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MIDIbox SEQ V4 Beginner's Guide
MIDIbox - http://wiki.midibox.org/
simultaneously, the earlier ones will drop out first. Hence, if you send five simultaneous notes in
different note layers, the first note layer will be ignored, and if you send a chord layer chord that's
more than four notes, only the last four notes of the chord will register.
The receiving arpeggiator track must be set to listen to the sending track's bus, and it has to have its
mode changed to 'Arpeggiator'. The track's mode is changed on the MODE page (MENU + MODE). In
addition, the MIDI configuration page (available e.g. on the Jam page, GPB7) must have the bus in
question set to the mode 'T&A'; naturally the other settings on the MIDI configuration page must allow
the incoming messages through (for details see section 4.1.1.).
Selecting the Arpeggiator mode changes the EDIT page layout. Each note layer now follows a notation
of two numbers with a minus or plus between them. The first number refers to the ordinal number of
the notes of the sending track's chords, and the second number refers to the octave transpose of the
note. The minus or plus in between denotes whether the given number of octaves is that much is up
or down. For example, if the controlling track is currently playing the chord Am with the notes A-2, C-3
and E-3 in it, occupying first, second and third note layers, and if the note entry for a step in the
(receiving) Arpeggiator track is “2+1”, it means this step will play the note in the second note layer of
the sending track's currently playing chord – C-3 – transposed up by one octave, so the final note
played by the Arpeggiator track for this step is C-4.
See also the options Hold and Sort in section 6.1.1.
6.1.5. Using a MIDI controller to control track transpose or arpeggio
In addition to controlling a track's transpose or arpeggio over a bus with another track, you can
control a track's transpose or arpeggio with a MIDI controller over a bus.
On the MIDI configuration page (see section 4.1.1.), you need to set up a T&A bus to let through the
messages you send on your MIDI controller, and then set the receiving track to listen to the bus your
MIDI controller is sending data on. Make sure that no track is sending data on the same bus (check
the port setting on each track's EVENT page). It will work in principle, but will likely lead to confusion.
For a transpose or arpeggiator track, you can use the Hold option on the MODE page to control
whether the track will remember the last note you played on the MIDI controller (set Hold to 'on'), or
whether the track will only play something when you press a key (set Hold to 'off'). The Hold setting
has no effect except in Transpose and Arpeggiator modes.
For an arpeggiator track, you can use the Sort option on the MODE page to sort the notes you play
into an ascending order. The Sort option has no effect except in Arpeggiator mode.
6.1.6. Sending internal CCs over a bus to control track settings
It is possible to send internal CC data over a bus to change a track's (or even the sequencer's)
settings. To effect this, there's three settings you need to make on the sending track. First, on the
sending track's EVENT page, select a CC parameter layer. Second, set the track's Port to send over