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High End Systems DL.3, User Manual

The High End Systems DL.3 is a cutting-edge lighting and video solution for professional productions. Access its comprehensive User Manual for free download at manualshive.com, providing detailed instructions on optimizing its features and functionality. Elevate your event with this versatile and innovative product.

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CHAPTER 15

Live Video Input and Control

DL.3 Digital Light User Manual 

247

Serial Digital Interface (SDI) 

SDI capture is another option for input and output to the graphics engine. 

NTSC and PAL formats are available for Standard Definition SDI capture. There is no support for 
SECAM. 

High Definition SDI capture accepts the following formats:

Select a format from the Signal Format fields under the IO tab in the CMAs configuration view 
and then click the Apply button to change to the new setting. 

NOTE:   Unlike S-video format selection, a reboot is not required to change the 

SDI format selection. Changes to the SDI format take place instantly on 

the DL.3 fixture.

NTSC_M

1080 30PsF

720 60p

NTSC_MJ

1080 29.97PsF

720 59.94p

1080 25PsF

720p

1080 24PsF
1080 23.97PsF

Summary of Contents for DL.3

Page 1: ...den is a registered trademark of Belden Inc Microsoft DirectX and Windows are either registered trademarks or trademarks of Microsoft Corporation in the United States and or other countries Super HAD...

Page 2: ...278 542 US 6 278 545 US 6 278 563 US 6 288 828 US 6 326 741 US 6 327 103 US 6 331 756 US 6 346 783 US 6 421 165 US 6 430 934 US 6 459 217 US 6 466 357 US 6 502 961 US 6 515 435 US 6 523 353 US 6 536 9...

Page 3: ...as amended by 92 31 EEC and 93 68 EEC Equipment referred to in this declaration of conformity was first manufactured in compliance with the following standards in 2005 Safety EN 60598 1 1997 EN 60598...

Page 4: ...for a Class A digital device pursuant to part 15 of the FCC rules These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial...

Page 5: ...ll maximize the product s life and your investment Failure to follow these guidelines and carry out regular maintenance will void the warranty Packaged Media Notice Any use of this product other than...

Page 6: ...arms Lane Austin TX 78758 USA NOTE Freight Damage Claims are invalid for fixtures shipped in non factory boxes and packing materials Freight All shipping will be paid by the purchaser Items under warr...

Page 7: ...ata is projected to audiences or for any use other than just personal viewing Concerts trade shows industrial shows parties and raves are all examples of public performance and permission must be obta...

Page 8: ...suzyvaughan com Their website is www suzyvaughan com Suzy Vaughan is also an attorney specializing in intellectual property issues How much does it typically cost to license copyrighted material The a...

Page 9: ...l Light and the Content Management Application software Features 2 System 2 Graphics Engine 2 Content Management Application 3 Hardware 3 DL 3 and DL 3F Models 3 DL 3 Models only 4 Related Products an...

Page 10: ...nu System 18 Setup Configuration Using the CMA 19 DL 3 Channel Range and Valid Start Channels 20 DMX Control Setup 21 Patching the DL 3 Fixture to a Wholehog Console 21 Viewing Output 21 Shutting Down...

Page 11: ...Start If you are new to DMX programing this chapter gives you a brief overview on programming DL 3 DL 2 and Axon media servers and an example of using a Wholehog console to patch and display output fr...

Page 12: ...Graphic Object 3 51 Lesson 4 3 D Objects Rotation Wobbulation and Glow 53 Define Graphic Object 1 53 Define Graphic Object 2 53 Adjust this effect with the Modifier parameters 54 Lesson 5 Viewpoint 55...

Page 13: ...riptions 66 Media File 67 Defining a Media File Segment 67 In Frame and Out Frame Parameters 67 Segment Selection Examples 68 Defining Playback 69 Playback Mode 69 Scrubbing 69 Playback Speed 70 Chapt...

Page 14: ...p 93 Fuzzifier 94 Gray maker 1 95 Gray maker 2 96 Invert Black and White Keep Color 96 Negative Art 98 Pan and Scan 99 Pixelate 100 Posterizer 101 Push to Red 102 Push to Sepia 103 ShakeNBake 104 Text...

Page 15: ...fect Mode Channels 116 Global Control 122 Shutdown and Reset Options 122 On Screen Statistics 122 Spherical Control Statistics 122 Performance Statistics 122 Text Color 122 All in One Control Option 1...

Page 16: ...Mapping Two Outputs to a Sphere 143 Spherical Mapping Tips 145 Creating Custom Content for the Collage Generator Effect 145 Collages Using Live S Video and SDI Input 145 Effect Mode Options Descriptio...

Page 17: ...cale 173 RGB Swap to BGR 173 RGB Swap to BRG 174 RGB Swap to GBR 175 RGB Swap to GRB 176 RGB Swap to RBG 177 Scan Line 178 Sharpen 179 Solarize 180 Solarize 1 180 Solarize 2 181 Solarize 3 181 Solariz...

Page 18: ...191 Curved Surface Support 192 Digital MSpeed 194 Downward Vertical Streaks 195 Drop Shadow 196 Faux LED 197 Faux Tile 198 Film Burn Unburn 199 Film Noise 200 Film Roll 201 Flip 202 Edge Frame Profile...

Page 19: ...l w X Axis Wobbulation 229 Sinewave Vertical w Y Axis Wobbulation 229 Sinewave Vertical w Z Axis Wobbulation 229 Slats 230 Vertical Slats 230 Horizontal Slats 230 Spherical Mapping 231 Spherical Mappi...

Page 20: ...245 Other Video Sources 245 Live Video Connection Options 246 Configuring the Video Input Source 246 S Video 246 Serial Digital Interface SDI 247 Displaying Live Video 248 Sending the Camera Feed to...

Page 21: ...3 Valid DMX Values 263 Moving User Content Files and Folders 264 Downloading Content from a Media Server to Your Local Drive 265 Uploading Content from Your Local Drive to a Media Server 266 Content S...

Page 22: ...Miscellaneous 283 Fixture Tab 284 Projector Settings 284 Fixture Settings 284 Display Settings 285 Projector Diagnostics 285 Lamp Tab 286 Test Reset Tab 287 Home Reset 287 Self Tests 287 Hardware Tab...

Page 23: ...eplacing Filters 300 Cleaning the Base Housing Filter 301 Replacing the Fixture Filter 301 Replacing the Lamp 303 Removing the Projector 304 Replacing the Lens 305 Replacing the Fuse 307 Cleaning or R...

Page 24: ...Control 321 DL 3 and DL 2 Global Control 322 DL 3 and DL 2 Graphic Object Control 323 Axon Media Server Version 2 DMX Channel Assignment 324 Axon Global Control 324 Axon Graphic Object Control 325 Pa...

Page 25: ...1 Peripheral Network Connectors 361 DMX and RS 485 Projector Link 362 Appendix E Safety Information Appendice E Importantes Informations Sur La S curit 364 Anhang E Wichtige Hinweise F r Ihre Sicherhe...

Page 26: ...xxvi DL 3 Digital Light User Manual...

Page 27: ...ate seamless vertical horizontal or central panoramic media projections using multiple DL 2 and DL 3 units controlled from a lighting console Using multiple digital lighting fixtures allows you to inc...

Page 28: ...s remote software upgrade capability Graphics Engine Supports simultaneous playback of up to nine discrete media streams on separate 2D 3D objects Image Optimizing Controls let you adjust both Black L...

Page 29: ...s in the server s Hardware Tab let you view available CPU GPU and HDD resources remaining This gives you the information you need to manage additional layers within the capabilities of the hardware av...

Page 30: ...eo input and output switching let you select live video from external source including another DL 3 fixture s camera feed Related Products and Accessories The following table lists related products an...

Page 31: ...CHAPTER 1 Product Overview DL 3 Digital Light User Manual 5 Heavy duty 5 pin XLR cable 100 55050020 Part Description Part Number...

Page 32: ...CHAPTER 1 Product Overview 6 DL 3 Digital Light User Manual...

Page 33: ...ure to a DMX controller via DMX cabling or Art Net on the Ethernet network 6 Connect the fixture to power Unpacking the Fixture Your DL 3 fixture ships in a road case specifically designed to protect...

Page 34: ...video output device not available in DL 3F model Serial Digital Interface options for input from the internal camera to the media server and output to another DL 3 fixture or other external video out...

Page 35: ...s lead are coloured according to the following code green and yellow earth blue neutral brown live Installing a Line Cord Cap U K Only In the United Kingdom core colours in the mains lead of this equi...

Page 36: ...ir filters both fixture and projector should be checked and cleaned on a regular basis When used in a closed or fixed environment where fog or haze is used we recommend at least a weekly check Do not...

Page 37: ...fixture to its support 2 Mount the clamps that shipped with fixture to the mounting brackets and then attach the two mounting brackets to the base of the fixture using the provided quarter turn screws...

Page 38: ...safety cable through the loop on the fixture s base and around the truss NOTE High End Systems does not recommend operating the DL 3 fixture with the base perpendicular to the stage floor fixture mou...

Page 39: ...n connector of the first or next fixture on the DMX link 3 Continue linking the remaining fixtures connecting a cable from the Data Out connector of each fixture to the Data In connector of the next f...

Page 40: ...et Hub DMX Universe 1 DMX Universe 2 Road Hog Fullboar Console Configuration Option 1 DMX 512 Data Cabling Ethernet Cabling DMX Universe 1 DMX Universe 2 Road Hog Fullboar Console Laptop Computer Ethe...

Page 41: ...ibes the menu system configuration options in detail NOTE Most configuration features are also available through the Content Management Application CMA see Viewing Server Configuration on page 278 WAR...

Page 42: ...king DL 3 and DL 2 fixtures only you will need to run the CMA on a computer connected to the Ethernet link you have established The following are the minimum hardware requirements for a remote compute...

Page 43: ...your fixture may not be the most up to date The latest fixture and CMA software are always available at the High End Systems website CMA software version is noted upon installation and can be accesse...

Page 44: ...he DL 3 fixture s menu DMX Screen For detailed information on using the DL 3 Menu System see Chapter 3 The Digital Light Menu System on page 23 Select a Source 1 DMX Source defines the source of DMX d...

Page 45: ...nt Application CMA on page 251 All the setup configuration selections for DL 3 and DL 2 fixtures can be made in the Server tab To view configuration information for a individual server click on All Se...

Page 46: ...lect the number of Graphic Object Layers required for your application in the drop down field next to the protocol 4 Enter a valid Start Channel in the Start Channel field For more information see Det...

Page 47: ...any Media File value between 1 and 37 displays a media loop from the HES Core folder Media Folder 1 on a flat 4x3 rectangle Object 1 The Dimmer Global Intensity and Object Opacity parameters all need...

Page 48: ...ion as shown for packing in the road case 2 Secure with the pan lock located on the yoke base NOTE This is the only pan position that locks 3 Move the tilt lock peg to the upper left locked position 4...

Page 49: ...e Control channel see Control Function Options on page 242 Menu Panel Components The LCD screen displays the menu system arranged with a series of Menu Tabs along the side for accessing configuration...

Page 50: ...u display on or off Use this in situations when you need to turn the Menu display completely off instead of dimming it to video black If you turn the LCD screen off and then remove power to the Digita...

Page 51: ...tion button to move left right up down to a field The currently selected field will be highlighted Press the Enter button to go into edit mode for the selected field A list box will open to show all t...

Page 52: ...n Displays current fixture Movement and Camera parameter values camera parameters not active in DL 3F model Global Displays current parameter values for the composite image 1 9 graphic objects Display...

Page 53: ...Default Projector Ceiling On Rotates the image 180 around the x axis Off Default Projector Rear On Rotates the image 180 around the y axis Off Default Lens Type Standard Selects the lens currently ins...

Page 54: ...ture Name Displays a currently assigned Fixture Name IP Address Displays fixture s IP address Projector Type Displays projector model Video Adaptor Displays video adaptor card model Status Motion Shut...

Page 55: ...al functionality Off Self Test Iris On Selecting On starts a test sequence for Iris mechanical functionality Off Self Test Zoom On Selecting On starts a test sequence for Zoom mechanical functionality...

Page 56: ...channels to provide framing shutters more banks of effects and 16 bit control of x y and z scaling Both versions provide the latest Global and Graphic effect options and can control up to nine graphic...

Page 57: ...d camera functionality NOTE Camera parameters are present but not active in DL 3F models For more information on specific Motion and Camera parameters see Chapter 14 Fixture Motion Functions and Chapt...

Page 58: ...ing of each line indicates the first DMX channel with a value displayed on that line Use the scroll bar at the left of the offset number to scroll through all the values The Refresh Rate is the rate a...

Page 59: ...as Long 5 minutes or Short 5 seconds Short is the default setting After 10 minutes of no data the fixture will shut down the projector and the motion functions Fans remain on to maintain the temperat...

Page 60: ...the lamp On or Off Use the Projector Powerup field to choose the control option for turning the lamp on The options are Always On Manual and DMX This only takes effect when the fixture powers up Alwa...

Page 61: ...en Internal is selected the projector takes input directly from the graphics engine Internal is the default configuration setting Projector In By DMX toggles the ability to set the projector input via...

Page 62: ...ted content file Use this screen to preview content both still images and movies When you select the File tab the file plays in the window to the left The bottom right window displays content folders...

Page 63: ...fixture hours for a show or a rental period The number field displays the number of hours the fixture has been operating since the last reset Pressing the Fixture Hours Reset returns the value to 0 I...

Page 64: ...Filter life Lamp life USB and Camera Communication USB Security For more detailed information see Chapter 17 Maintenance and Troubleshooting on page 299 Info_Hardware Tab This screen identifies the v...

Page 65: ...The fixture can also be remotely homed via a DMX controller see Control Function Options on page 242 or through the Content Management Application see DL 3 and DL 2 Media Server Configuration Options...

Page 66: ...nd upgrade software Reboot Media Server restarts the fixture s internal graphics engine software Delete User Content removes all user content on the selected fixture s Upgrade Factory Content lets you...

Page 67: ...ed to as cues scenes or presets A lighting console locates a device on the link by its DMX Start Channel 8 bit vs 16 bit DMX Parameters Most parameters of an automated light use one channel of DMX pro...

Page 68: ...evices will be disabled or behave erratically Once you have determined the footprint of your device a simple formula for finding the last valid Start Channel on a standard DMX512 link is 512 the unit...

Page 69: ...og Wheelset preferences for DL 2 and DL 3 fixtures will provide a more intuitive order to encoder layout on the console see http www flyingpig com support hog3 downloads library index shtml Patching D...

Page 70: ...change the DMX value of the mask select channel to the appropriate value and adjust the DMX channel for the strobe speed This will override the Mask Edge parameter defined in the DL 3 or DL 2 DMX Prot...

Page 71: ...ep 1 In the Fixture Schedule or Add Fixtures window of Wholehog software Add 1 motion 1 global and 6 graphic fixtures for the DL 3 unit and 1 global and 5 graphic fixtures for each Axon unit Step 2 As...

Page 72: ...CHAPTER 4 DMX Programming Basics and Quick Start 46 DL 3 Digital Light User Manual...

Page 73: ...bjects is left at the default DMX value of 1 flat plane Note that all DMX values given in the examples are in decimal units NOTE If you have trouble producing the effects in these tutorials and you ar...

Page 74: ...Tutorials 48 DL 3 Digital Light User Manual 6 Store these values somewhere on your console to a palette or preset so that this setup can be quickly recalled whenever you need to adjust the Pan Tilt a...

Page 75: ...fixture logo as content Define Graphic Object 3 6 Select GRAPHIC OBJECT 3 fixture and set the Opacity to DMX 255 100 7 Change the Media Folder parameter to DMX 7 A Luna Blue collection 8 Change the M...

Page 76: ...at the MOTION Dimmer parameter for DL 3 or DL 2 fixtures the GLOBAL Intensity parameter and GRAPHIC OBJECT 1 and 2 Opacity parameters are all set to 100 DMX 255 Apply Transparency Effects 2 With the G...

Page 77: ...ue 10 10 Tropical_10 jpg Define Graphic Object 2 The following steps select and position a flame graphic object 4 Select the GRAPHIC OBJECT 2 and set the Opacity parameter to DMX 255 100 5 Set the Med...

Page 78: ...t This will make the black background transparent 17 Set the X Scale parameter to a real world value of 7 4x DMX 33 18 Set the Y Scale parameter to a real world value of 6 4x DMX 46 19 Set the X Posit...

Page 79: ...the Effect Mode 1 to DMX 73 Glow 6 Set the Effect 1 Modifier 1 parameter to 93 DMX 236 7 Set the Effect 1 Modifier 2 parameter to 25 DMX 63 NOTE Modifier channels for Effect Mode 1 are labeled as CMY...

Page 80: ...ular Sinewave Z axis Wobbulation Adjust this effect with the Modifier parameters 17 Set the Effect Mode 1 Modifier 1 parameter to DMX 104 41 to adjust wave size 18 Set the Effect Mode 1 Modifier 2 par...

Page 81: ...pixels DMX 33372 and the X Position parameter to 43 pixels DMX 31888 Define Graphic Object 2 6 Select GRAPHIC OBJECT 2 and bring the Intensity parameter to 100 DMX 255 7 Change the Media Folder param...

Page 82: ...Global Viewpoint Mode parameter to sphr lyr 2 DMX 2 19 Change the Viewpoint Position X parameter to 316 and see how this changes the viewpoint position of all three graphic objects at one time 20 Chan...

Page 83: ...CHAPTER 5 Tutorials DL 3 Digital Light User Manual 57...

Page 84: ...CHAPTER 5 Tutorials 58 DL 3 Digital Light User Manual...

Page 85: ...Shutters Expanded Collage adjustments with 16 bit control of X Y and Z scaling Global spherical mapping control An additional bank of Graphic Effects Both Protocol versions include multiple new effec...

Page 86: ...bining multiple objects Motion parameters control the fixture movement and projection as well as live video feed from the internal camera It is especially important to keep this in mind when applying...

Page 87: ...Global Effect 2 Object Content Visual Mode Playback Opacity Effect 2 Effect 3 Effect 1 Object Content Visual Mode Playback Opacity Effect 2 Effect 3 Effect 1 Object Content Visual Mode Playback Opaci...

Page 88: ...ou can Adjust the composite image intensity level Apply visual effects including colormixing and geometric effects Select a mask shape size it and apply edge fades and color to the mask Apply and colo...

Page 89: ...ntent Every DL 3 DL 2 and Axon media server has a file system that holds the movies images and 3 D objects that make up the content that the server uses These files folders and their associated DMX va...

Page 90: ...the 3 dimensional object component of an image Object files are the 3 D object shapes used to build a total image The graphics engine supports a combined total of 255 stock and user created object fil...

Page 91: ...eter DMX values for folders are assigned as follows DMX values 1 39 are used or reserved for Stock Content DMX values 40 240 are reserved for User Content DMX value 255 is reserved for live video inpu...

Page 92: ...rs 15 Apollo Glass Digital Gobo Patterns promotional 16 Artbeats Digital video loops promotional 17 DHA_TopMac Digital patterns promotional 18 Beacon DigiGobos Digital video loops promotional 19 Amorp...

Page 93: ...g of the media file and the Out Frame is the end of the file Media files can have different lengths NOTE Media that is not properly encoded may still play but may have issues when using In Frame and O...

Page 94: ...edia file segment as a percentage of the file length Segment Selection Examples You can create a segment anywhere between the beginning and the end of a media file The In Frame does not have to preced...

Page 95: ...nate font color to enhance statistics readability DMX Value Playback Mode Description 0 Play forward looping Plays the media segment from In Frame setting to Out Frame setting looping continuously 1 P...

Page 96: ...MX value is assigned to any Play Forward option Default DMX Value 128 Playback at normal speed A DMX value of 0 or 128 50 plays back media files at the original recorded speed DMX values from 1 to 127...

Page 97: ...provide the easiest and most reliable content selection rendering and output Rotating a 3 D Object The Rotation parameters for each object control 3 D object rotation with 16 bit precision You can rot...

Page 98: ...the object begins rotating continuously Additional adjustment to the DMX values increases the speed of continuous rotation NOTE Global and Graphic Effects Mode parameters contain a Prerotation Transl...

Page 99: ...pace for the composite image see Global Viewpoint Mode on page 132 Default DMX Value 32768 50 No X Rotation Tip Using this parameter you can turn one object through another of Value Range Function 1 2...

Page 100: ...e for the composite image see Global Viewpoint Mode on page 132 Default DMX Value 32768 50 No Y Rotation Tip Using this parameter you can turn one object through another of Value Range Function 1 24 C...

Page 101: ...erent angle by changing the viewpoint in space for the composite image see Global Viewpoint Mode on page 132 Tip Using this parameter you can turn one object around another of Value Range Function 1 2...

Page 102: ...elow the midpoint an inverted image is enlarged Tip Use the X Y and Z Scale parameters together to enlarge or shrink a 3 D object proportionally X Scale The X Scale parameter uses two channels to scal...

Page 103: ...hen you want to size the object s vertical component A DMX value of 32768 50 sets the object at its normal size Values less than 50 shrink the object vertically to the smallest at 0 Values greater the...

Page 104: ...nt to size the object s thickness A DMX value of 32768 50 sets the object at its normal size Values less than 50 shrink the the object thickness until it reaches a point at a value of 0 Values greater...

Page 105: ...images in relation to each other X Position The X Position parameter moves your object along the X axis with 16 bit precision The midpoint of the 16 bit DMX value range centers the image on the X axi...

Page 106: ...ision The midpoint of the 16 bit DMX value range centers the image on the Y axis Values below the DMX midpoint move the object down and values above the DMX midpoint move the object up Default DMX Val...

Page 107: ...and appears to become smaller and object above the DMX midpoint move the object toward the viewer and appears to become larger Default DMX Value 32768 50 object centered in frame Tip This parameter ca...

Page 108: ...CHAPTER 8 Graphic Functions Rotation Position Scale 82 DL 3 Digital Light User Manual...

Page 109: ...adjust the opacity of an individual 3 D object from completely transparent to full opacity using this parameter Increase opacity from not visible at a value of zero to full opacity at a value of 255...

Page 110: ...st 2 Push to Sepia Fades from original image color to sepia Adjusts Fade Adjusts Saturation 3 Push to Red Fades from original image color to red tones Adjusts Fade Adjusts Saturation 4 Graymaker Gradu...

Page 111: ...0 to 10x10 Varies the spacing and B W 18 Fuzzifier Creates a multi image blurring effect Horizontal fuzz distance Vertical fuzz distance 19 Drop Shadow Creates a scalable drop shadow behind the graphi...

Page 112: ...timized for lighting applications This option lets you make the same adjustments for User content or camera input Content Optimization adjusts the image Black level and Contrast to optimize the projec...

Page 113: ...ment Values below the midpoint shift the color components down to a maximum at a value of 0 Values above the midpoint shift the color components up to a maximum at a value of 255 100 CTO CTB Visual Mo...

Page 114: ...difier 1 The default DMX value of 128 50 no adjustment Values below the midpoint move the shadow right as you approach 0 maximum horizontal shadow width Values above the midpoint move the shadow left...

Page 115: ...provides finer Contrast and Black level control than the Content Optimization option see page 86 which pushes colors to saturation more quickly Modifier 1 Adjusts black level from 0 full black through...

Page 116: ...rid of tiles Increasing the DMX value increases grid divisions to a maximum of 100 x 100 tiles at a value of 255 100 NOTE A small number of larger tiles will also result in reduced color variation Mod...

Page 117: ...ions to a maximum of 100 x 100 tiles at a value of 255 100 NOTE A small number of larger tiles will also result in reduced color variation Modifier 2 Adjusts the grid thickness around each tile DMX va...

Page 118: ...above the midpoint scroll right increasing in speed to 255 100 Modifier 2 The default DMX value of 128 50 no adjustment Values below the midpoint scroll down increasing in speed as you approach 0 Valu...

Page 119: ...independent from the 3 D object it overlays Modifier 1 DMX values from 0 127 have no effect DMX values of 128 50 to 255 100 flips the image horizontally Modifier 2 DMX values from 0 127 have no effect...

Page 120: ...1 The default DMX value of 0 no adjustment Increasing DMX values blur the image horizontally to a maximum at a DMX value of 255 100 Modifier 2 The default DMX value of 0 no adjustment Increasing DMX v...

Page 121: ...still affect image contrast Modifier 1 At a DMX value of 0 the image will be full color As you increase the DMX value more gray is introduced until at a DMX value of 255 all color has been replaced w...

Page 122: ...justs the black level of the grayscale image from a DMX value of 0 Full brightness to 255 completely black Modifier 2 Adjusts contrast of the grayscale image from 0 no adjustment to 255 100 maximum co...

Page 123: ...he threshold for the black in a pixel required for inversion Modifier 1 Adjusts the comparison level of black for inversion from a DMX value of 0 inverting only absolute black to 255 100 converting mo...

Page 124: ...e of 0 to the lowest level at a DMX value of 255 Modifier 2 You must set a DMX value of 128 to see no black level adjustment Red is subtracted from the image at DMX values of 128 to 0 Green is subtrac...

Page 125: ...1 Adjusts the horizontal pan position from 0 left edge to 255 100 right edge of the image The default DMX value of 128 50 no adjustment Modifier 2 Adjusts the vertical pan position from 0 bottom edge...

Page 126: ...lor of each as its color You can control the number of divisions Modifier 1 Controls the number of divisions from a single cell at a DMX value 0 to the maximum number of cells at a DMX value 255 100 S...

Page 127: ...ding of colors NOTE In this visual mode you won t see a change in the image until you adjust the Modifier 1 parameter Modifier 1 Adjusts color polarization level The higher the value the more color de...

Page 128: ...nal color at a DMX value 0 to a range of red tones at a value of 255 100 Modifier 2 Adjusts color saturation from no adjustment at a DMX value 0 to full saturation at a value of 255 100 Original Conte...

Page 129: ...olor at a DMX value 0 to a range of sepia shades at a value of 255 100 Modifier 2 Adjusts color saturation from no adjustment at a DMX value 0 to full saturation at a value of 255 100 Original Content...

Page 130: ...media file content of one Graphic Object to the texture of another Graphic Object Any effects applied to the Source file do not display Modifier 1 Selects the Source file for the texture you want to p...

Page 131: ...on the image with a mult image blurring effect You can control the position of the zoom center on the image Modifier 1 Selects the horizontal center of the zoom point Modifier 2 Selects the vertical c...

Page 132: ...meters for both the Global and Graphic fixture types The default for Effect Mode 1 is set to CMY1 as well Effect Mode 2 and 3 Modifier channels are labeled Mod 1 Mod 2 and Mod 3 DMX value Name Descrip...

Page 133: ...Blue 30 Transparent Color Invert Medium selects key color using Modifier channels Red Green Blue 31 Transparent Color Invert Coarse selects key color using Modifier channels Red Green Blue 32 Scan Li...

Page 134: ...a 50 Color to Alpha Inverted varies the transparency level of an image s inverted color values Inverted Red to alpha Inverted Green to alpha Inverted Blue to alpha 51 Texture Mixing crossfades between...

Page 135: ...UV chroma coordinate U Coordinate V Coordinate Tolerance 86 UV Select to Transparent turns a selected UV chroma coordinate transparent with the rest of the image unchanged U Coordinate V Coordinate To...

Page 136: ...parency effect Scale RGB Scale Alpha Scale RGB alpha 101 Yxy Luminance Scaling adjusts brightness independent of color values Scale Luminance Scale X Scale y 102 Prerotation Translation sets image in...

Page 137: ...on the appropriate DMX channels for all the slave fixtures and the master fixture must be set to the same values Network Synchronization Requirements In order for Network Synchronization to function p...

Page 138: ...k However in a case of mixed computer hardware in the servers the oldest server should be chosen as the master This will ensure that all of the servers have the ability to playback content as well as...

Page 139: ...chronize to Graphic movie time and Object reverse rotation See Graphic Synchronization on page 343 for the DMX values associated with each of these Effect Synchronization Synchronizing Effects happens...

Page 140: ...CHAPTER 10 Graphic Functions Synchronizing Content 114 DL 3 Digital Light User Manual...

Page 141: ...nship between individual objects Use this parameter to adjust the intensity of a composite image over the separate Graphic Object s Opacity parameter settings Increase intensity from not visible at a...

Page 142: ...ther Effect Mode Modifier channels are labeled Mod 1 Mod 2 and Mod 3 DMX Value Effect Mode Name Description Adjustments Modifier 1 Modifier 2 Modifier 3 0 Safe no effects selection NA NA NA 1 CMY RGB...

Page 143: ...Coarse selects key color using Modifier channels Red Green Blue 32 Scan Line converts image colors to colors in a single line of the image Selects scan line Fades to converted image Not used 33 Transp...

Page 144: ...Blue to alpha 51 Texture Mixing crossfades between the current image and another graphic object texture Selects Source Texture Selects Source Effect Level Crossfade Textures 52 Image Scale and Rotate...

Page 145: ...a selected UV chroma coordinate in the image transparent U Coordinate V Coordinate Tolerance 87 HS to Gray retains selected hue and saturation and turns everything else gray Hue Coordinate Saturation...

Page 146: ...parameters Red Green Blue 131 Background Color selects background color Red Green Blue 132 Background Color Cycle sequences the background color Red Speed Green Speed Blue Speed 133 Edge Fade Profiles...

Page 147: ...er defined cell content for 360 panoramas Selects Array Type Selects array cell to display Adjusts Edge blending 148 Curved Surface Horizontal Convex Cylinder corrects shape projecting on curved surfa...

Page 148: ...rameter is set to a DMX value 252 Spherical Control Statistics are displayed and the Global Control Modifier parameter selects text color page 324 Performance Statistics When the Global Control parame...

Page 149: ...ic object in the Global Control Modifier parameter DMX Value Global Control Modifier Option Global Control parameter 253 0 Displays each defined Graphic Object with no effects applied As the next effe...

Page 150: ...ual Spherical Effect or Collage Effect Composite Image displaying the object with graphic effects applied Graphic Object 1 Graphic Object 2 Graphic Object 3 Graphic Object 4 Graphic Object 5 Graphic O...

Page 151: ...OTE A Global Effect Mode parameter option lets you define a Mask color see Global Effect Mode Channels on page 116 and Mask Color on page 166 DMX value Strobe DMX Value Mask Shapes 0 128 Round iris cl...

Page 152: ...eter is set at a value of 255 100 the mask is sized to leave the image 100 visible When Mask Size is set at 0 the mask totally covers the composite image Tip Crossfading the Mask Size parameter can cr...

Page 153: ...de adjusts the amount of fading from a DMX value of 0 no edge fade to 255 100 maximum edge fade When the Mask Select parameter value 128 50 to 255 100 the strobing masks are selected and Mask Edge Fad...

Page 154: ...eft and right When projecting abutting images adjusting the Edge Fade parameter lets you smooth the line between two images and also allows you to change an object s boundary Default DMX Value 0 all e...

Page 155: ...s toward 255 100 moves the respective x corner positions horizontally toward the center of that image edge Adjusting keystone y values toward 255 100 adjusts the respective y corner positions vertical...

Page 156: ...ve the midpoint of the range expand the image horizontally from 128 no expansion to 255 100 maximum expansion Keystone Y Ratio The Keystone Y Ratio parameter shapes the output to adjust for keystone e...

Page 157: ...values across 255 100 clips the image from the selected x corner position horizontally toward the image Adjusting keystone y values toward 255 100 clips the image from the selected y corner position...

Page 158: ...re located in terms of X Y and Z positions located on a sphere surrounding the image Perspective View Cartesian Coordinates This Viewpoint mode parameter creates a 3 D space with a perspective view Vi...

Page 159: ...ion Y parameter sets the vertical angle above below the horizontal plane Pitch is another name for this component of the viewpoint position Default DMX Value 32768 center DMX values above the center o...

Page 160: ...CHAPTER 11 Global Functions 134 DL 3 Digital Light User Manual...

Page 161: ...ustom content You can create a Collage effect using DL 3 DL 2 fixtures or Axon media servers outputting to Orbital Head fixtures or other digital projectors NOTE When using third party projectors you...

Page 162: ...Gen 3 option DMX value 150 offers the same image improvements as Enhanced Collage Generator and further expands and refines edge blending capability The images below illustrate the difference in the p...

Page 163: ...e file as rendered Using Segmented Collage options you can project a 1024x768 file from each server In addition to the higher resolution there is less strain on the server since it is not playing back...

Page 164: ...6 102 13 x 7 3 2 x 2 28 2 x 6 53 8 x 3 78 10 x 7 103 13 x 8 4 3 x 1 29 6 x 3 54 3 x 8 79 10 x 8 104 14 x 1 5 1 x 3 30 3 x 6 55 8 x 4 80 11 x 1 105 14 x 2 6 3 x 2 31 6 x 4 56 4 x 8 81 11 x 2 106 14 x...

Page 165: ...on 0 No blend adjustment 1 63 Progressively darkens the blend regions 64 No blend adjustment 65 127 Progressively brightens the blend regions 128 143 Displays rectangular area with no blending 144 Sel...

Page 166: ...arameter available for adding a second effect like spherical mapping to the composite image 3 On all the media servers you are configuring set Modifier 1 DMX value 1 to activate the array options The...

Page 167: ...tion surface as well as smoother blending if wider blend regions are used The Variable Edge Blend adjustment allows for blend region adjustments from 0 hard edge up to 50 of the image size Horizontal...

Page 168: ...sting the Spherical Mapping effect requires a total of nine modifier parameters Selecting Spherical Mapping along with a Collage Generator effect uses the available Global Effects In addition to the t...

Page 169: ...lobal Control channel select the on screen statistics for the spherical mapping option DMX value 252 Use the Global Control Modifier to select text color for easier viewing 5 Select the 4 x 3 Flat Pla...

Page 170: ...l Effect Modifier 1 to control the longitude angle of the projected image Global Effect Modifier 1 should be maintained close to the theoretical longitude angle 13 Use Modifier 1 and Modifier 2 to adj...

Page 171: ...commission High resolution media footage or stills In most cases scaling and cropping of the media is a simple process However certain types of media such as footage of people or round objects like pl...

Page 172: ...CHAPTER 12 Global Functions Collage Generator Effect 146 DL 3 Digital Light User Manual...

Page 173: ...ve effects at the global level This lets you choose for example whether to apply a color effect to an individual object or to the composite image at the global level After you select a mode using eith...

Page 174: ...nverts it to full color if it is greater than the threshold and to black if it is below the threshold Modifier 2 Compares the green component of a pixel to the threshold value and converts it to full...

Page 175: ...point and position This effect allows you to cycle a color sequence on the background controlling the transition speed Modifier 1 Defines the red color component speed A DMX value of 128 50 default cy...

Page 176: ...ent to 255 100 maximum cyan saturation Modifier 2 Increases magenta color component from 0 no adjustment to 255 100 maximum magenta saturation Modifier 3 Increases yellow color component from 0 no adj...

Page 177: ...on Modifier 2 Increases magenta color component from 0 no adjustment to 255 100 maximum magenta saturation Modifier 3 Increases yellow color component from 0 no adjustment to 255 100 maximum yellow sa...

Page 178: ...tion Modifier 2 Increases magenta color component from 0 no adjustment to 255 100 maximum magenta saturation Modifier 3 Increases yellow color component from 0 no adjustment to 255 100 maximum yellow...

Page 179: ...ifier 3 Increases blue color component from 0 no adjustment to 255 100 maximum blue saturation Color DeConverge Effect Mode parameter DMX value 39 This effect separates the different color components...

Page 180: ...specially effective effect when applied to input from the internal camera Modifier 1 Selects from color schemes along a range of values from 0 255 Modifier 2 Sets the zero point of the color intensity...

Page 181: ...intensity from 0 no adjustment to 255 100 full red opacity intensity Modifier 2 Increases the green component opacity or intensity from 0 no adjustment to 255 100 full green opacity intensity Modifie...

Page 182: ...ity from 0 no adjustment to 255 100 full green and blue opacity intensity Modifier 2 Increases the green component opacity or intensity from 0 no adjustment to 255 100 full red and blue opacity intens...

Page 183: ...t applies an algorithm that pixelates and solarizes the image It also makes the surface of some 3D objects appear reflective Modifiers 1 Modifier 2 and Modifier 3 parameters work together to adjust th...

Page 184: ...k Modifier 1 Adjusts horizontal edge search size from 0 no adjustment to 255 100 maximum adjustment Modifier 2 Adjusts vertical edge search size from 0 no adjustment to 255 100 maximum adjustment Modi...

Page 185: ...djusts sample distance from 0 no adjustment to 255 100 maximum adjustment Modifier 2 Adjusts comparison edge threshold from 0 no adjustment to 255 100 max imum adjustment Modifier 3 Sets the detected...

Page 186: ...fier 1 Adjusts horizontal edge search size from 0 no adjustment to 255 100 maximum adjustment Modifier 2 Adjusts vertical edge search size from 0 no adjustment to 255 100 maximum adjustment Modifier 3...

Page 187: ...color component from 0 no adjustment to 255 100 maximum red saturation Modifier 2 Increases blue color component from 0 no adjustment to 255 100 maximum blue saturation Modifier 3 Increases green col...

Page 188: ...Glow Color Cycle Effect Mode parameter DMX value 74 Glow colorizes and creates a glow on the 3 D object separate from the media texture on it You can apply this effect to any 3 D object no matter whi...

Page 189: ...ps a selected color coordinate to an HSI color space and turns everything else gray Modifier 1 Adjusts the Hue color component from 0 no adjustment to 255 100 maximum red saturation Modifier 2 Adjusts...

Page 190: ...olerance from 0 minimum to 255 100 maximum HS to Transparent Effect Mode parameter DMX value 88 Maps a selected color coordinate to a HSI color space and turns everything else transparent and shows gr...

Page 191: ...nsity Modifier 2 Selects intensity bandwidth from a DMX value of 0 narrowest bandwidth to 255 widest bandwidth Modifier 3 Turns selected intensity range transparent from 0 no change to 128 fully trans...

Page 192: ...of 0 no adjustment to 255 100 maximum red saturation Modifier 2 Increases blue color component from a DMX value of 0 no adjustment to 255 100 maximum blue saturation Modifier 3 Increases green color c...

Page 193: ...ly Modifier 1 Increases red color component from a DMX value of 0 no adjustment to 255 100 maximum red saturation Modifier 2 Increases blue color component from a DMX value of 0 no adjustment to 255 1...

Page 194: ...0 no adjustment to 255 100 maximum green saturation RGB Add2 All Pixels Effect Mode parameter DMX value 5 This effect adds color to all pixels including black using an alternate RGB color algorithm M...

Page 195: ...lor component from a DMX value of 0 no adjustment to 255 100 maximum red saturation Modifier 2 Increases blue color component from a DMX value of 0 no adjustment to 255 100 maximum blue saturation Mod...

Page 196: ...the red component from no adjustment at a DMX value 0 to cyan at a value of 255 100 Modifier 2 Transitions the green component from no adjustment at a DMX value 0 to magenta at a value of 255 100 Mod...

Page 197: ...ns the red component from no adjustment at a value of 0 to yellow at a value of 255 100 Modifier 2 Transitions the green component from no adjustment at a value of 0 to cyan at a value of 255 100 Modi...

Page 198: ...ons the red component from no adjustment at a DMX value 0 to magenta at a value of 255 100 Modifier 2 Transitions the green component from no adjustment at a DMX value 0 to yellow at a value of 255 10...

Page 199: ...lues over 128 increase color value Modifier 3 Scales Blue in the Media file A DMX Value of 128 no adjustment DMX values below 128 50 reduce color value DMX values over 128 increase color value RGB Swa...

Page 200: ...blue values become green Modifier 1 Transitions red color component to blue from 0 no color change to 255 100 blue Modifier 2 Transitions green color component to red from 0 no color change to 255 100...

Page 201: ...l blue values become red Modifier 1 Transitions red color component to green from 0 no color change to 255 100 green Modifier 2 Transitions green color component to blue from 0 no color change to 255...

Page 202: ...n values become blue Blue values are unaffected Modifier 1 Transitions red color component to green from 0 no color change to 255 100 green Modifier 2 Transitions green color component to red from 0 n...

Page 203: ...ue values become green Red values are unaffected Modifier 1 No change to red color component Modifier 2 Transitions green color component to blue from 0 no color change to 255 100 blue Modifier 3 Tran...

Page 204: ...can Line Effect Mode parameter DMX value 32 Maps image color intensities to the colors in a single horizontal line of the selected texture Modifier 1 Selects a line of the media file to scan Modifier...

Page 205: ...255 Modifier 2 Selects the number of filter passes from a minimum at a DMX value 0 to a maximum at a DMX value 255 Modifier 3 Selects the scale sharpen coefficients at DMX values from 0 255 Object Ef...

Page 206: ...es below the threshold are converted to cyan Modifier 2 Increases blue color component from 0 no adjustment to 255 100 maximum blue saturation Blue color values below the threshold are converted to ma...

Page 207: ...Solarize 2 Effect Mode parameter DMX value 10 Solarize 3 Effect Mode parameter DMX value 11 Solarize 4 Effect Mode parameter DMX value 12 Original Content Modifier 1 parameter DMX 212 Modifier 2 param...

Page 208: ...allows you to color mix the 3 D object to one solid color Modifier 1 Increases red color component from 0 no adjustment to 255 100 maximum red saturation Modifier 2 Increases green color component fr...

Page 209: ...een color component from DMX values of 0 no green to 255 100 maximum green saturation Modifier 3 Defines the blue color component from DMX values of 0 no blue to 255 100 maximum blue saturation Transp...

Page 210: ...red to 255 100 maximum red saturation Modifier 2 Defines the green color component from 0 no green to 255 100 maximum green saturation Modifier 3 Defines the blue color component from 0 no blue to 25...

Page 211: ...Maps a selected color coordinate to a YUV color space and turns everything else gray Modifier 1 Adjusts the U color component from 0 no adjustment to 255 100 maximum red saturation Modifier 2 Adjusts...

Page 212: ...er 3 Adjusts the color tolerance from 0 minimum to 255 100 maximum UV to Transparent Effect Mode parameter DMX value 85 Maps a selected color coordinate to a YUV color space and turns everything else...

Page 213: ...imum luminance Modifier 2 Scales the x chrominance component The default DMX value of 128 50 no adjustment Values below the midpoint scale the x chrominance component down as you approach 0 minimum Va...

Page 214: ...endered effect Modifier 1 Adjusts Color reduction from 0 no adjustment to 255 100 maximum Modifier 2 Adjusts contrast enhancement from 0 no adjustment to 255 100 maximum Modifier 3 Adjusts ion sensiti...

Page 215: ...ues above the midpoint shift the color components left to a maximum at a value of 255 100 Modifier 2 The default DMX value of 128 50 no adjustment Values below the midpoint shift the color components...

Page 216: ...ner of the grid Modifier 3 Adjusts edge blending between the selected portion of the image being projected by the fixture and adjacent portions being projected by other fixtures Collage Generator Effe...

Page 217: ...152 The Segmented Collage Gen 3 effect accepts user defined portion of content for each cell in the grid with expanded and improved edge blending control to effect 146 Segmented Collage Generator Wra...

Page 218: ...ollage Generator Effect see Global Functions Collage Generator Effect on page 135 Use these adjustments in conjunction with Keystone parameters and Ratio parameters to refine the output shape on any o...

Page 219: ...eases as you increase value to maximum at 255 100 Modifier 2 In situations where you are projecting from any angle other than perpendicular to the surface you can use the Modifier 2 to adjust the vert...

Page 220: ...hic Objects Digital MSpeed applied at the Graphic Object level takes precedence over digital mspeed applied at the Global level This means you can apply a global value to all the Graphic Objects and t...

Page 221: ...he image from the bottom up to 255 100 the full image converted to streaks Modifier 2 The default DMX value of 128 50 no adjustment Values below the midpoint move the edge of the streaked portion of t...

Page 222: ...maximum horizontal shadow width at a value of 255 100 Modifier 2 The default DMX value of 128 50 no adjustment Values below the midpoint move the shadow down as you approach 0 maximum vertical shadow...

Page 223: ...effect is also available as a Visual Mode adjusted with 2 Modifier parameters see Faux LED on page 90 Modifier 2 Adjusts the grid spacing and color around each LED A DMX value of 0 the min imum black...

Page 224: ...t in reduced color variation This effect is also available as a Visual Mode adjusted with 2 Modifier parameters see Faux Tile on page 1160 Modifier 2 Adjusts the grid spacing and color around each til...

Page 225: ...st to 0 fastest unburn Values in the upper half of the range create the burn pattern without flames from 192 slowest to 255 fastest burn rate A value of 191 unburns the patterns from 191 slowest to 12...

Page 226: ...int adjust the rate from 0 fastest to 127 slowest Values above the midpoint adjust the rate from 129 slowest to 255 100 fastest Modifier 2 Shifts the color to a sepia tint 128 no adjustment 0 to 127 f...

Page 227: ...alues below the midpoint scroll left increasing in speed as you approach 0 Values above the midpoint scroll right increasing in speed to 255 100 Modifier 2 The default DMX value of 128 50 no adjustmen...

Page 228: ...u to control the scrolling speed and image scaling Modifier 1 DMX values from 0 127 have no effect DMX values of 128 50 to 255 100 flips the image horizontally Modifier 2 DMX values from 0 127 have no...

Page 229: ...e framing option with Modifier 2 selecting the frame pattern A Modifier 3 DMX value 10 designates the Frame texture as Graphic Object 2 s media file content minus any applied effects NOTE Global Image...

Page 230: ...ted at Frame texture using Modifier 3 parameter 2 Image clipping changing operation of the Global Image Edge Fade parameters to Emulate Framing Shutters Modifier 1 DMX Value Modifier 3 DMX value Actio...

Page 231: ...horizontally to a maximum at a DMX value of 255 100 Modifier 2 The default DMX value of 0 no adjustment Increasing DMX values blur the image vertically to a maximum at a DMX value of 255 100 Modifier...

Page 232: ...e the effect When Modifiers 1 and 2 both have a value 0 there is no Blur Increasing Modifier 1 and Modifier 2 values increases the sample distance and number of filter passes Modifier 3 Applies a rang...

Page 233: ...est results with the least CPU demand Modifiers 1 Increases the sample distance to determine the smoothness of the blurring from 0 minimum to 255 100 maximum Modifier 2 Increases the number of filter...

Page 234: ...sets the center point of the edge where the duplicate images meet at the center of the screen Values below the midpoint move the center point toward the left as you approach 0 Values above the midpoin...

Page 235: ...of 0 no adjustment As you increase the DMX value to 255 100 the single image to scales to an increasing number of multiple images similar to tiling Modifier 2 Sets the texture rotation angle A DMX va...

Page 236: ...fication and edge shading of the lenses over the image Modifier 1 Controls the horizontal position of the lens centerpoint from 0 left edge to 255 100 right edge of output Modifier 2 Controls the edge...

Page 237: ...of the lens and move it over different areas of the image Modifier 1 Controls the horizontal position of the lens centerpoint from 0 left edge to 255 100 right edge of output Modifier 2 Controls the...

Page 238: ...ifferent areas of the image Modifier 1 Controls the horizontal position of the lens centerpoint from 0 left edge to 255 100 right edge of output Modifier 2 Controls the vertical position of the lens c...

Page 239: ...ifier 1 This parameter determines transparency and color effects for the selected matte DMX value Modifier 1 Action 0 Black transparent use matte color 1 Black transparent inverting matte color 2 Whit...

Page 240: ...cluding its first two applied Effects 3 Graphic Object 1 texture including its first three applied Effects 10 Graphic Object 2 texture without applied Effects 11 Graphic Object 2 texture including its...

Page 241: ...tion from 0 bottom edge to 255 100 top edge of the image The default DMX value of 128 50 no adjustment Modifier 3 The default DMX value is 0 no zoom Increasing the value increases the zoom into the im...

Page 242: ...ailing of each particle as it moves across the image from 0 smallest trail to 255 100 longest DMX value Modifier 1 Action DMX value Modifier 1 Action 0 RandomWithinRectangle 17 SequentialRightToLeft 1...

Page 243: ...ault Values on each side of the midpoint increase the particle acceleration from 0 slowest to 127 49 fastest and from 129 51 slowest to 255 100 fastest Original Content Content with Particle 1 effect...

Page 244: ...hape you selected in the Particle System 1 effect by spreading the source area from 0 the smallest source area to 255 100 the largest Particle System 3 Effect Mode parameter DMX value 97 If you have a...

Page 245: ...lane Modifier 1 Controls the horizontal position of the subpicture s centerpoint from 0 left edge to 255 100 right edge of output Modifier 2 Controls the vertical position of the subpicture s centerpo...

Page 246: ...s for the object are applied the image will orbit around each axis from this new position NOTE When this option is applied as a Global effect it will include any prerotation translation selected as an...

Page 247: ...color variations Modifier 2 Reduces the box size horizontally to centerpoint from 0 no reduction to 255 100 full reduction At that point the image will then be composed of series of horizontal bands M...

Page 248: ...ertical position of the twisted area s centerpoint from 0 top edge to 255 100 bottom edge of output Modifier 3 Controls the direction and amount of twist At the midpoint of the range there is no chang...

Page 249: ...ts The number of facets increase from 10 three facets to 255 100 maximum 16 facets Modifier 2 Sets the refraction index from 0 minimum to 255 maximum Modifier 3 Rotates the prism The default value is...

Page 250: ...ximum size Modifier 2 Sets the random number generator seed number This lets you create a repeatable random sequence that will synchronize correctly when using the Collage Generator effect see page 19...

Page 251: ...previous frame from 0 maximum to 255 minimum scaling Modifier 2 Derives an alpha value from color difference between current frame and the result of modifier 1 DMX 0 to 127 act to make darker colors t...

Page 252: ...at a DMX value of 255 100 Modifier 2 Adjusts random vertical shake from the shortest refresh rate at a value 0 to a maximum at a DMX value of 255 100 Modifier 3 Adjusts how much the image is allowed t...

Page 253: ...e 66 These effects create a circular sinewave pattern and then vary the boundaries of the underlying object along the designated axis without affecting the media file that is applied as a texture Modi...

Page 254: ...alue 69 These effects create a horizontal sinewave pattern and then vary the boundaries of the underlying object along the designated axis without affecting the media file that is applied as a texture...

Page 255: ...value 72 This effect creates a Vertical sinewave pattern and then varies the boundaries of the underlying object along the X axis without affecting the media file that is applied as a texture Modifier...

Page 256: ...t to 255 image completely removed from screen Modifier 3 When the DMX value for Modifier 1 0 Modifier 3 fades from the original image to the slatted image A DMX value of 0 the original image with no e...

Page 257: ...a sphere Modifier Parameter Adjustments When Spherical Mapping is selected the associated Global Effect Modifier parameters adjust as follows Modifier 1 Adjusts the longitude horizontal angle A value...

Page 258: ...e of 0 no adjustment Values below the midpoint bend the horizontal lines toward the equator to a maximum at 255 Modifier 2 Adjusts the center of the vertical bend A DMX value of 128 50 no adjustment A...

Page 259: ...to the image A DMX value 1 includes the first applied effect DMX 2 includes the first two effects and DMX 3 includes the first three effects Modifier 3 Adjusts Graphic Object opacity of the source tex...

Page 260: ...test speed DMX values below the midpoint increase speed in a backward direction from no adjustment to 0 fastest speed Texture Ripple Circular Effect Mode parameter DMX value 24 This effect varies the...

Page 261: ...speed DMX values below the midpoint increase speed in a backward direction from no adjustment to 0 fastest speed Texture Ripple Vertical Effect Mode parameter DMX value 23 This effect varies the dista...

Page 262: ...o right Modifier 2 Shifts the texture up to down Modifier 3 Selects a color and scales the shift Red and green color values cyan shift from 0 maximum to 84 a minimum shift Red and blue color values ma...

Page 263: ...255 100 maximum Modifier 2 Adjusts the size and number of tiles along the x axis A value of 128 50 no adjustment Values below the midpoint size a single image to 0 maximum image magni fication Values...

Page 264: ...alue of 0 to the largest at a value of 255 100 Modifier 2 Selects the center of a wipe effect s separation Modifier 3 Selects the wipe option Each option occupies a portion of the DMX value range see...

Page 265: ...efault DMX value of 128 50 no adjustment Values below the midpoint move the vertical center of the zoom down as you approach 0 maximum Values above the midpoint move the vertical center of the zoom up...

Page 266: ...CHAPTER 13 Effect Mode Options Descriptions 240 DL 3 Digital Light User Manual...

Page 267: ...rred from its programmed position If a physical obstruction prevents the fixture from correcting its position this correction feature times out to prevent wear on the motors If the fixture s position...

Page 268: ...ssfades For a listing of exact MSpeed times see Appendix B MSpeed Conversion Table Control Function Options The Control parameter remotely initiates various fixture operations and allows access to the...

Page 269: ...jection Projector Rear Projection Input from External RGBHV to Projector Video input can be utilized with either RGBHV or VGA but not both You can select between RGBHV and VGA in the menu system see D...

Page 270: ...key will result in unpredictable performance Optional If the projector is mounted on the ceiling flip the display by selecting a Control parameter DMX value from 209 212 4 Set the Dimmer parameter DMX...

Page 271: ...mounted on the front of the unit near the projector iris to point wherever the fixture is directed All of the camera functions can be controlled via a DMX console see Controlling the Internal Camera I...

Page 272: ...I O Screen on page 35 Remotely through the CMA see DL 3 and DL 2 Media Server Configuration Options on page 282 Via the DMX console commands see Projector Control on page 243 NOTE The integrated camer...

Page 273: ...High Definition SDI capture accepts the following formats Select a format from the Signal Format fields under the IO tab in the CMAs configuration view and then click the Apply button to change to th...

Page 274: ...osed for the switch to happen See Chapter 14 Fixture Motion Functions and Appendix A DMX Protocol for more detailed information Note the following when using the SDI video input and output option Whil...

Page 275: ...mera Focus The Camera Focus parameter uses two DMX channels to provide 16 bit control of the camera s focus function Auto focus for the camera is active when DMX values 0 511 The camera focus can also...

Page 276: ...setting Other settings for this parameter accommodate Indoor and Outdoor lighting conditions Orientation The Camera Orientation parameter can Vertically Invert Flip or Horizontally Invert Mirror the...

Page 277: ...on CD with your DL 3 DL 2 or Axon media server is used to Upload and download custom digital content to fixtures Configure units to use in a DMX environment Update software for multiple units The CMA...

Page 278: ...10 6 or later Microsoft Net 2 100 1000 base Ethernet card a Gigabit Ethernet card is recommended for fast content uploading of large files To automatically install the CMA on your computer s hard dri...

Page 279: ...2 fixture or Axon media server is connected to an ethernet network it sends out Discovery messages These messages are received by other media servers on the link as well as the CMA software The messa...

Page 280: ...ft pane Information is displayed in the right pane for any item selected Access options through the menus at the top of the window or by right clicking in the right pane NOTE You cannot drag folders o...

Page 281: ...in the CMA or in the DL 3 or DL 2 fixture s Menu system Server Name is a name you assign to a Digital Light fixture or Axon server IP Address is assigned to that unit by the router or Auto IP Softwar...

Page 282: ...ystem that holds the movies images and 3 D objects that make up the content that the server uses These files folders and their DMX values are collectively known as the Content on the media server The...

Page 283: ...ems Digital Lighting Community forums highend com is a resource for tips and techniques on creating User Content See Custom User Content on page 357 for basic considerations in developing your own con...

Page 284: ...k Content but must be assigned for all user created content See Assigning DMX Values to User Content on page 262 for more information Object Files Object files are the 3 D object component files used...

Page 285: ...lders and files within each folder in a table format NOTE Clicking on a column heading sorts the table according to the values in that column Viewing Folders Name of the Media File collection This val...

Page 286: ...Type indicates the file format extension DMX is the currently assigned DMX value for the folder This value can be auto assigned and edited for User content See Assigning DMX Values to User Content on...

Page 287: ...ement Application CMA DL 3 Digital Light User Manual 261 You can access several options for displaying files in the right pane through the drop down menu or by right clicking in the right pane when fi...

Page 288: ...is playing it Assigning DMX Values to User Content The DMX Value associated with each file and folder makes it easy to use the DMX control protocol to identify a unique media file or object There are...

Page 289: ...can manually assign any valid DMX value to your files or folders by selecting the file or folder in the right pane and then using the pull down menu or the right click popup selecting Edit DMX A dial...

Page 290: ...drive Drag and Drop Copy and Paste commands Cloning transfers the User Content files and their DMX value assignments from one media server to one or more server s on the fixture network Creating a Co...

Page 291: ...file to that location or an external drive connected to your computer OR 3 Select Copy from the Media Files or Objects drop down menu or the right click popup list 4 Browse to the destination on your...

Page 292: ...d content can cause issues with playback performance network synchronization and graphics engine stability To prevent this the CMA automatically scans content locally on your computer or the Axon medi...

Page 293: ...s are found the CMA compiles the list of issues in the bottom half of the Copy Files Progress dialog NOTE Since the CMA executes the scanning copying process for the entire group of folders files in a...

Page 294: ...iles will not be copied on to the server Files with warnings will be copied They will show up highlighted in yellow when viewed in the Details view in the CMA to indicate to the user that this file is...

Page 295: ...erformance may be affected Audio stream detected Audio data detected in the bitstream The video should playback but performance may be affected Program stream detected Content must be encoded in Eleme...

Page 296: ...ce Quantization matrix extension out of place Copyright extension out of place Sequence scalable extension out of place Reserved 1 extension out of place Picture display extension out of place Picture...

Page 297: ...ssive media folder will be named MyMedia1 MyMedia2 and so forth You can rename these folders with a single click on the folder name 3 After creating a folder and renaming it if you wish highlight the...

Page 298: ...ns a Media and Objects folder The Media folder must contain subfolders and valid files may go into those subfolders Only objects with a x extension are allowed in the Objects folder no subfolders Crea...

Page 299: ...he fixtures used in that show with one operation To clone user content 1 In the CMA Client Window select All Server in the left pane 2 Select the Server with the content you want to clone in the right...

Page 300: ...tion DMX Summary The DMX Summary lets you view all the content for a single server in a table format with the following details Whether the content is a User Media file folder a Stock Media file folde...

Page 301: ...CHAPTER 16 Content Management Application CMA DL 3 Digital Light User Manual 275 4 Press the Create Table button on the screen to build the summary table...

Page 302: ...pgrade software 1 Download the latest version of the application from the Support section of the High End Systems website www highend com A download wizard simplifies installation on your personal com...

Page 303: ...ou to browse to the location where you saved a copy of latest version 5 After locating the upgrade file press Next The Upgrade Wizard displays a list of all servers connected to the fixture network 6...

Page 304: ...mpare all the Configuration Items of a certain type for a group of fixtures For example viewing the DMX Start Channels of all the fixtures on a network Control monitor display settings for Axon media...

Page 305: ...displayed Left click on the head of the column you wish to move hold down the mouse button and drag the column to the desired position Releasing the mouse button will move that column to the new locat...

Page 306: ...CHAPTER 16 Content Management Application CMA 280 DL 3 Digital Light User Manual...

Page 307: ...gement Application CMA DL 3 Digital Light User Manual 281 Mac OS X Viewing Server Configuration To access Server Configuration information for an individual server select the Configuration option unde...

Page 308: ...on options for the internal projector the lamp the menu display and motion features The six tabs are labeled Server Fixture Lamp Test Reset Hardware and I O Server Tab DMX Settings Configuration Item...

Page 309: ...cters IP Address Read only assigned to that unit by the router or Auto IP Unique Number Read only assigned by factory Disk Free Space Read only Configuration Item Configuration Value Options Software...

Page 310: ...tor menu to invert the projected image Off reverts to original orientation Lens Type Select currently installed lens from Standard Long Throw Ultra Long Throw or Wide Angle for DL 3 fixtures NOTE This...

Page 311: ...ure is turned more than 90 degrees vertically Display Level Off turns off display Touching any button turns it back on Bright full brightness level Preview displays currently selected content Display...

Page 312: ...anually turns projector lamp on Off manually turns projector lamp off Lamp On Mode Always On turns lamp on when the fixture is plugged in Manual turns lamp on only if the Lamp is set to On DMX turns l...

Page 313: ...iguration Value Options Video Pattern 1 displays graphic object with texture for the number of graphic layers you have defined 2 alternates between an alignment grid and a color calibration screen Pan...

Page 314: ...Read Only displays current hardware configuration Motherboard Video Adapter Hard Drive S Video Capture SDI Capture Configuration Item Configuration Value Options CPU Utilization Gauges display availa...

Page 315: ...Digital Light User Manual 289 Capture Projector Configuration Item Configuration Value Options DMX Value and Capture Device Displays configured capture devices at DMX values 1 8 Configuration Item Con...

Page 316: ...vary depending on the cards installed in this device SDI 2 inactive in DL 3F model Ext S Video Format inactive in DL 3F model NTSC_M NTSC_MJ PAL_B PAL_D PAL_GPAL_H PAL_I PAL_M PAL_N SECAM_B SECAM_D SE...

Page 317: ...MX Settings Server Info Configuration Item Configuration Value Options DMX Start Channel 1 512 DMX Source DMX512 or Art Net Art Net Subnet 0 16 Art Net Universe 0 16 DMX Protocol V1 V2 Sets graphic ob...

Page 318: ...ead only in MB Configuration Item Configuration Value Options Software Read only XPe Read only Firmware Read only Configuration Item Configuration Value Options Fixture Defaults On restores fixture de...

Page 319: ...op down lists are automatically populated by the Axon software for the specific display device attached Refresh Rates Color Configuration Item Configuration Value Options Output Device Read Only displ...

Page 320: ...d Video Adapter Hard Drive S Video Capture SDI Capture Configuration Item Configuration Value Options CPU Utilization Gauges display available resources remaining This can help with balancing addition...

Page 321: ...ab Signal Format Configuration Item Configuration Value Options SDI 1t Format options vary depending on the cards installed in this device SDI 2 Ext S Video Format NTSC_M NTSC_MJ PAL_B PAL_D PAL_GPAL_...

Page 322: ...fy this Axon on the Ethernet link required if you will be synchronizing output between fixtures Assign a valid Start Channel the first channel in the unique range of DMX channels designated by the con...

Page 323: ...n list in the option field and then select the number of Graphic Object layers for your application The Protocol you select is based on how many DMX channels are required for your application For more...

Page 324: ...CHAPTER 16 Content Management Application CMA 298 DL 3 Digital Light User Manual...

Page 325: ...hillips screwdriver Gloves Protective eyewear Mild glass cleaner containing no ammonia and a soft lint free cotton cloth Pan and Tilt Locking The DL 3 fixture is equipped with mechanical pan and tilt...

Page 326: ...ncerning the large format Error Warning filter message The following messages will give you information regarding the status of the DL 3 filter system Filter Missing Error A filter not present or is n...

Page 327: ...bezel assembly 3 Loosen the two captive phillips head screws on the top cover and remove the top cover 4 Slide the top cover back to free it from the front bezel Inspect the filters 5 Lift the prefilt...

Page 328: ...ates replace it with the part listed in Related Products and Accessories on page 4 Reassemble the Fixture 10 Reinstall the HEPA Filter with the rubber gasket down 11 Reattach the filter bracket with t...

Page 329: ...d Products and Accessories on page 4 10 Close the lamp cover and tighten the two lap cover screws 11 Reconnect to power The fixture will begin to home WARNING Allow the projector to cool for at least...

Page 330: ...nd remove it from the unit 4 Disconnect Zoom HD1 and the Focus HD2 plugs from the head logic board 5 Tilt and lock the head at 90 horizontal with the head logic card facing toward the fixture s yoke 6...

Page 331: ...om the projector 6 Fit the new lens to the projector Make sure that the lens is fully inserted to the projector to re engage the latch Adjusting the Iris Plate for the Accessory Long Zoom lens If you...

Page 332: ...r mounting holes to the holes on the projector mounting plate 6 Using a 5mm Allen Wrench reattach the 4 projector screws to the mounting plate NOTE Tighten screws once they are all in the projector 7...

Page 333: ...e to cool before handling 2 Loosen the 2 Phillips head screws on the top cover of the connector side of the box 3 Tilt the connector panel away from the box 4 Remove the fuse from the fuse holder 5 Re...

Page 334: ...he washers 5 Clean the front window using a mild glass cleaner containing no ammonia and a soft lint free cotton cloth 6 If the window needs replacement use the part specified in Related Products and...

Page 335: ...remove the addressing screws and star washers 4 Position new board against module aligning the center top standoff Place contact screw s in the appropriate position NOTE When installing a replacement...

Page 336: ...xture leaving the harness cabling attached 4 The driver board for pan functions and fans is located directly behind the display 5 After detaching all cabling pull board out and replace 6 Reattach cabl...

Page 337: ...olding down the second from the top and second from the bottom Tab Select buttons for more than two seconds opens the iris when the fixture software is not running to allow navigation for content upgr...

Page 338: ...rror Supported Error Warning Messages Issue Large Format Message Message Detail Notes Projector Temperature Status Info_Status tab only This message does not appear in large format PROJ STATUS COOLING...

Page 339: ...ture and then restrike the lamp Projector Temperature Warning PROJ TEMP WARN Projector is over recommended operating temperature USB port Communication Error USB INIT ERROR The PC failed to initialize...

Page 340: ...er ratings are shown on page 360 Check power cord wiring During certain movements the fixture motion slows missteps or loses position If you have loosened or tightened anything in the pan and tilt ass...

Page 341: ...Bottom Tab select buttons to restart computer see Menu Panel Components on page 23 If the screen is not backlit press the LCD power button see LCD Display Adjustment Buttons on page 24 Check the Video...

Page 342: ...IP The generation of IP addresses is handled just as IP addresses are handled for Window networks Is there a limit to the Ethernet cable run length from the fixtures to the CMA Ethernet Cat 5 limit i...

Page 343: ...ystem restore you will also need External USB CD drive for DL 3 and DL 2 fixtures only USB keyboard Optional USB mouse which may require the addition of a USB hub for DL 2 fixtures Performing the Syst...

Page 344: ...USB drive it will take between 3 5 minutes load During this time a number of small windows will appear and disappear Wait until you see a full screen menu titled Axon System Restore Menu or DL 2 Syst...

Page 345: ...Restoring the System DL 3 Digital Light User Manual 319 8 Allow the restore to run This will take between 10 30 minutes depending on the speed of your USB drive Status will be displayed throughout th...

Page 346: ...few minutes for the media server to reconfigure the upgrade is complete you may remove all your external USB devices NOTE If you encounter an error press the Return to Main Menu button and start the r...

Page 347: ...r a server on the DMX link depends on the number of Graphic Objects you select for your application For more detailed information on DMX Protocol please contact customer support at High End Systems NO...

Page 348: ...ffect 3 31 Keystone Y Ratio 59 Global Effect 3 Modifier 1 32 Framing Top Left X 60 Global Effect 3 Modifier 2 33 Framing Top Left Y 61 Global Effect 3 Modifier 3 34 Framing Top Right X 62 Global Effec...

Page 349: ...364 409 454 Effect 1 Modifier 3 95 140 185 230 275 320 365 410 455 Graphic Effect 2 96 141 186 231 276 321 366 411 456 Effect 2 Modifier 1 97 142 187 232 277 322 367 412 457 Effect 2 Modifier 2 98 143...

Page 350: ...Effect 2 Modifier 3 9 Keystone X Ratio 37 Global Effect 3 10 Keystone Y Ratio 38 Global Effect 3 Modifier 1 11 Framing Top Left X 39 Global Effect 3 Modifier 2 12 Framing Top Left Y 40 Global Effect 3...

Page 351: ...08 253 298 343 388 433 Effect 1 Modifier 3 74 119 164 209 254 299 344 389 434 Graphic Effect 2 75 120 165 210 255 300 345 390 435 Effect 2 Modifier 1 76 121 166 211 256 301 346 391 436 Effect 2 Modifi...

Page 352: ...Speed See Appendix B for conversion tables 0 255 0 100 0 0 Macro Reserved for future use 0 255 0 100 0 0 Control Function To prevent inadvertent triggering some Control Function op tions will not acti...

Page 353: ...ght arrow 197 200 Store menu selection 201 204 Projector Floor Orientation 205 208 Projector Ceiling Orientation 209 212 Projector Front Projection 213 216 Projector Rear Projection 217 220 Changing P...

Page 354: ...188 63 74 Auto Exposure Shutter Priority Shutter Speed 2 189 219 75 86 Auto Exposure Shutter Priority Shutter Speed 1 220 255 87 100 White Balance Mode Auto Balance 0 63 0 25 0 0 Indoor 64 95 26 38 Ou...

Page 355: ...od3 blue 6 RGB Swap to GBR Mod1 red Mod2 green Mod3 blue 7 RGB Swap to BRG Mod1 red Mod2 green Mod3 blue 8 Solarize 1 If color value DMX value invert color Mod1 red Mod2 green Mod3 blue 9 Solarize 2 I...

Page 356: ...2 green Mod3 blue 27 Transparent Color Coarse Select key color Mod1 red Mod2 green Mod3 blue 28 Transparent Color Invert Fine Select key color Mod1 red Mod2 green Mod3 blue 29 Transparent Color Invert...

Page 357: ...p effect Mod1 size speed Mod2 position and Mod3 raindrop rate 46 RGB Scale Mod1 scale red Mod2 scale green Mod3 scale blue Maximum of Mod1 Mod2 and Mod3 sets overall color range 47 Tiling on Mod1 x ax...

Page 358: ...distance Mod2 filter pass number Mod3 curve shape 81 Sharpen Mod1 sample distance Mod2 number of filter passes Mod3 sharpen scale 82 Flip Mod1 flip horizontally Mod2 flip vertically Mod3 not used 83...

Page 359: ...3 Scale color after alpha applied 100 Yxy Luminance Scaling Mod1 scale luminance default 64 Mod2 scale x default 128 Mod3 scale y default 128 101 Prerotation Translation Mod1 translate x Mod2 translat...

Page 360: ...ongitude angle Mod2 latitude angle Mod3 center latitude 142 Spherical Mapping Inside Mod1 longitude angle Mod2 latitude angle Mod3 center latitude 143 Mattes Mod1 Mode Mod2 Matte Select Mod3 texture s...

Page 361: ...ical mapping effect 142 Defaults to 0 otherwise 254 Pan and Scan Mod1 horizontal position Mod2 vertical position Mod3 Zoom 255 Global Effect Modifier 1 These Modifier parameters adjust the option sele...

Page 362: ...n 13 Horizontal doors closing 14 Horizontal doors closing from opposing sides 15 Vertical doors closing from outside in 16 Vertical wipe closing from inside out 17 Rectangular tiles closing from insid...

Page 363: ...side in 144 Vertical wipe closing from inside out 145 Rectangular tiles closing from inside out 1 146 Rectangular tiles closing from inside out 2 147 Vertical panels closing from outside in 1 148 Vert...

Page 364: ...x value to center 0 255 0 100 0 0 Keystone Y Top Right Moves top right corner y value to center 0 255 0 100 0 0 Keystone X Bottom Right Moves bottom right corner x value to center 0 255 0 100 0 0 Key...

Page 365: ...c 3 3 Perspective View Cartesian Coordinates Look at point center of universe 4 NA Look at point graphic 1 5 Look at point graphic 2 6 Look at point graphic 3 7 Orthogonal View Cartesian Coordinates L...

Page 366: ...ewpoint Z Position Zoom Maximum distance from origin in front of view target 0 0 32768 50 Center 32768 50 Maximum distance from origin behind view target 65535 100 Global Control Global Control A numb...

Page 367: ...bject 4 Displays the fifth effect if any applied to any defined Graphic Object 5 Displays the sixth effect if any applied to any defined Graphic Object 6 Displays the seventh effect if any applied to...

Page 368: ...h DL 3 and Axon only 255 Media File Media File Selection Media Folder Channel 0 254 0 0 No selection 0 0 First Media File 1 NA Additional Media Files 2 255 2 255 Video Capture Selection Media Folder C...

Page 369: ...t Frame with statistics 9 Reserved 10 255 3 100 Play Speed Normal Speed 0 0 128 50 Slow speeds from slowest toward normal 1 127 1 49 Normal Speed 128 50 Faster than Normal to Fastest 129 255 51 100 Gr...

Page 370: ...Object 8 reverse rotation 32 Sync to Object 9 reverse rotation 33 Sync to Graphic 4 movie time and Object 4 rotation 34 Sync to Graphic 5 movie time and Object 5 rotation 35 Sync to Graphic 6 movie t...

Page 371: ...1 reduces color detail Mod2 adjusts contrast 6 Color to Black White Mod1 fades color RGB 0 to B W 50 to white 100 Mod2 not used 7 Fire Gradient Mod1fades original to converted Mod2 not used reserved 8...

Page 372: ...or more about Visual Mode Modifier parameter functionality see Visual Mode on page 84 and Visual Mode Options on page 86 0 255 0 100 NA NA Visual Mode Modifier 2 0 255 0 100 Graphic Effect Mode 1 2 3...

Page 373: ...llow Mod2 green to cyan Mod3 blue to magenta 19 Edge Detect Color Mod1 horizontal size Mod2 vertical search size Mod3 comparison threshold 20 Edge Detect B W Mod1 horizontal size Mod2 vertical search...

Page 374: ...t Mod3 Edge detection sensitivity 38 Color DeConverge Mod1 Moves red up Mod2 Moves green down and right Mod3 Moves blue down and left 39 Horizontal Mirror Mod1 mirror center Mod2 and Mod3 not used 40...

Page 375: ...zifier Mod1 Horizontal distance Mod2 vertical distance Mod3 fuzz decay 57 Drop Shadow Mod1 horizontal shadow size Mod2 vertical shadow size Mod3 shadow opacity 58 Zoom Blur Mod1 horizontal position ce...

Page 376: ...mple distance Mod2 number of filter passes Mod3 sharpen scale 82 Flip Mod1 flip horizontally Mod2 flip vertically Mod3 not used 83 UV to Gray Mod1 U coordinate Mod2 V coordinate Mod3 Tolerance 84 UV t...

Page 377: ...ation Mod1 translate x Mod2 translate y Mod3 translate z 102 Digital Mspeed Mod1 rotation mspeed Mod2 scaling mspeed Mod3 position mspeed 103 Reserved Defaults to effect mode 0 104 252 Special value u...

Page 378: ...ntinuous rotation stop 16383 25 Rotates the object counterclockwise around Y axis in steps to 720 degrees absolute 16384 32767 26 49 0 rotation around Y axis 32768 50 Rotates the object clockwise arou...

Page 379: ...size along Z axis 1 10 0 0 32768 50 Increases object size along Z axis from minimum to actual size 1 32767 1 49 Actual size along Z axis 1 1 32768 50 Increases object size along Z axis from actual to...

Page 380: ...APPENDIX A DMX Protocol 354 DL 3 Digital Light User Manual...

Page 381: ...95 76 C3 15 07 194 76 C2 15 56 193 76 C1 16 06 192 75 C0 16 57 191 75 BF 17 09 190 75 BE 17 61 189 74 BD 18 14 188 74 BC 18 68 187 73 BB 19 23 186 73 BA 19 79 185 73 B9 20 36 184 72 B8 Time sec Value...

Page 382: ...33 54 118 73 83 33 53 120 12 82 32 52 121 5v 81 32 51 122 91 80 31 50 124 31 79 31 4F 125 73 78 31 4E 127 15 77 30 4D 128 58 76 30 4C 130 02 75 29 4B 134 39 72 28 48 135 86 71 28 47 137 34 70 27 46 13...

Page 383: ...100 or Animation Non Compressed best format NOTE The DL 3 and Axon media servers can also provide light optimizing as a visual effect see Content Optimization on page 86 3 Import Video master into Enc...

Page 384: ...this range will wrap to this range but the results are not predictable All polygons should be triangles When creating objects it can be easier to work with polygons that have more than three sides How...

Page 385: ...m x 690mm x 950mm 23 4in x 24 8in x 38 4in Weight 63 5 kg 140 lbs Road Case Dimensions 711mm x 737mm x 1168mm 28in x 29in x 46in Weight Fixture Roadcase 118kg 260 lbs 950 mm 37 4 in 191 mm 7 4 in 690...

Page 386: ...3 media servers may have a different hardware configuration Find the hardware configuration listed by serial number at the DL 3 support page of the High End System website www highend com support digi...

Page 387: ...non condensing Altitude 0 8850ft 0 2700m Camera Module Construction Super HAD CCD sensor technology Lens 18x Optical Zoom Horizontal view angle 48 2 8 Auto focus Range 29mm 800mm Picture Elements 380K...

Page 388: ...e XLR connectors Pin 1 Ground Pin 2 Data Pin 3 Data Pin 4 Secondary data Pin 5 Secondary data Terminator 5 pin male XLR connector with a 120 Ohm terminating resistor fitted between pins 2 and 3 positi...

Page 389: ...tter E or by the earth symbol or coloured green or green and yellow the core which is coloured blue must be connected to the terminal which is marked with the letter N or coloured black the core which...

Page 390: ...uer des r parations Cet quipement doit tre uniquement utilis dans des endroits secs Ne pas l exposer la pluie ou l humidit l int rieur de l quipement il n y a pas de pi ces rempla ables par l utilisat...

Page 391: ...oder vor Wartungsarbeiten stets den Netzstecker ziehen Diese Ger te sind nur zum Einbau in trockenen Lagen bestimmt und m ssen vor Regen und Feuchtigkeit gesch tzt werden Servicearbeiten sollten nur v...

Page 392: ...star servicio de reparaci n Este equipo esta disenado para usarce en lugares secos no lo exponga a la lluvia o humedad Derive el servicio de reparaci n de este equipo al personal calificado El interio...

Page 393: ...adatta Mantenere una distanza minima di 1 0 metri 3 28 piedi dagli oggetti accesi Questa apparecchiatura e da collegarsi ad un circuito con una protezione da sovraccarico massima di 20 ampere Vigtig...

Page 394: ...APPENDIX E Safety Information 368 DL 3 Digital Light User Manual...

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