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Reason101.net

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Make Noise Optomix & modDemix

Low Pass Gate & VCA Mixer Modules

The 

Optomix 

is a two channel Low Pass Gate, providing simultaneous voltage control over amplitude and frequency content of a signal. It is in essence, a 

Voltage Controlled Filter Amplifier (VCFA) that has an extremely organic response to control signals. Additionally, the Optomix offers a summing stage complete 

with an auxiliary input, allowing for the chaining of multiple units to create larger mixes (this also works well in combination with the modDemix. The 

modDemix

 

features 2 identical direct-coupled balanced modulator circuits that may be used together or independently for Ring Modulation, VCA, Mixer, Signal Multiplica

-

tion, Voltage Controlled Polarization, Attenuation and more.

CHANNEL 1 SIGNAL IN:

 

DC signal input, capable of ac

-

cepting audio or CV. Range: Up 

to 18Vpp.

CHANNEL 1 SIGNAL IN:

 DC signal input, capable of accepting audio or CV.

CARRIER CV IN:

 Deter

-

mines amplitude & phase of 

Channel 1 Signal In.

STRENGTH ATTENUA-

TOR:

 Unipolar attenuator 

for Carrier CV In: Normalized 

to +5V so that with nothing 

patched to the Carrier CV 

In, the attenuator acts as a 

manual Carrier attenuator. 

Range: 0V-5V.

DAMP CV IN:

 DC CV input for the cor

-

responding channel’s damping param-

eter. Normalized to +8V. Range: 0V-8V. 

CONTROL CV IN:

 DC, highly sensitive CV 

input for the corresponding channel’s vactrol 

gate. Normalized to +8V. Range: 0V-8V.

DAMP ATTENUATOR:

 Uni

-

polar attenuator for the Damp 

CV Input. With nothing patched 

to the Damp CV In, the attenu

-

ator acts as a manual damping 

attenuator.

CONTROL ATTENUATOR:

 Unipolar 

attenuator for the Control Input. With nothing 

patched to the Control CV In, the attenuator 

acts as a manual control attenuator.

CHANNEL 1 SIGNAL OUT:

 DC output of the signal applied to the input, 

as pro-cessed by the LPG. Range: 10Vpp (depending on settings and source 

material).

Channel 1 vs Chan-

nel 2:

 both channels are 

identical, except as noted 

here. If you don’t see a 

description of the Chan-

nel 2 parameter, refer to 

the Channel 1 descrip-

tions for information.

Channel 1 vs Channel 2:

 

Similar to the Optomix, both 

modDemix channels are identical, 

except as noted here. If you don’t 

see a description of the Channel 2 

parameter, refer to the Channel 1 

descriptions for information.

STRIKE INPUT:

 Gate input for striking or plucking the vactrol. Expects 8V 

Gate. It acts as a fast attack envelope with slow amplitude response affecting 

the LPG. Combined with the Damp parameter, Strike allows for the program

-

ming of percussive sounds (sharp Attack w/ CV Decay), without the need for a 

separate envelope generator.

Further Information
Optomix:

 

As a VCA, Optomix has a moderate attack response and slow decay response, meaning that it turns on quickly, but takes a while to shut off, 

yielding a smooth natural sounding decay to almost any sound processed dynamically. The sound is often described as “ringing,” and while the circuit is 

not technically ringing, that does describe many of the sounds possible when using the Optomix to process complex signals generated through FM or Ring 

Modulation. As a VCF it is a mild, nonresonant Low Pass circuit acting to gently reveal (or hide) the sharper edges of a sound. This characteristic also adds 

to the “ringing” effect. As the amplitude of the sound decays, there is a simultaneous loss in high frequency content that is similar to the natural loss of en

-

ergy in idio and membranophonic instruments. The Optomix, being a vactrol-based circuit, will never have the speed or tight tolerances found in many other 

VCA and VCF circuits. If you seek to program extremely short sounds, clicks, pops and ticks, then the Optomix is not the best choice. What the Optomix 

does offer is extremely low noise and low distortion and a smooth, natural sounding circuit.

modDemix:

 

The modDemix consist of 2 identical direct coupled circuits that may be used together or independently to process audio or control signals 

by means of amplitude modulation and the many derivatives of AM such as double/ single-sideband, voltage controlled amplification/ attenuation, voltage 

controlled polarization or multiplication and of course, ring modulation. The modDemix is a specialized amplitude modulation circuit that could be thought of 

as a “Thru-Zero VCA,” meaning that in addition to the AM, when the Carrier signal (called Carrier CV) changes phase, the resulting signal’s phase will flip as 

well. What makes the modDemix unique when compared to other balanced modulators, is that because it is Direct Coupled, it will perform wonderfully both 

as anaudio rate modulator to implement Ring-Modulation, and as a control rate modulator to implement multiplication of CV. Also, the circuit used will, with 

ease, turn off around 0V at the Carrier CV In; a characteristic that makes the circuit behave very well as a VCA. Both circuits feed a “Sum” stage, allowing 

the module to be used as a voltage controlled mixer. The Strength attenuators are “combo knobs,” acting as unipolar panel controls. In practice, this means 

the summing stage can also be a mixer with amplitudes set by the 2 Strength controls. An Aux In allows for chaining multiple modDemix (or Optomix) units 

to create larger mixes. The attenuator allows for setting the Strength or Level of the incoming signal. When performing ring modulation, adjusting Strength 

will alter the integrity of the resulting modulated and/or demodulated signal, thus affecting the timbre as well as the amplitude. In most other uses, Strength is 

directly related to the amplitude of the resultant signal.

AUXILIARY IN:

 DC signal 

input to the Sum circuit, to al

-

low for the chaining of multiple 

Optomix and modDemix units to 

create larger mixes. Capable of 

accepting audio or CV signals. 

Range: up to 10Vpp (depending 

on settings and source material).

AUXILIARY IN:

 DC signal 

input to the Sum circuit, to al

-

low for the chaining of multiple 

modDemix and Optomix 

units to create larger mixes. 

Capable of accepting audio 

or CV signals. Range: up to 

10Vpp (depending on settings 

and source material).

CHANNEL 2 SIGNAL IN:

 

DC signal input, capable of ac

-

cepting audio or CV. Normalized 

to Channel 1 Signal Out, for 

series processing. Range: up to 

10Vpp (depending on settings 

and source material). 

CHANNEL 2 SIGNAL IN:

 DC signal input, capable of accepting audio or CV. 

Normalized to Channel 1 Signal Out, for series processing.

CHANNEL 1 LEDs:

 LED indication of signal activity in four quadrants. Verti

-

cal position represents amplitude and phase of input signal; horizontal position 

represents amplitude and phase of Carrier CV In signal.

CHANNEL 1 SIGNAL OUT:

 Output of the processed signal from Channel 1.

SUM OUT:

 The sum or mix 

of all signals processed by the 

Optomix (Channel 1 & 2 In, and 

Aux In) is sent out here. Range: 

10Vpp (depending on settings 

and source material).

SUM OUT:

 The sum or mix of all signals processed by the modDemix (Channel 

1 & 2 In, and Aux In) is sent out here.

Summary of Contents for DPO

Page 1: ...V The Mod Bus Index CV Input is a bipolar CV input signal Range 4V The associated Mod Bus Index Attenuvertor acts as a bipolar level control for the Mod Bus Index CV Input The Mod Bus Index LED provid...

Page 2: ...he Optomix Take the Signal Out from the Optomix to the Feedback In on the Echophon Set the Optomix Control level to determine the amount of regenerations Other modules could be placed in the loop to c...

Page 3: ...r of the Erbe Verb sound It is an ultra wide range control over the size of the virtual space It goes from unrealistically small to unrealistically large with the full spectrum of realism between The...

Page 4: ...nse curve of the voltage function Response is continuously variable from Logarithmic through Linear to Exponential to Hyper Exponential The tick mark shows the Linear setting EOR END OF RISE OUT LED G...

Page 5: ...an output However there are no input only jacks and jacks are not normalled along the entiere bus Instead there are four distinct busses This means that you can patch an input anywhere on the system...

Page 6: ...uide The Impulse parameter sets the strength of this excitation thus allowing for control over both amplitude and harmonics Impulse must be set greater then 0 to achieve audible sound At lower setting...

Page 7: ...ous loss in high frequency content that is similar to the natural loss of en ergy in idio and membranophonic instruments The Optomix being a vactrol based circuit will never have the speed or tight to...

Page 8: ...ed of the playback recording Therefore long recordings may be achieved but at the cost of a lower sample rate meaning the resulting recordings will be of lower sound quality A Mid Fi setting may be ac...

Page 9: ...from the right side where the Dig it Trimmer is located on the circuit board Always turn the power for Pressure Points off while adjusting the trimmer Default setting is 40 CW CCW less sensitiv ity CW...

Page 10: ...accessed RENE CONCEPTS The primary goal of Ren is to have a maximum amount of artist controlled musical variation with a minimum amount of data input There are no menus All editing is done real time...

Page 11: ...or selects harmonics for emphasis by Flux and H Lock parameters P Out sets the phase modulation ratio N Out No effect CENTROID CV IN CV input for Centroid Range 0 8V CENTROID CV ATTENUATOR Bi polar at...

Page 12: ...D Monster Yes Should I beware of the Wogglebug Maybe The Wogglebug is a random voltage generator originally designed by Grant Richter of Wiard Synthesizers The Wogglebug s purpose is to overtake the C...

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