Hammond A-162, Owner'S Manual

Page: 35 / 122

5 1 /
3
'
16' 8' 4'
2 2 /
3
'
2'
1 3 /
5
' 1 1 /
3
'
1'
5 1 /
3
'
16' 8' 4'
2 2 /
3
'
2'
1 3 /
5
' 1 1 /
3
'
1'
5
1
/
3
'
16' 8' 4'
2
2
/
3
'
2'
1
3
/
5
' 1
1
/
3
'
1'
8' 16'
35
Setting Up
Manual Drawbars

White Drawbars
In each Drawbar set, the fi rst white Drawbar (8´) plays in the
basic octave of the organ. Th
e other Drawbar pitches are fi g-
ured in reference to this pitch, up or down. Th e other white
Drawbars get higher by the octave to the right.

Black Drawbars

Brown Drawbars
PEDAL Drawbars
Th e sounds of the black Drawbars play important roles in
building rich tones. Th eir pitches are octave-fi fth and octave-
third to the fundamental. Th ey contain the elements of all dif-
ferent harmonics such as those in the sounds of strings, reeds,
brasses, etc.
Th e two brown Drawbars on the far left give depth and richness
to the sound. Th e left 16´ is one octave lower than the 8, and
5⅓ ´ is the third harmonic of the 16´ fundamental.
Th e PEDAL tones are controlled by the two PEDAL Drawbars
in the center, marked “16´” and “8.´”
Th
e fi rst PEDAL Drawbar produces a tone at 16´ pitch for a
deep foundation bass, while the second PEDAL Drawbar pro-
duces a tone at 8´ pitch, or one octave higher.
Th
e registration of the PEDAL part is displayed in the center of
the display, the left one is 16´, and the right is 8´.