82
If you want to use a fixed tempo in Performance mode
(Perform Tempo parameter setting), set the Clock Source
parameter (PERFORM/Common/Common) to PERFORM
and set the desired tempo.
If you want to use the sequencer’s tempo clock in
Performance mode, set the Clock Source parameter (PER-
FORM/Common/Common) to SEQUENCER.
...........................................................................................................
Level 1
Level 2
Level 3
Level 4
Adjust the volume of each delay sound.
Feedback (Feedback level) #
Adjust the proportion (%) of the processed sound that is fed
back into the effect. Negative (-) settings will invert the
phase.
HF Damp
Adjust the frequency above which sound fed back to the
effect will be cut. If you do not want to cut the high frequen-
cies of the feedback, set this parameter to BYPASS.
Balance (Effect balance) #
Adjust the volume balance between the direct sound and the
processed sound.
Level (Output level)
Adjust the output level.
21: TIME-CONTROL-DELAY
This effect allows you to use a specified controller (the con-
troller selected in EFX Control display) to control the delay
time and pitch in realtime. Lengthening the delay will lower
the pitch, and shortening it will raise the pitch.
Delay (Delay time) #
Adjust the time delay from the direct sound until when each
delay sound is heard.
Acceleration
This parameter adjusts the time over which the Delay Time
will change from the current setting to a newly specified set-
ting. The rate of change for the Delay Time directly affects
the rate of pitch change.
Feedback (Feedback level) #
Adjust the proportion (%) of the processed sound that is fed
back into the effect. Negative (-) settings will invert the
phase.
HF Damp
Adjust the frequency above which sound fed back to the
effect will be cut. If you do not want to cut the high frequen-
cies of the feedback, set this parameter to BYPASS.
Pan (Output pan)
Adjust the stereo location of the processed sound. L64 is far
left, 0 is center, and 63R is far right.
Low Gain
Adjust the gain of the low frequency range.
High Gain
Adjust the gain of the high frequency range.
Balance (Effect balance)
Adjust the volume balance between the direct sound and the
processed sound.
Level (Output level)
Adjust the output level.
22: 2VOICE-PITCH-SHIFTER
A Pitch Shifter shifts the pitch of the original sound. This 2-
voice pitch shifter has two pitch shifters, and can add two
pitch shifted sounds to the original sound.
Coarse A (Coarse pitch A) #
Adjust the pitch of Pitch Shift A in semitone steps (-2—+1
octaves).
Fine A (Fine pitch A)
Make fine adjustments to the pitch of Pitch Shift A in 2-cent
steps (-100—+100 cents).
✳
One cent is 1/100th of a semitone.
Pan A (Output pan A)
Adjust the stereo location of the Pitch Shift A sound. L64 is
far left, 0 is center, and 63R is far right.
Pre Delay A (Pre delay time A)
Adjust the time delay from when the direct sound begins
until the Pitch Shift A sound is heard.
Coarse B (Coarse pitch B) #
Adjust the pitch of Pitch Shift B in semitone steps (-2—+1
octaves).
Fine B (Fine pitch B)
Make fine adjustments to the pitch of Pitch Shift B in 2-cent
steps (-100—+100 cents).
L in
R in
L out
R out
2-Band
EQ
Balance W
Balance W
Balance D
Balance D
2-Band
EQ
Feedback
Time Control Delay
L in
R in
L out
R out
2Voice Pitch Shifter
Level Balance A
Balance W
Balance D
Balance W
Balance D
Level Balance B
PanB R
PanA L
PanA R
PanB L
Chapter 3. Creating your own sounds
Содержание XP-60
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