125
Style Play operating mode
Effects: A/B FX Configuration
Re
fe
rence
How to use the Quarter Tone function with a
footswitch, EC5 switch or Assignable Switch
You can assign the “Quarter Tone” function to a footswitch, a
Korg EC5 switch, or an Assignable Switch, to program a custom
scale in realtime, for example to allow for those sudden scale
change typical of Arabic music. These changes are not saved any-
where, so the scale is easily “wiped-out” when selecting a differ-
ent Performance or STS, or when pressing the Quarter Tone
pedal again.
Note:
While in Style Play mode, you can create a custom scale, to
be assigned to a Performance or STS, simply by selecting and edit-
ing a User scale, and saving any change to a Performance or STS.
See “How to create a custom scale by fine-tuning each note of the
User scale” above.
While in Global mode, you can create a custom scale and save it to
one of the four SC Presets, and recall it by touching one of the SC
Preset buttons in the display. Then, you can start your realtime
scale editing from the selected preset. See “How to use the Quarter
Tone function with the SC Presets” above.
1.
Program a footswitch, one of the EC5 pedals, or an Assign-
able Switch, to be the Quarter Tone switch.
Simply go to the Global mode, and reach the “Controllers:
Pedal/Switch” or “Controllers: EC5” page. There, you will
find the “Pedal/Footswitch” and “EC5-A…E” parameters,
to which you can assign the Quarter Tone function.
While still in Global mode, select the Write Global-Global
Setup command from the page menu, to save these settings
to the Global (see “Write Global - Global Setup dialog box”
on page 220).
2.
Lower some note pitches.
Keep the Quarter Tone pedal pressed. The keyboard will
not play at this time. Press the notes you want to lower a
quarter tone. Release the pedal.
3.
Play with your new scale.
Notes you pressed on step 2 are now lowered of a quarter
tone.
4.
Reset the original scale.
Press and release the Quarter Tone pedal again, without
playing any note. All pitches will be reset, and the scale
selected by the Performance, STS will be recalled.
Effects: A/B FX Configuration
This page allows you to select the A (Style and Pads) and B (Key-
board) groups of effects. Please use the “FX A” and “FX B” side
tabs to switch from one group to the other one.
FX Groups: FX A and FX B
Pa3X includes two groups of effects (FX A and FX B). In Style
Play mode, the A group is reserved to the Style and Pad tracks,
the B group to the Realtime (Keyboard) tracks.
While there are virtually six FXs for group A, and four FXs for
group B, they cannot be all active at the same time (as you can
see in the following table). The maximum number of active FXs
is five FXs for the Style tracks, and three FXs for the Keyboard
tracks:
• Group A (Style) can include either three Insert FXs and two
Master FXs, or two Insert FXs and three Master FXs.
• Group B (Keyboard) can include either one Insert FXs and two
Master FXs, or no Insert FXs and three Master FXs.
If you need one more effect of a kind, please turn off the last one
of the effects of the other kind.
Double size FXs
You can assign “double size” effects to the Insert FX 1 of the A
group, or to the Master FX 2 of the A or B groups. This kind of
effect takes two FX processing units, so the following FX proces-
sor becomes unavailable.
To check for double size effects, see the list of the available effects
in the “Advanced Edit” manual in the Accessory Disk.
Vocoder
You can assign a Vocoder effect to the Master FX 2 of the B
group. When the Vocoder effect is selected, the MIC input signal
goes to the Vocoder and the Voice Processor is deactivated.
FX A (Style/Pad)
FXB (Keyboard)
IFX 1
IFX 2
IFX 3
MFX 1
MFX 2
–
IFX 1
MFX 1
MFX 2
–
IFX 1
IFX 2
–
MFX 1
MFX 2
MFX 3
–
MFX 1
MFX 2
MFX 3
FX group
Содержание Pa3X 61-keys
Страница 1: ...User s Manual ENGLISH OS Ver 1 1 MAN0010038 4 E ...
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Страница 10: ...6 Overview Overview Pa3X 76 keys Pa3X 61 keys ...
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