TM
User Manual
Page
115
down the sample rate to 44,056 if you feed in timecode at 29.97. If, however, you change the NTSC field to 29.97,
MFX3 will play at 44,100 at 29.97 frames per second, and will pull up to a sample rate of 44,144 when timecode
runs at 30 frames per second.
It is advisable to choose a sample rate at which you want to make the final transfer of the project. Then record your
material at whichever frame rate is going to be used during that final transfer. The importance of this choice is that
you do not want to compromise the quality of your final product by using sample rate conversion at the moment it
leaves the Prodigy Editor for the last time. You should make these choices at the very beginning of the project, and
then you may use any other combination that suits your purposes temporarily during the recording and editing
process.
Control of Sony Machines
Sony machines are those conforming to the Sony 9-pin transport protocol. The Prodigy Editor can either control
one of these machines, which should be connected to 9-pin Port A or B.
It is best if that machine is being referenced by the same house sync signal as the Prodigy Editor (normally video).
If this is not possible, the Prodigy Editor and the Sony machine are essentially free-wheeling, and the Prodigy
Editor will relocate if a relative drift of more than one frame occurs. This will cause a dropout in the audio.
Conflict of Sync
If the Prodigy Editor is being told to synchronise to one of its digital inputs (see Digi Menu), and also being told to
chase LTC, there is a natural conflict. If ever this condition arises, the Prodigy Editor will issue an error message.
Compatibility with MFX2 and MFX3
Any project created under MFX2 or MFX3 can be loaded into the Prodigy Editor, where it will be converted to a
project with full MFX3
plus
facilities.
Backward compatibility is not possible.
Содержание Prodigy
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