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ARTURIA – ARP2600 V – USER’S MANUAL
If you wish to modify your curve, return to the editing screen to make changes. The modifica-
tion is directly taken into account as soon as you click on the edit screen. Nothing stops you
from creating several types of curves (freehand, curve, sinus, square, noise…) on a single line.
To do this just use the appropriate tool.
You can combine the four tracking lines for a single modulation input. For this, Connect the four
tracking generator outputs to the “voltage processor” 1, 2, 3 and 4 inputs.
Connect the 4 tracking generator outputs to the “voltage processor” inputs
Place the “link A/B” selector switch to the right to link the two lines of mix to the output of the
first.
Place the “link A/B” selector switch to the right
Of course, the more tracking lines you combine and send to the same destination, the more
difficult it becomes to master and hear.
7.4
Patch using the sequencer to create a melody
The ARP sequencer model 1601 was one of the most frequently used sequencers of its time (the
70’s). It was added to the ARP2600 V to increase the possibilities for creating melodies and sounds.
The next two examples show how to use the ARP sequencer to create a melody and a sequence of
modulation of a synthesis parameter.
For these 2 examples, return to the “bass1” preset. It presents the ideal sound for a melodic se-
quence or for applying a modulation sequence to the filter cut-off frequency.
So that your sequence is tuned by following the semi-tones, connect the “Quantized output A”
on the sequencer to the input oscillator1 key follow (“VCO1” > “CV KBD”).
The “CV input” is connected directly to the key follow which allows is to trigger a sequence
tuned to the note played. The sequencer will automatically start when you play a note.
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