5. Select the samples you wish to assign to the
waveform.
Press: F8 (Edit)
Select: samples 1 through 3
You will use all three of the samples which you
loaded in this waveform. Select them by entering
01 in the "From" column and a 03 in the "To"
column. (All of the samples used in a waveform
must have consecutive numbers.)
You can also change the name of the waveform
at this point by pressing F7 (Name).
6. Assign each sample to a range of keys.
Press: F8 (Smpl)
Assign: the keyboard range for each sample.
You will want to assign a different keyboard
range for each of the samples. The range you
choose will depend largely on the note bias of
the sample itself. For the purpose of this
example, we have assigned the sample
PianoLow to keys C#-2 through B1, PianoMid to
C2 through B4, and PianoHi to C5 through G8.
(When overlapping ranges are assigned, the
sample with the lower number is given priority.)
7. Edit the parameters for each sample.
Move: the cursor to a sample you wish to edit.
Press: F8 (Data)
Edit: the volume, pitch, loop type, and loop
mode for the sample.
You may wish to change the sample's volume,
fine tune its pitch, or alter its loop type and
mode. (Depending on the sample, altering the
loop mode can produce some interesting effects!)
To edit a different sample, press F7 (Asgn),
move the cursor to a different sample, and press
F8 (Data) once again.
8. Edit the voice.
This completes the assignment of tones to the
waveform. When you are satisfied with your
settings, press EXIT three or four times to return
to voice edit mode. Try changing the voice's
other parameters and adding effects to the
sound.
Other possibilities: The preceding example illus-
trated the preparation of a simple, one-element
voice, showing how several samples can be
assigned across the keyboard. This helps to
overcome the sample's note bias and account for
the changes in an instrument's tone which
accompany changes in pitch. You are of course
not limited to only three samples; a greater
number of samples will result in greater realism,
and may well be worth the effort.
You can use the same method to produced
split keyboards which feature the sounds of two
different instruments. Moreover, as with any of
the SY99's preset waveforms, combination with
additional AWM or AFM elements can produce
interesting and exciting sounds. By letting you
select the basic waveform ingredients and then
combine them with other digital elements and
effects, the SY99 brings you closer to
"customized sound" than ever before!
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Содержание SY99
Страница 1: ...YAMAHA MUSIC SYNTHESIZER ...
Страница 13: ...1 ...
Страница 31: ...Front panel right side This page explains the front panel features to the right of the LCD 20 ...
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Страница 94: ...VOICE PLAY MODE 83 ...
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Страница 101: ...VOICE PLAY MODE 90 ...
Страница 189: ...VOICE EDIT MODE 178 ...
Страница 195: ...MULTI PLAY MODE 184 ...
Страница 196: ...MULTI EDIT MODE MULTI EDIT MODE This section explains the details of all Multi Edit parameters 185 ...
Страница 207: ...MULTI EDIT MODE 196 ...
Страница 211: ...SONG MODE Song Setup job directory Song Name 01 Receive Event 02 MIDI Control 03 Accent Level 04 Clock Beat 200 ...
Страница 259: ...PATTERN MODE 248 ...
Страница 300: ...APPENDIX 289 ...
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Страница 314: ...APPENDIX Algorithm 13 Algorithm 14 Algorithm 15 Algorithm 16 Algorithm 17 Algorithm 18 Algorithm 19 Algorithm 20 303 ...
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Страница 317: ...APPENDIX Three carriers Algorithm 37 Algorithm 38 Algorithm 39 Algorithm 40 Algorithm 41 Algorithm 42 306 ...
Страница 318: ...APPENDIX Four carriers 307 ...
Страница 344: ...YAMAHA ...