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100 | TSAR-1 REVERB AND TSAR-1R REVERB
Reverb Parameters
Predelay
Sets the time between the dry signal and the reverb tail .
The early reflections (gray in the illustration) are not affected by the Predelay setting.
For a natural sound, there should not be a distinct gap between the initial echos (either from early reflec-
tions or from the dry signal) and the Predelay. Depending on the the character of the dry signal and the
Early Reflections Type, the Predelay should usually be set below 50 ms.
Predelay and Early Reflections
Since the early reflections are not affected by the Predelay and by themselves have an inherent and inde-
pendent delay, you need to tune the Predelay so that it match the length of the early reflections to get a
natural sound. For the largest early reflections type, a time of 40–80 ms can be useful. See the Early Reflec-
tions section for more info.
Predelay as an Effect
The Predelay is often used to achieve a rhythmic effect, such as a slap back echo on a snare drum, and then
with much longer times (about 80–250 ms). A shorter Reverb Time, with Diffusion and Density set to
LOW makes this echo more distinct.
frequency
time
frequency
time
Sparse High Density Low
Low Diffusion High Diffusion
Small Earlies Large Earlies
Earlies Mix: 75%
Long Reverb Time
Dark
Earlies Mix: 25%
0 ms 50 ms 200 ms Predelay
Short Medium
Bright
Neutral