KETRON SD5 Owner'S Manual Download | Manualshive

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THE EFFECTS

Using FF88 EEffffeecctt the user can access the effects page for the Reverb and Chorus
effects. Press FF77 EEffffeecctt to display the level of the Reverb (always present unless it
is set at zero) and the multi-effect that can be disabled (O

Offff). To access these para-

meters use the D

DA

ATTA

A C

CU

UR

RSSO

OR

R push buttons.

As for the multi-effects, once the algorithm has been enabled and selected, one or
more parameters appear right under the Reverb, which are used to choose the
type of the single effects within the multi-effects used by the voice. For further
information see the Effects section.

CONTROL WITH MODULATION WHEEL

Press FF99 W

Whheeeell and the display will show a 2 -column table in which the first indi-

cates the parameter, the second the on/off status of the Modulation Wheel. Use the
D

DA

ATTA

A C

CU

UR

RSSO

OR

R keys to select and enter a parameter. Below is the explanation of

the individual parameters:

CUT OFF

:

This enables the control of the opening and closing of the filter,
by altering its cut-off. It is used for example to create the analo-
gue type sweeps or to brighten a sound by letting through more
of the higher frequencies and harmonics as the Cut Off point is
raised.

LFO Pitch

:

This enables the modulation on the pitch (Vibrato), by controlling
the modulation intensity of the LFO.

LFO Amplitude

:

This enables the modulation of the Amplitude (Tremolo), controlling the modulation intensity of the LFO.

LFO Filter

:

This enables the modulation on the Filter, controlling the modulation intensity of the LFO.

Volume:

controllo del Volume per mezzo dell'Aftertouch.

Wha Wha

:

This controls the Wha Wha effect via the use of the Modulation Wheel.

Slide (Vel):

This affects the tuning of the sound, creating a sort of slight pitch bend each time a key is pressed strongly. It may prove
quite useful when playing to realistically simulate the sound attack typical of wind instruments, such as the Sax and Trumpets.

Attack:

This makes all the parameters controlled with After touch start working with a slight and gradual delay. If used skilfully it
confers amazing expressiveness to the leads. To hear its affect, at least one of the parameters amongst those listed must be
controlled by After touch and obviously the After touch must be used. It is quite handy, for example, when assigning a pitch
bend to the After touch and playing with high velocities that could trigger the After touch. This system safeguards the use of
the After touch with additional control.

Portamento

:

enables the use of the Portamento for the voice.

Legato

:

enables the Legato mode for the amplitude envelope.

Wha To Pedal

:

assigns the Wha-Wha control to the pedal.

Mono

:

sets the Voice to mono.

LFO E VELOCITY

Press FF110

0 LLFFO

O V

Veelloocciittyy to access the parameters dedicated to the use of the LFO

and the velocity to control some crucial voice parameters. To select a parameter,
use the D

DA

ATTA

A C

CU

UR

RSSO

OR

R kkeeyyss. Below is the description of the individual parameters:

LFO 1 (DCO) Rate

:

This establishes the modulation frequency or speed of the
LFO dedicated to the pitch. Higher the value, faster will be
the vibrato.

LFO 1 (DCO) Depth

:

This specifies the operating intensity of the LFO on DCO, which
determines how heavy or deep the Vibrato effect will be.

SD5

22

Voices and User Voices

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Summary of Contents for SD5

Page 1: ...Owner s Manual ...

Page 2: ......

Page 3: ...rs Drum Set Arranger Using a MIDI pedal for the bass Pattern Edit Power On Set Up Song Play Midi file and Karaoke Drum Remix Video Out and Karaoke Recording a Midi file KAR MID Midi files TXT text files Using the microphone Vocalizer Effects Registrations Utility Midi Accordions Midi Disk MidJay Utility Multi Tab Technical Tables PAG 2 4 6 12 14 15 20 24 28 29 31 40 41 46 47 53 54 55 56 58 59 64 6...

Page 4: ...ns The identification and power supply data are reported on the bottom of the instrument Disconnect the power cable if the instrument is not used for longer periods of time If you need to disconnect the instrument from the power supply use the ON OFF switch at the back of the instrument The instrument must be positioned so that the ON OFF switch is easily accessible Bring the instrument to an serv...

Page 5: ...programming phases A AC C P PO OW WE ER R A AD DA AP PT TO OR RS S To connect these instruments to the wall socket you will need the supplied KETRON AC Power adaptors Use of other AC adaptors could result in damage to the instrument s power circuit So be sure to ask for the right kind B BA AT TT TE ER RY Y N NO OT TI IC CE E These products may contain a small non rechargeable battery which if appl...

Page 6: ...d dan gerous short circuits or abnormal conditions in general MIDI In GM Midi Input Port used just to control the General MIDI sound generator of the SD5 with sixteen MIDI parts MIDI In 2 Keyboard MIDI port for connecting an external MIDI keyboard or accordion which can operate the SD5 in a similar way to its own keyboard MIDI Out MIDI port used to send the data generated by the SD5 including auto...

Page 7: ...n other words the effect produced affects all the keys pressed at that time VELOCITY The key dynamics is used to control some timbre parameters such as the volume of the note or the filter GENERAL VOLUME The volume cursor seen on the front panel controls the general volume of the audio outputs Left Right of the whole keyboard including the microphone signals The cursor does not send a Volume data ...

Page 8: ...tice that we call these buttons UP arrow pointing upwards D DO OW WN N arrow pointing downwards L LE EF FT T arrow pointing to the left and R RI IG GH HT T arrow pointing to the right Generally speaking the U UP P and D DO OW WN N buttons are used to select the para meter to be edited while the L LE EF FT T and R RI IG GH HT T buttons are used to change the value of the parameter currently selecte...

Page 9: ...that are displayed Number name and volume of the style This indicates the name and number of the style currently in use Use the S ST TY YL LE E push buttons to call up another one To modify the volume of the arranger press the D DA AT TA A C CU UR RS SO OR R L Le ef ft t R Ri ig gh ht t push buttons which in this page are used as B Ba al la an nc ce e Sound selected and volume To change the sound ...

Page 10: ...push buttons become numeric keys that are used to enter the value directly THE PUSH BUTTONS RELATED TO THE SELECTION OF VOICES The two rows of six push buttons called V VO OI IC CE ES S are used to call up sounds or Preset Voices according to the family to which they belong When a family is selected with one push button the display shows five Voices to the left and five Voices to the right which c...

Page 11: ...erything played on the keyboard PLAY SONG This activates the playing function of the Midifile It is also used to pull up concentrations of Midifiles and to display the words of the songs on the instrument display MANUAL DRUMS When led is on you can play single instruments of your own drum set all over the keybed This function turn off automati cally Right and Left Sections and allows to control Ma...

Page 12: ... pressed R Ri it ta ar rd da an nd do o COUNT PAUSE RESTART With the Arranger stopped C CO OU UN NT T adds a Count In beat where the artificial drummer using drum sticks counts in 4 beats If an I IN NT TR RO O has also been pressed before C CO OU UN NT T with the J JU UM MP P push button enabled the Intro chosen will be enabled at the end of the count With the Arranger running pressing this push b...

Page 13: ...rent levels of complexity If the Jump Fill push button is ena bled and an Intro push button is pressed the Intro selected will be played While in Song Play mode the three push buttons enable the Remix functions to be controlled on the piece of music being played ARR MUTE This is used to mute some sections of the automatic accompaniment which can be defined by the user This func tion enables greate...

Page 14: ...only the chord that was ack nowledged before the S Su us st ta ai in n was activated It is possible to disable the Sustain on the timbre in use to utilise the Sustain pedal exclusively for the P Pi ia an ni is st t function using F F7 7 P Pi ia an ni is st t S Su us st ta ai in n F8 Fade Controls the Fade In Out function If the Arranger is activated this generates the fading out effect i e this fu...

Page 15: ... can select the type of harmonization using the function buttons It is not possible to activate more than one type of harmonization as each selec tion deletes the previously selected one Press again HARMONY button Led off to turn off this function The following parameters are available F1 Full The notes of the chord played on the portion left to the split point are repeated on the right part and a...

Page 16: ... the E Es sc ca ap pe e command may appear which is assigned to a function push button at the side of the display Therefore if the E EX XI IT T push button should fail to work look carefully at the display to find the E Es sc ca ap pe e function amongst the com mands or try pressing the key used to access the specific menu again THE F1 F10 FUNCTION PUSH BUTTONS There are five push buttons to the l...

Page 17: ... RI IC C function key You can load a Midifile by entering the number using the numerical keyboard relative to the STYLES buttons In this case again press the E EX XI IT T key to move onto a second Play environment In this environment you can view if you wish the list of Midifiles contained using the F F5 5 D Di ir r function You can also select a Midifile by entering its number or a number of succ...

Page 18: ...ed and the settings of the control panel The heart of the Arranger is the Style namely a combination of bass drum and harmony tracks which have been designed for that kind of music Without going into too much detail these tracks can have four variations cal led A B C and D Riff three Intro s and three Endings that have different levels of complexity Then there are also the Fill Ins with which you ...

Page 19: ...utton To cut out the accompaniment tracks except for the drum tracks when no chord is played disable the HOLD function using the dedicated HOLD push button the LED switches off To balance the volume of the Arranger with the lead played on the part of keyboard to the right of the split point press these push buttons B BA AL LA AN NC CE E D DA AT TA A C CU UR RS SO OR R To restore the original tempo...

Page 20: ...nds on the operating mode chosen for the Vocalizer You can harmonize the voice according to the chords played on the left part of the keyboard or in P Pi ia an ni is st t mode over the whole keyboard This method of utilising the notes by the Vocalizer is called A Au ut to om ma at ti ic c C Ch ho or rd d and includes the identification of the note sung via the microphone input Using the K Ke ey yb...

Page 21: ...ified the selection mode for Registrations in the U Ut ti il li it ty y menu using F F7 7 R Re eg gi is s M Mo od de e and then entering the 3 digits number using the numeric keypad S ST TY YL LE ES S push buttons The real secret of the Registration however is yet to follow On most electronic keyboards to load a Midi file a pattern and a text file you have to go through at least three procedures t...

Page 22: ...y shows five Voices to the left and five Voices to the right which can be selected by pressing the func tion button associated to that voice The last Bank of Voices is dedicated to the Drawbar voices if you press the U US SE ER R V VO OI IC CE E push button When the SD5 reaches the last page of Voices available if you press the same push button for that family of voices again you will return to th...

Page 23: ...e are different types of envelopes that are used by the SD5 is made up of four segments namely the Attack the time the sound takes to reach the maximum level Decay the time that the sound takes to drop from maximum level to that established by the Sustain Sustain the level at which the sound remains until the note played is released and Release the time the sound takes to drop from the Sustain lev...

Page 24: ...e LFO Volume controllo del Volume per mezzo dell Aftertouch Wha Wha This controls the Wha Wha effect via the use of the Modulation Wheel Slide Vel This affects the tuning of the sound creating a sort of slight pitch bend each time a key is pressed strongly It may prove quite useful when playing to realistically simulate the sound attack typical of wind instruments such as the Sax and Trumpets Atta...

Page 25: ...any parameter has been modified and the user attempts to exit the programming menu using E EX XI IT T or by pressing the S SA AV VE E push button to enable the saving procedure In both cases the page that appears shows the destination in memory location with the name of the User Voice already there at that time To change the destination in memory directly enter the destination number using the num...

Page 26: ... used for the Voice selected To change it follow the same procedures used to call up a Voice from the main page Once a Voice has been selected wait a few seconds to return to the E Ed di it t P Pr ro og gr ra am m page or press the E EX XI IT T push but ton To disable a Voice selected press the D DA AT TA A C CU UR RS SO OR R push simultaneously When a Voice is selected the F F1 10 0 H Ha ar rm mo...

Page 27: ...to zero F3 F8 Effect This enables the multi effect and is used to choose which algorithm of the multi effect will be used for the Voice using the D DA AT TA A C CU UR RS SO OR R push buttons F4 F9 Amount This controls the signal entity to be sent to the multi effect and in particular to the pre selected algorithm that can be modified using the D DA AT TA A C CU UR RS SO OR R buttons which if press...

Page 28: ...SK have to be loaded into RAM prior to being used PROCEED AS FOLLOWS TO SAVE A SINGLE PROGRAM IN RAM Select the program to be saved Access the E Ed di it t P Pr ro og gr ra am m environment by pressing the function push button relative to the Program selected once again or from the main page of the display by pressing F F8 8 E Ed di it t P Pr ro og gr ra am m Press S SA AV VE E The page that appea...

Page 29: ...u uc ch h E Ed di it t which will display the first page of the list To access the other pages use just the P PA AG GE E push buttons Find the location to be replaced with a new Voice selecting it using the func tion push buttons Select the Voice that will replace that in the list by following the procedures already described for calling up voices The audio files could also be used but these will ...

Page 30: ...ig gh ht t push buttons to select the drawbar and use the D DA AT TA A C CU UR RS SO OR R U Up p a an nd d D Do ow wn n buttons to modify its level F1 Click activates the typical noise when the sound of the electromagnetic organ starts Use the D DA AT TA A C CU UR RS SO OR R buttons to modify its level F2 Sustain an effect used on the electronic organs of the sixties and seventies extending the de...

Page 31: ...to play Live Drum Set directly on the keyboard The only moment in which you can listen to it and especially play it is while editing the Style The instrument s disposition in a Live Drum Set is substantially different from the one in a usual MIDI Drum Set so some time might be needed to become familiar with the way these drum parts are laid out on the keyboard DRUM MIXER The four Drum Mixer pages ...

Page 32: ...s prearranged If you wish to modify the settings of the single key first of all play the note which will be shown in F F2 2 K Ke ey y and then modify the following parameters to be selected with the function buttons The values are input using the D DA AT TA A C CU UR RS SO OR R L Le ef ft t a an nd d R Ri ig gh ht t buttons F1 Live Snare if this parameter is set to On the snare intonation will be ...

Page 33: ...lex than the one of Fill In 1 Fill 3 one detachment bar that is more complex than the one of Fill In 2 Break Fill 4 one percussion detachment bar Ending 1 one or more ending bars Ending 2 one or more ending bars that are more complex than those of Ending 1 Ending 3 one or more ending bars that are more complex than those of Ending 2 Arrange A a simple accompaniment variation Arrange B an accompani...

Page 34: ...that will be activated based on the current arrangement If the J Ju um mp p function is menu the F FI IL LL L push buttons allow you to go to the next Style variation While the Arranger is in Stop condition the Fill Ins can be used as short Intros and they start the execution directly without the need to switch over to the Start condition If you wish to use all the tracks of the automatic accompan...

Page 35: ...s up the R Re et tr ri ig gg ge er r function and the relevant editing page It is set by default on the bass and Chord 2 track of the Style thus allowing you to repeat the fun damental note every time a chord is changed If the retrigger is activated also for the accompaniment tracks these repeat the chord programmed on the first step of the first Style measure The following parame ters are availab...

Page 36: ...ll you need to do is press harder on the keys of the keyboard to activate the current Fill F5 RIFF KEY This is used to set the acknowledgement method of the chords during a Riff Press function key F5 a number of times or use the D DA AT TA A C CU UR RS SO OR R keys to set the following operating modes FILL IN The acknowledgement of the chord is forced when the F FI IL LL L I IN N key is pressed on...

Page 37: ... ol ld d but dedicated to the second sound assigned to L Lo ow we er r 2 2 H Ho ol ld d on L Lo ow we er r 2 2 is disabled by default since usually a piano type voice is used F3 Off Stop The L Lo ow we er r sounds are muted if the Arranger is Stopped and the sounds are heard again when the Arranger starts playing This function is most useful to set a chord for the Intro without hearing the notes p...

Page 38: ...UR RS SO OR R together you restore the standard value of 250 milliseconds F6 Chord Mode Pressing repeatedly the F F6 6 function button modifies the chord acknowledgement mode choosing among the fol lowing four possibilities F Fi in ng ge er re ed d 1 1 acknowledges the chord only according to the notes actually played in the very moment so that even chords made up of two notes are acknowledged if ...

Page 39: ...push buttons and if required the P PA AG GE E buttons prior to the function push buttons to select the exact voice Once the voice has been selected use the D DA AT TA A C CU UR RS SO OR R buttons to determine if the modification has to refer to all the Arranger parts Global mode or only to the one currently in use S Si in ng gl le e mode The G Gl lo ob ba al l S Si in ng gl le e parameter can be s...

Page 40: ...rent values for Right and Left allows you to position the timbre on the stereo panorama To modify the setting select the track or the part using the relevant function button and change the value pressing the D DA AT TA A C CU UR RS SO OR R L Le ef ft t a an nd d R Ri ig gh ht t push buttons Two dashes indicate that the timbre is placed to the centre of the stereo panorama ARRANGE VIEW FIFTH PAGE F...

Page 41: ...meters are saved together with the Style in the Flash RAM memory SAVING ALL CUSTOM STYLES ON A DISK You may save all Custom Styles in one single block on the disk Open the DISK menu pressing the relevant push button Select the target using the Styles push buttons to input the corresponding number Press F3 Save to activate the saving procedure Select F6 Custom Styles Enter the file name using the k...

Page 42: ...play above the Major chords To modify the tonality of the chords use the optional pedal switches FS13 and FS6 or use a pedal with four switches for guitarists Mod 9AC101 that has a special method of adding tonality variations Proceed as follows to enable it From the main page of the display press F F4 4 A Ar rr ra an ng ge e M Mo od de e Move onto page 23 using the P PA AG GE E push button Press F...

Page 43: ...n the disk A new Pattern stored on an empty RAM location will be saved with the general name Pattern To modify its name you need to save it on disk and use the R Re en na am me e function to modify its name and then reload it into the RAM P Pa at tt te er rn n E Ed di it t does not work on Styles stored in Floppy Disk They must therefore be loaded into the Pattern bank prior to use From a purely t...

Page 44: ...p The order of appearance is Arrange A B C D Fill In 1 2 3 4 Intro 1 2 3 Ending 1 2 3 Before you start recording it is a good rule of thumb to always make sure that the P Pa ar rt t on which you are working is really that desired to avoid confusion F2 Solo When this function is enabled only the track selected at the time will be reproduced in Play mode All others with recor ded material will be mu...

Page 45: ...ttern menu you can select this page where some overall parame ters for the whole Pattern can be modified It is preferable to set these parameters before recording a track or a P Pa ar rt t Some of these parameters can only be modified with a newly created Pattern no recording has occurred F1 Tempo Its default setting is 120 bpm This value can be modified using the T TE EM MP PO O e T TE EM MP PO O...

Page 46: ...el F1 Global deletes the data of all Parts F2 Intro This is used to select Intro 1 2 3 by pressing F F2 2 I In nt tr ro o repeatedly F3 Fill In This is used to select Fill In 1 2 3 4 by pressing F F3 3 F Fi il ll l I In n repeatedly F4 Ending This is used to select Ending 1 2 3 by pressing F4 Ending repeatedly F5 Escape This is used to return to the Edit Pattern page F6 Arrange A This is used to s...

Page 47: ...cer To record a Pattern from a Sequencer Computer Connect the Midi In 2 of the instrument to the Midi Out of the Computer and the Midi Out of the instrument to the Midi In of the computer Activate the Midi Clock In of the Computer deactivate the Thru if inserted Activate Midi Clock Out on the instrument Prepare the sequence to be transmitted from the Computer sequencer The channel of each track of...

Page 48: ...tton to activate the procedure Select F3 Power On Setup The following four functions are displayed F5 Escape deletes the operation and returns to the main page of the display F8 Disk Save Saves the Power On Set Up to the disk you selected before confirming the saving in Flash RAM To save another Power On Set Up file it is necessary that the previous one is renamed using the R Re en na am me e func...

Page 49: ... FL LO OP PP PY Y P PA AG GE E Select the file to be loaded using the D DA AT TA A C CU UR RS SO OR R keys Press the E EN NT TE ER R key or the S ST TA AR RT T S ST TO OP P key to start playing While a Midifile is being played you can select the next one using the DATA CURSOR keys and play it with the F F7 7 G GO O N NE EX XT T key As you can see the SD5 automatically numbers the Midifiles present...

Page 50: ... parts is controlled using the relative V VO OL LU UM ME E push buttons The global volume of the Midi file and that of all the voices associated with the keyboard is on the other hand controlled by the V VA AL LU UE E push buttons Balance By pressing them together at the same time the whole Midi file is muted compared to the keyboard The muting of the volu me using this procedure however only rela...

Page 51: ... OR R push buttons you can modify the MIDI channel of the Midi file that bears the main lead which can be muted using the L Le ea ad d O Of ff f function The lead is usually set to channel 4 F F1 10 0 S Sa av ve e T To o D Di is sk k This is used to save the settings of the transposition for the tracks of the Midi file once and for all by recording a new Midi file on disk that replaces the previou...

Page 52: ...the sixteen Parts while playing the Midi file and can be useful when locating a Part to be modified To move around between the single Parts use the P PA AG GE E push buttons You can access one of the 16 parts directly using the M Mu ul lt ti i t ta ab b keys of the SD5 Please consult the specific chapter for further information The parameters that can be modified must be selected using the dedicat...

Page 53: ... Drum Voice and Vocal Set can be called up or otherwise whereas in the case of Voice and Drum Set mode the Voice and Drum Set are called up normally For Drum 2 and Vocal Set the Live Drums and Vocal Sets must be selected using the D DA AT TA A C CU UR RS SO OR R push buttons N No ot te e The modification of the operational mode of a track can make the song incompatible with modules using the Gener...

Page 54: ...di file using F F1 10 0 S Se el le ec ct t A number will appear at the side of the name that indicates the position within the chain Find and select the next Midi file s If you make a mistake find the Midi file and press F F1 10 0 S Se el le ec ct t again The Midi file will be removed from the chain and the Midi files will move back one position Save the chain using F F7 7 S Sa av ve e C Ch ha ai ...

Page 55: ...ersa you can balance the volume of the Midi file again using the D DA AT TA A C CU UR RS SO OR R buttons when S So on ng g S Se el le ec ct t is selected with I IN NT TR RO O E EN ND D 1 1 R RE EM MI IX X S SE EL LE EC CT T These modifications together with the selection of the Style for Remix can be saved by switching to F F1 1 G GM M P Pa ar rt t and then by pressing S SA AV VE E to activa te th...

Page 56: ...This allows you to define the horizontal and vertical dimensions of the computer monitor connected to obtain optimum synchroniza tion with the monitor frequency The values are modified pressing the D DA AT TA A C CU UR RS SO OR R buttons and moving with F2 F F3 3 P PO OS SI IT TI IO ON N This allows you to establish the position of the text within the monitor area using horizontal and vertical val...

Page 57: ...y accessed The page called up is used to enter the name of the Midi file using the keyboard keys and the D DA AT TA A C CU UR RS SO OR R push buttons to cancel the procedure using F F5 5 E Es sc ca ap pe e and to confirm the creation of the Midi file using F F1 10 0 S Sa av ve e On this page use the P PA AG GE E push buttons to select the destination disk as well Once the Midi file has been create...

Page 58: ... that was last used on the hard disk Once the file has been copied exit from the Disk menu using the E EX XI IT T push button or go straight to the Hard Disk by pressing P PA AG GE E once The SD5 will show the contents of the Folder Select the KAR Midi file to be converted from the Folder Press F F3 3 C Co on nv ve er rt t and the SD5 converts the Midi file and upon completion opens a window where...

Page 59: ...i file and the TXT file set with the above mentioned conditions use the controls already described in S So on ng g P Pl la ay y see specific section To scroll any pages that follow the words must be displayed and then use the P PA AG GE E push buttons Press the P PA AG GE E p push buttons together to display the first page of the words press again to go to the last page of words and press a third ...

Page 60: ... R Ri ig gh ht t push buttons which if pressed together at the same time reset the value F3 Pan 1 This selects the position on the stereo front of the microphone on input Mic 1 The signal of the microphone is set in the middle when the parameter shows two dashes The value is modified using the D DA AT TA A C CU UR RS SO OR R L Le ef ft t a an nd d R Ri ig gh ht t push buttons which if pressed toge...

Page 61: ...entre of the display Automatic Chord 1 and Automatic Chord 2 produce the additional notes in accordance with the chord played and in association with the note that was sung into the microphone input Keyboard Harmony adds the notes according to the chord played but independently from the recognition of the note sung A particular aspect of Keyboard Harmony is the MIDI Mode drawing the notes to be ad...

Page 62: ...ed by fixed frequencies for certain intonations so modifying these you obtain different timbres The parameters are selected with the D DA AT TA A C CU UR RS SO OR R U Up p a an nd d D Do ow wn n buttons and the value is ente red with the D DA AT TA A C CU UR RS SO OR R L Le ef ft t a an nd d R Ri ig gh ht t buttons To go back to the main page of V Vo oc ca al li iz ze er r press once more the F F7...

Page 63: ...n the centre of the chord If the Vocalize Lead is active On the note sung is doubled Trio Up This maintains the note sung in the bass of the chord If the Vocalize Lead is active On the note sung is doubled Trio Down This maintains the note sung in the treble generating the two voices under it If the Vocalize Lead is active On the note sung is doubled Trio Octa 1 This maintains the note sung in the...

Page 64: ...tava superiore e una voce a quella inferiore rispetto alla nota cantata Se F9 Vocalize è impostato su On si ottiene un raddoppio della nota cantata all unisono Lead Octa Down This generates one voice in the octave below and one voice in unison with the note sung If F F9 9 V Vo oc ca al li iz ze e is O On n the note sung is doubled in unison Lead Octa Up This generates one voice in the octave above...

Page 65: ...he SD5 For this purpose select the desired Vocal Set from the Vocalizer page and then go back to the main display page pressing the E EX XI IT T p pu us sh h b bu ut tt to on n Start the saving procedure by pressing the S SA AV VE E push button Confirm that you wish to save the Power On Setup pressing the F F3 3 function key On the display the following four options appear F5 Escape cancels the op...

Page 66: ...he effect type Reverb Chorus Delay o Distorsor currently enabled so as to avoid changes when e g you change from one style to another F7 Chorus This is used to select the type of algorithm between Chorus 1 Chorus 2 Chorus 3 Chorus 4 Chorus 5 Flanger Short Delay Feedback and four User Chorus using push buttons D DA AT TA A C CU UR RS SO OR R Once the algorithm has been selected it is edited using F...

Page 67: ... the modulation speed Depth This is the modulation intensity PARAMETERS FOR DELAY ALGORITHMS Volume Center This is the level of the signal repeated in the centre Volume Left This is the level of the signal repeated to the left Volume Right This is the level of the signal repeated to the right Delay Center This is the delay speed for repeating the signal in the centre Delay Left As above but for th...

Page 68: ...or in Floppy Disk in a list this feature is not possible with Block Registrations whose registers can only be called up by entering the number using the numeric keypad It takes less time to load a register from a Block Registration than that from a Single Registration The Block Registrations are memorized even when the instrument is turned off as they are saved in Flash RAM CALLING UP AND SAVING A...

Page 69: ... Disk environment or you return to the main page of the display using the EXIT push but ton and enter the number of the desired Registration with REG enabled To save a Single Registration on disk SRG extension you must first select the target folder on the hard disk or the floppy disk Press S SA AV VE E Select F F1 1 R Re eg gi is st tr r From the page that follows enter the name of the Single Reg...

Page 70: ... disable the control of the parameters of Bass Lock Lower Lock Step Tempo Sync Time Chord Mode F6 Tabs This is used to inhibit the control of the enabling status of the push buttons on the control panel relevant to 2nd Voice 1 Touch Key Start and Key Stop F7 Save This is used to save the settings made in the Flash RAM These settings are stored even after the instrument has been tur ned off and are...

Page 71: ...ers controlled by the Modulation Wheel to the optional Volume pedal F8 Mod Rate The value entered using the D DA AT TA A C CU UR RS SO OR R push buttons defines the velocity of the LFO s used with the Modulation Wheel F9 Mod Amou The value entered using the D DA AT TA A C CU UR RS SO OR R push buttons establishes the modulation depth that can be obtained using the Modulation Wheel for the LFOs F3 ...

Page 72: ...itivity to the after touch If modified the control of all the parameters controlled by after touch are also changed F4 Footswitch The SD5 can exploit two types of optional pedals FS13 with thirteen switches and FS6 with six switches to control many functions including those already available for the X series F4 Footswitch calls up a page that shows the function assi gned to each of the switches To...

Page 73: ...age of the Utility menu F F6 6 F Fo oo o t ts sw wi it tc ch h If set as N No ot te e M Ma ap pp pi in ng g the Arabic scale is also applied to the notes played using the pedal If set as Arabic Set the thirteen Arabic scales to be called up instantly are assigned to the pedal switches F F1 10 0 N No or rm ma al l This resets the standard tuning When the modifications have been completed save the s...

Page 74: ...tion is carried out using the Styles groups corresponding to the relevant push buttons like on the SD1 When set to N Nu um me er ri ic c the Style is called up by entering the three numbers on the numeric keypad S ST TY YL LE ES S push buttons like on the X series F10 Voice Sel This is used to select the call up mode of the Voices In M Mo od de e 1 1 the last Voice selected within a single family ...

Page 75: ...o play two percussion sounds of the Drum section of the SD5 with the bass voices of the Accordion and two more voices with the Accordion chords The two voices with relative velocity values can be selected for chords and bass Using the D DA AT TA A C CU UR RS SO OR R U Up p a an nd d D Do ow wn n push buttons go to the voice and then select it using the D DA AT TA A C CU UR RS SO OR R L Le ef ft t ...

Page 76: ...r details are given in the MIDI section TIPS TO QUICK CONNECTION OF A MIDI ACCORDION Connect the MIDI cable to the MIDI Out of the Accordion and the MIDI In 2 of the SD5 Call up the F F3 3 U Ut ti il li it ty y menu from the main page of the display and then press F F1 1 A Ac cc co or rd di io on n and then F F1 10 0 to set the parameter on A Ac ct ti iv ve e If the sections of the Accordion Right...

Page 77: ... same parameters in S So on ng g P Pl la ay y MODIFYING A SINGLE GM PART From the main page press F F1 1 G GM M P Pa ar rt t to call up the page dedicated to the para meters of a single GM part The Part is shown in the middle of the display the para meters that can be modified are assigned to the function push buttons Right underneath is the voice assigned to the Part and the effect used The botto...

Page 78: ... from T TX X that indicates the transmission MIDI channel of the selec ted part to R RX X that establishes the MIDI receiving channel The value can be changed using the D DA AT TA A C CU UR RS SO OR R push but tons If no value is specified the track receives and transmits on the MIDI channel having the same number as the Part F8 Part Mode This modifies the operational mode of the track using the D...

Page 79: ...n S Se et tu up p and then confirm using F F1 10 0 S Sa av ve e More details are given in the Power On Set up section THE PARAMETERS OF THE MIDI MENU F1 Channel Transmit This is used to associate a MIDI transmitting channel on the MIDI OUT to each section The following functions are also available F4 this switches between the Channel Transmit page and Channel Receive page F F5 5 E Es sc ca ap pe e...

Page 80: ...the initial page of the MIDI menu and is used to access some settings dedicated to the MIDI ports The parameters whose values of are called up by pressing the relative function push button repea tedly are F1 MIDI In 1 This is used to modify the ini tial setting of the MIDI port from GM to Keyboard F F2 2 M MI ID DI I I In n2 2 C Co om mp pu ut te er r The same as F F1 1 M MI ID DI I I In n 1 1 The...

Page 81: ...p a an nd d D Do ow wn n push buttons To select a file to load into memory copy cancel or rename it press the F F1 10 0 S Se el le ec ct t function push button To select following pages of files pointed out by arrows press the D DA AT TA A C CU UR RS SO OR R L Le ef ft t a an nd d R Ri ig gh ht t push buttons To load a file after having selected it using F F1 10 0 S Se el le ec ct t press the F F2...

Page 82: ...e F8 Folder section COPYING FROM FLOPPY TO HARD DISK When copying from Floppy to Hard Disk you must first choose the destination Folder Enable the D DI IS SK K menu using the dedicated push button Choose the Hard Disk using the P PA AG GE E push buttons Using the numeric keypad S ST TY YL LE ES S push buttons type in the destination Folder If you do not know the number associated with the Folder p...

Page 83: ...p the current file and go to the next one pressing F F8 8 S Sk ki ip p Pressing F F9 9 C Co op py y A Al ll l copies all the selected files which will maintain their original name Pressing F F9 9 E Es sc ca ap pe e exits this page at any time even if just some of the selected files have been copied F5 Files Choice This is used to select the file type within the Folder currently in use The options ...

Page 84: ...di file stored in the Folder currently in use Once the Midi files are displayed select that desired using the D DA AT TA A C CU UR RS SO OR R push buttons then press F F1 10 0 E Ex xe ec c A window appears where the difference in steps of 1 can be entered compared to the original Tempo using the D DA AT TA A C CU UR RS SO OR R push buttons Once the value has been entered press F F1 10 0 E Ex xe ec...

Page 85: ...button S So on ng g P Pl la ay y will loose the data of the chain permanently and you will have to re load them The same applies to all Juke Box controls disabled when a chain is in use Just the words can be displayed F8 Chain List This displays all the chains of Midi files already stored within the Folder in use F9 Disk Control This calls up a number of functions required to control the Hard Disk...

Page 86: ... F F6 6 L Lo oc ck k F Fo or rm ma at t after which you will be requested to confirm with F F1 10 0 E Ex xe ec c or abandon with F F5 5 E Es sc ca ap pe e Having disabled the protection you can format the Hard Disk by pressing F F4 4 F Fo or rm ma at t after which you will be requested twice to confirm with F F1 10 0 E Ex xe ec cu ut te e Press F F5 5 E Es sc ca ap pe e to cancel the procedure The...

Page 87: ...OLDERS The Folder of the Hard Disk that have been protected with the F F4 4 L Lo oc ck k function in the F F8 8 F Fo ol ld de er r page of the D Di is sk k menu can be additionally protected by assigning a password that will be requested when disabling the lock function The password is modified in the following manner From the main page of the display press F F3 3 U Ut ti il li it ty y Press the P...

Page 88: ... the M MP P3 3 and play another file The operating mode just described is also available on the SD5 To select the various sections of the MidJay use function keys F F1 1 F F5 5 Using key F F1 1 access the M MI ID DI I section using F F2 2 access the W WA AV VE E section using F F3 3 access the M MP P3 3 section using F F4 4 access the DjLoops Sfx section and using key F5 you can open the folder de...

Page 89: ...ythmic parts The two instruments are synchronised by acti vating the G GR RV V S SY YN NC C function using function key F F8 8 PLAYING A GROOVE IN SINCRONIZATION WITH AN INTERNAL STYLE To load a groove you need to open the G Gr ro oo ov ve e D Dj jL Lo oo op p S Sf fx x section using function key F F4 4 Select the GROOVE folder and press E EN NT TE ER R Select the file to be loaded and activate it...

Page 90: ...I section or between two Waves in the WAVE section or it can be activated for all songs of a Play list When the Cross Fade of a DjLoop is activated you can switch from one arrangement to another instantly and without having to wait for the current pattern to end Press function key F F8 8 repeatedly to activate and de activate the Cross Fade function The Cross fade is reset each time the section is...

Page 91: ...b2 Snare Snare Rim Shot Tab3 Hi Hat Tab4 Cymbals Crash Ride Cup Tab5 Toms Tab6 Rimshot Tab7 Latin 1 Congas Bongos Tambora Tab8 Latin 2 Cowbell Guiro Claves Tab9 Latin3 Tamb Maracas Cabaza Shaker Guira Whistle Tab10 CLAP FX Multi tab n 16 acts as a RESET function in other words it removes the mute function from all the percussion sections pre sently in such state F2 GM PAGE This mode is used to acc...

Page 92: ...into 10 groups each containing 16 registrations To view the contents of the current group and to select a new one exit the management menu of the multi tabs using the M MO OD DE E S SE EL LE EC CT T key or use the E EX XI IT T key and activate the R RE EG GI IS ST TR RA AT TI IO ON N key LED lit The bottom part of the display changes and it shows the 16 registrations belonging to the group current...

Page 93: ...Technical tables ...

Page 94: ......

Page 95: ...s Presets GM Voices Drum Sets Live Drums DRUMS 2 Midi Banks Prog Change Styles Midi implementation Vocalizer control list System exclusive Ketron SD5 Vocalizer System exclusive list PAGE 185 186 188 189 103 191 192 193 194 195 196 202 Technical Tables ...

Page 96: ......

Page 97: ...egrass Trill Repeat Folk 1 2 24 half tones 13 arabic setups footswitch assignable Tune 99 cents per note International Belgique Velocity control to Left Right Bass Lower octave Left Drum to Bass Chord Multieffect DSP 60 different effects Reverberation Chorus Flanger Delay Tap Delay 4 8 Wha Wha Distortion Overdrive Rotor Slow Fast Bass Boost Portamento Mono Legato function Input with Gain control E...

Page 98: ...ica Bandoneon Bellow 16 8 25 Classic Spanish Nylon Brazilian Manouche 26 Country Django 12Strings Unplugged 27 Jazz Solid Jazoctave Fingpicking 28 Clean Texas Telecast Peadalsteel 29 Stopped 60Muted Tremolo 30 Blues Rocklead Whaguitar 31 Overdrive PowerGtr 32 Strato Hawaiian Popdry Western 33 Jazzbass Warmbass 34 Finger Oberbass 35 Picked 36 Precision 37 Slap 38 Mute 39 Bass Guit 40 Synbass 41 Vio...

Page 99: ...ad Acid solo Taurus 87 Pat lead Sequence Sawmix 88 Keith Plate Wha 89 Magicpad Stack 90 Fantasy Airpad 91 Warmness Wiring 92 Digipad Sacral 93 Space Newage 94 Glasspad Flanger 95 Prophet Brightness 96 Picking Softpad 97 Synvoice Sweep 98 Glocks Echodrop 99 Ground Ambience 100 Movie Atmosphere 101 Synfony Startheme 102 Icebreath Morphing 103 Tonewheel 104 Ipersaw 105 Sitar Jungle 106 Banjo Peruvian...

Page 100: ...azzsplit Cinema Poporgan Theater 3rd Perc Digital Positive Pipe 1 Pipe 2 Pipe 3 Growlsax Oboe Eglishorn Recorder Ocarina Bassoon Whistle Panflute Piccolo P PA AD D Magicpad Fantasy Warmness Digipad Space Glasspad Prophet Picking Synvoice Glocks Ground Movie Synfony Icebreath Tonewheel Ipersaw Stack Airpad Wiring Sacral Newage Flanger Brightness Softpad Sweep Echodrop Ambience Atmophere Startheme M...

Page 101: ...Fretless 37 Slap 38 Funk 39 Synbas1 40 Synbas2 41 Violin1 42 Viola 43 Cello 44 Contrabass 45 Tremolos 46 Pizzicato 47 Harp 48 Timpani 49 Strings1 50 SlowStrings 51 Synstrgs1 52 Synstrgs2 53 Choir1 54 Choir2 55 Synvoice 56 Hits 57 Trumpet1 58 Trombone 59 Tuba 60 Miles 61 Fr Horn 62 Brass1 63 Synbras1 64 Synbras2 65 Altosoft 67 Contralto 68 Rock Tenor 68 Bariton 69 Oboe 70 Englishorn 71 Basson 72 Cl...

Page 102: ...103 Stops 104 Wha guitar 105 Hawaian 106 Mandolin 107 Django 108 ClassicFx 109 Pedalsteel 110 Rock Roll 111 Reed 8 112 Blow 113 Fx 114 Tecnosynt1 115 Tecnosynt2 116 Rave1 117 Rave2 118 Rave3 119 Rave4 120 Rave5 121 Effects1 122 Effects2 123 Effects3 124 Effects4 125 Effects5 126 Effects6 127 Effects7 128 Effects8 PROGRAM CHANGE NAME BANK C CONTROL CHANGE 00 VALUE 10 01 Bank A remap 02 03 04 05 Mar...

Page 103: ... 4 16 Brush 4 17 4 18 4 19 4 20 4 21 Dance 1 4 22 4 23 Ethnic 1 4 24 Ethnic 2 4 25 Latingr 1 4 26 Latingr 2 4 27 Latingr 3 4 28 Latingr 4 4 29 Latingr 5 4 30 Latingr 6 4 31 Latingr 7 4 32 Latingr 8 4 33 4 34 4 35 NewAge 4 36 4 37 4 38 4 39 Pop 4 40 4 41 4 42 Jazz 1 4 43 Shuffle 1 4 44 Jazz 2 4 45 Bossanova 4 46 Samba 1 4 47 Samba 2 4 48 Pandero 1 4 49 Salsa 2 4 50 Eurolatin 4 51 Pop Down 4 52 4 53...

Page 104: ...rm properly the noises and the strumming effects which are programmed for any particular Guitar G Gr ro ou up p 1 1 Classic Country Nylon Folk 12 Strings Banjo Django G Gr ro ou up p 2 2 Jazz Clean Muted Funk 60Stopped Muted 2 Solid Pop Strato Texas Tremolo Wha Guitar R Roll G Gr ro ou up p 3 3 Overdrive Blues Lead G Gr ro ou up p 4 4 CountryFX TexasFX Fingepick Spanish Western Unplug G Gr ro ou u...

Page 105: ... Jazz Organ Club Charleston ShuffleFox1 ShuffleFox2 5 4 Jazz Walz Jazz Samba F FO OL LK K RumbaFlam Musette PasoDoble Sirtaky Fado Reels Jigs Napoletana OberWalz OberPolka IrishWalz Quadriglia BrushWalz BrushPolka Francaise March Can Can Baroque Saltarello Celtic C CO OU UN NT TR RY Y Cntry Beat Bluegrass Slow Cntry Cntry Pop Ctry Walz 12 8 Ballad Cntry Dixie OntheRoad Cntry Rock Western Kramer Ct...

Page 106: ... on RPN 0000H BnH 65H 00H 64H 00H 06H vv Pitch Bend sensivity in semitones default vv 02H RPN 0001H BnH 65H 00H 64H 01H 06H vv Fine tuning in cents vv 00H 100 vv 40h 0 vv 7FH 100 RPN 0002H BnH 65H 00H 64H 02H 06H vv Coarse tuning in half tones vv 00H 64 vv 40H 0 vv 7FH 64 NRPN 0108H BnH 63H 01H 62H 08H 06H vv Lfo1 Rate modify vv 40H no modify NRPN 0109H BnH 63H 01H 62H 09H 06H vv Dco Depth modify ...

Page 107: ... vv 00H 26H NRPN 630CH BnH 63H 63H 62H 0CH 06H vv Frequency voice 3 vv 00H 26H NRPN 630DH BnH 63H 63H 62H 0DH 06H vv Resonance voice 1 vv 00H 07H NRPN 630EH BnH 63H 63H 62H 0EH 06H vv Resonance voice 2 vv 00H 07H NRPN 630FH BnH 63H 63H 62H 0FH 06H vv Resonance voice 3 vv 00H 07H NRPN 6403H BnH 63H 64H 62H 03H 06H vv Limiter vv 00H 7FH NRPN 6405H BnH 63H 64H 62H 05H 06H vv Vibrato depth vv 00H 7FH ...

Page 108: ...3h 6 MultiTab 14h 7 MultiTab 15h 8 MultiTab 16h 15 Multitab 17h 16 Multitab 18h Program 19h User 1ah 9 MultiTab 1bh 10 MultiTab 1ch Fade 1dh Intro End1 1eh Intro End2 1fh Intro End3 20h Drum Vol 21h Drum Vol 22h 11 MultiTab 23h 12 MultiTab 24h Bass Vol 25h Bass Vol 26h Chords 27h Chords 28h MultiTab Select 29h 1Touch to Style 2ah Lower Vol 2bh Lower Vol 2ch Arr A 2dh Arr B 2eh Arr C 2fh Arr D 30h ...

Page 109: ...Rev_type F7H Rev_type 00H Box_1 10H USER_REV1 01H Box_2 11H USER_REV2 12H USER_REV3 13H USER_REV4 0FH Galaxy 7FH OFF R RE EV VE ER RB B L LE EV VE EL L F0H 26H 7BH 02H 00H Level F7H Level 00H 10H C CH HO OR RU US S T TY YP PE E F0H 26H 7BH 01H 00H Cho_type F7H Cho_type 00H Chorus_1 08H USER_CHOR1 01H Chorus_2 09H USER_CHOR2 0AH USER_CHOR3 0BH USER_CHOR4 07H Feedback 7FH OFF D DE EL LA AY Y T TY YP...

Page 110: ...ON Micro_par 55H Micro Right Echo Value 00H 7FH 51H Micro Right Volume Value 00H 7FH 56H Micro Left Echo Value 00H 7FH 52H Micro Left Volume Value 00H 7FH 57H Micro Right Reverb Value 00H 7FH 53H Micro Right Pan Value 00H 7FH 58H Micro Left Reverb Value 00H 7FH 54H Micro Left Pan Value 00H 7FH S SP PL LI IT T P PO OI IN NT T F0H 26H 7BH 03H 00H Key F7H Key 00H 7FH G GL LO OB BA AL L T TR RA AN NS ...

Page 111: ... MI ID DI I K KE EY YB BO OA AR RD D R RX X C CH HA AN NN NE EL L A AS SS SI IG GN N F0H 26H 7BH 13H 00H KeyPart Chan F7H Chan 00H 10H 00H OFF KeyPart 0 19 0 user drawbars 10 chord 4 orchestra 1 2nd voice 11 chord 5 orchestra 2 lower 1 12 preset program voice1 3 lower 2 13 preset program voice2 4 bass 14 preset program voice3 5 chord 1 chord 15 preset program voice4 6 chord 2 chord 16 right 7 chor...

Page 112: ...CI IT TY Y O OF FF FS SE ET T F0H 26H 7BH 3FH 00H Part Value F7H Part 01H 20H 01H 10H Keyboard Part 11H 20H GM Part Song Play Value 00H 7fH F FI IL LT TE ER R V VE EL LO OC CI IT TY Y S SL LO OP PE E F0H 26H 7BH 40H 00H Part Value F7H Part 01H 20H 01H 10H keyboard Part 11H 20H GM Part Song Play Value 00H 7fH F FI IL LT TE ER R V VE EL LO OC CI IT TY Y O OF FF FS SE ET T F0H 26H 7BH 41H 00H Part Va...

Page 113: ...RD D M MU UL LT TI IP PL LE E E EF FF FE EC CT TS S F0H 26H 7BH 32H 00H Value F7H Value 00h Unlock 7fh Lock P PI IT TC CH H S SH HI IF FT T O OF FF F F0H 26H 7BH 27H 00 Part_Off F7H Part_Off 00h 0fh 0 15 MSP or WAVE NAME assignment to GM part F0H 26H 7BH 28H 00 Part M or W or I 1byte NAME 8bytes F7H Part 00h 0Fh M MSP W WAVE I INS NAME file name 8 bytes D DR RA AW WB BA AR RS S F0H 26H 7BH 40H 00H...

Page 114: ...Jazz Trio 2 2 Full Trio 3 5 Jazz Trio 3 HARMONY Value 0 Harmony Right 5 Jazz 1 1 Harmony Left 6 Jazz 2 2 Full 1 7 Jazz 3 3 Full 2 8 Midi Mode 4 Full 3 FIXED INTERVAL Value 0 Unison 6 5th Down 1 Octave Up 7 5th Up 2 Octave Down 8 Lead 5th Down 3 Octave Up Down 9 Lead 5th Up 4 Lead Octa Down 10 3th Up 5 Lead Octa Up VOCAL EFFECTS Value 0 Bass 6 Soprano 1 Falsetto 7 Gorilla 2 Baby 8 E T 3 Megaphone 9...

Page 115: ...P Pi it tc ch h B Be en nd d o on n o of ff f F0H 26H 7BH 6DH 00H Value F7H Value 00H Off 7fH On V Vo oc ca al li iz ze er r L Le ea ad d o on n o of ff f F0H 26H 7BH 6EH 00H Value F7H Value 00H Off 7fH On SD5 203 Technical Tables ...

Page 116: ...SD5 204 Stampa FLAMINI srl Osimo AN 6 2006 ...

Page 117: ...SD5 205 ...

Page 118: ...SD5 206 ...

Page 119: ...SD5 207 ...

Page 120: ...SD5 208 ...

Page 121: ......

Page 122: ...KETRON s r l 60020 Ancona ITALY Via Giuseppe Taliercio 7 Ph 39 0 71 285771 Fax 39 0 71 2857748 www ketron it ...

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