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Note that the moment you switch the port setting to a bus on a track's EVENT page, the track will stop
playing any synths directly, and can now do so only indirectly by controlling other tracks that have
their port setting pointing to a physical port. If you want to audition what you've entered into the
sending track before you have set up a receiving track, you have to adjust Port (and perhaps Chn.)
settings accordingly.
The receiving track has to be set to listen to a bus. This is done on the MODE page (MENU + MODE).
By default each track is listening to Bus1. A track can have three modes: Normal (default), Transpose,
and Arpeggiator (also, it can be set to 'off'). The mode is selected with GP buttons 2–5, and the
selected mode is surrounded with > < angle brackets. The bus which this track is listening to is set
with GPK8. The bus setting has no effect in Normal mode.
Transpose and Arpeggiator modes work differently, so each of them will have to be dealt with in turn.
6.1.3. Receiving track mode: Transposer
The sending track should send only a single note via a bus to the receiving track in Transpose mode.
If several notes are sent, only the last one will register (the last note of the chord or the last note
layer of many simultaneous note layers). The receiving track's notes will gets transposed relative to
the received note. This means that if the sending track is controlling two tracks over the same bus,
and the first receiving track has just C-3 notes in it, and the second receiving track has only E-3 notes
in it, changing the sending track's note from C-2 to C#2 will transpose the receiving tracks' notes half
a step upwards – from C-3 to C#3 on the first track, and from E-3 to D-3 on the second track.
The receiving transpose track must be set to listen to the sending track's bus, and it has to have its
mode changed to 'Transpose'. The track's mode is changed on the MODE page (MENU + MODE). In
addition, the MIDI configuration page (available e.g. on the Jam page, GPB7) must have the bus in
question set to the mode 'T&A'; naturally the other settings on the MIDI configuration page must allow
the incoming messages through (for details see section 4.1.1.).
If there's no data on the sending track, the receiving Transpose track will simply play its contents as
they are. If there are (subsequent, not simultaneous) notes on the sending track, they will control the
receiving track's transpose. If the sending track's notes are erased after some playback, the receiving
track will remember the note it received last, and will be controlled by the last played note until a new
note is played. In a case like this you can revert back to the receiving track's own data on the Jam
page's MIDI configuration settings: press 'Reset Stacks' to reset all note stacks.
See also the MODE page option Hold in section 6.1.1.
6.1.4. Receiving track mode: Arpeggiator
Unlike transposer tracks, an arpeggiator track accepts chord data, though also single notes will work
in principle. Chords of up to four notes can be sent, either as chord parameter layer data or as
simulatenous note layer data. Regardless of whether the input is in chord or note layers, the
arpeggiator takes the last four played notes as input. If you play more than four chords