OPTIMOD 6300 DIGITAL
OPERATION
3-17
eral types of audio systems (not just on your studio monitors). Then, if you wish, cus-
tomize your sound using the information in the Protection Limiter, 2-band and 5-
band sections that follow.
Each factory preset has full
L
ESS
-M
ORE
capability. The table shows the presets, in-
cluding the source presets from which they were taken and the nominal
L
ESS
-M
ORE
setting of each preset. Some of the 5-band presets appear several times under dif-
ferent names because we felt that these presets were appropriate for more than
one format; these can be identified by a shared source preset name.
Important!
If you are dissatisfied with the sound available from the fac-
tory presets, please understand that each named preset is actually 19 pre-
sets that can be accessed via the
L
ESS
-M
ORE
control. Try using this control
to trade off the amount of dynamic range reduction against processing
artifacts and side effects. Once you have used
L
ESS
-M
ORE
, save your ed-
ited preset as a User Preset.
Do not be afraid to choose a preset other than the one named for your program-
ming if you believe this other preset has a more appropriate sound. Also, if you
want to fine-tune the frequency balance of the programming, feel free to use Basic
Modify and make small changes to the Bass, Mid EQ, and HF EQ controls. The 6300
lets you make changes in EQ (and stereo enhancement) without losing the ability to
use Less-More settings.
Of course,
L
ESS
-M
ORE
is still available for the unedited preset if you want
to go back to it. There is no way you can erase or otherwise damage the
Factory Presets. So, feel free to experiment.
If a preset has “2B” or “2BAND” in its name, it will activate the 2-band structure.
(The Protection presets are 2-band as well.) Other presets use the 5-band structure.
Protection and AGC Presets
LOOK-AHEAD LIMITER:
The
L
OOK
-A
HEAD
L
IMITER
preset is a 2-band preset that turns
off the stereo enhancer, AGC, equalizer, and 2-band compressor so that you can use
the processing as a fast look-ahead protection limiter.
This preset’s
L
ESS
-M
ORE
control is set to 1.0. With this setting, the threshold of the
look-ahead limiter is 18 dB above reference level. For most program material,
L
ESS
-
M
ORE
= 1.0 will produce no look-ahead limiter gain reduction.
This assumes that the 6300’s
AI
R
EF
and
DI
R
EF
controls have been ad-
justed to produce 10 dB of AGC Master Band gain reduction when the
R
OCK
-G
ENERAL
preset is active and the 6300’s inputs are driven by a 400
Hz tone at your facility’s reference level.
To produce look-ahead limiter gain reduction, turn up the
L
ESS
-M
ORE
control. Each
step of the
L
ESS
-M
ORE
control increases the drive level to the look-ahead limiter by
1 dB and increases the input/output gain by 1 dB for signals below the limiter
threshold. At
L
ESS
-M
ORE
=
10
, the processor’s gain below threshold has increased to
9 dB.
Содержание OPTIMOD 6300
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