ever this control finds a new Splice.

PLAY & RECORD CV INS:

 

Play CV In:

 At each rising edge signal applied to Play CV In, playback 

is triggered. At the end of loop or splice, Phonogene looks at the incoming CV, and if high, it plays again. 

If low, it does not play. This Input is normalized high. With nothing patched, play is continuous. Needs at 

least 1.5V trigger signal to operate. 

Record CV In:

 Toggles Record on/off. When recording from a cleared 

buffer, the first record cycle sets the record length, so be sure to perform the 

Erase Routine

 to achieve a 

new recording. Sees only rising edge of signal. Needs at least 1.5V trigger signal to operate.

Summary of Contents for DPO

Page 1: ...V The Mod Bus Index CV Input is a bipolar CV input signal Range 4V The associated Mod Bus Index Attenuvertor acts as a bipolar level control for the Mod Bus Index CV Input The Mod Bus Index LED provid...

Page 2: ...he Optomix Take the Signal Out from the Optomix to the Feedback In on the Echophon Set the Optomix Control level to determine the amount of regenerations Other modules could be placed in the loop to c...

Page 3: ...r of the Erbe Verb sound It is an ultra wide range control over the size of the virtual space It goes from unrealistically small to unrealistically large with the full spectrum of realism between The...

Page 4: ...nse curve of the voltage function Response is continuously variable from Logarithmic through Linear to Exponential to Hyper Exponential The tick mark shows the Linear setting EOR END OF RISE OUT LED G...

Page 5: ...an output However there are no input only jacks and jacks are not normalled along the entiere bus Instead there are four distinct busses This means that you can patch an input anywhere on the system...

Page 6: ...uide The Impulse parameter sets the strength of this excitation thus allowing for control over both amplitude and harmonics Impulse must be set greater then 0 to achieve audible sound At lower setting...

Page 7: ...ous loss in high frequency content that is similar to the natural loss of en ergy in idio and membranophonic instruments The Optomix being a vactrol based circuit will never have the speed or tight to...

Page 8: ...ed of the playback recording Therefore long recordings may be achieved but at the cost of a lower sample rate meaning the resulting recordings will be of lower sound quality A Mid Fi setting may be ac...

Page 9: ...from the right side where the Dig it Trimmer is located on the circuit board Always turn the power for Pressure Points off while adjusting the trimmer Default setting is 40 CW CCW less sensitiv ity CW...

Page 10: ...accessed RENE CONCEPTS The primary goal of Ren is to have a maximum amount of artist controlled musical variation with a minimum amount of data input There are no menus All editing is done real time...

Page 11: ...or selects harmonics for emphasis by Flux and H Lock parameters P Out sets the phase modulation ratio N Out No effect CENTROID CV IN CV input for Centroid Range 0 8V CENTROID CV ATTENUATOR Bi polar at...

Page 12: ...D Monster Yes Should I beware of the Wogglebug Maybe The Wogglebug is a random voltage generator originally designed by Grant Richter of Wiard Synthesizers The Wogglebug s purpose is to overtake the C...

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