Select from Low Pass and Band Pass options. The ‘low pass’ filters out higher frequencies whereas the ‘
band pass’ allows frequencies within a certain range to pass and rejects (attenuates) frequencies above
and below that range.
Filter Type
Sets the reference frequency of the above filter. For the Low Pass option this sets the frequency above
which sound get attenuated. For the Band Pass, this defines the center of the frequency region allowed
to pass through the filter.
Frequency
This adds emphasis to the filter cut-off frequencies.
Resonance
Determines the range that the filter cut-off increases/decreases due to note velocity. Higher values
create a more pronounced wah-wah effect.
Dyn Sensitivity (Dyn options only)
Determines the speed of the wah-wah envelope decay. Lower values create faster/snappier filter decay
times whereas higher values create a slower/smoother response.
Decay (Dyn options only)
With the “LFO” wah-wah option selected, the “Dyn Sensitivity” dial is replaced with an LFO Rate parame
-
ter. Instead of velocity triggering the wah-wah effect, a low frequency oscillator (LFO) controls a
sustained modulation of the filter, creating an auto-wah effect which is time sync’d to the value set for
the LFO Rate parameter.
Available values are: 8 bar, 4 bar, 2 bar, 1 bar, 2d, 1/1t, 1/2, 1/4d, 1/2t, 1/4, 1/8d, 1/4t, 1/8. (Note: “d” =
dotted values; “t” = triplet values). All rates are relative to the Preset BPM tempo (as set on the Zone Edit
/ Common page).
LFO Rate (LFO option only)
With the “LFO” wah-wah option selected, the “Decay” dial is replaced with an LFO Depth parameter
which controls the range of filter modulation. Lower values create a subtler wah-wah effect whereas
higher values create a more pronounced effect.
LFO Depth (LFO option only)
The Delay/Tremolo section offers separate delay and tremolo effects. Only one of these effects can be
used at a time, so you must designate one or the other by way of the “Type” selector.
Dly/Trm (Delay/Tremolo)
Chapter 3.
Sound Mode
