AJA KONA 3G, Инструкция по установке и эксплуатации

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Output
Use QuickTime Timecode—when checked, this directs KONA to output timecode from the
QuickTime timecode track. When not checked, KONA uses the Output Timecode Offset
value plus the number of frames into the movie.
Note: not all QuickTime applications use or support timecode tracks, so sometimes the
QuickTime timecode is missing or not meaningful.
Output Timecode Offset (entry field and FPS pull-down)—this text entry field allows you to
specify a timecode offset for use with Final Cut Pro (or any other application that has
timecode offsets that are user-controlled). In FCP, go to “Timeline Options” and locate the
“Starting Timecode” value. Use that same value here as the “Output Timecode Offset” to
ensure the timecode is synchronized.
Timecode Burn-in —this pulldown selects whether the timecode value is
“burned-in” on video output from KONA 3G. If set to “OFF”, timecode
will not be keyed over the video. If set to “timecode”, then the
timecode value will be keyed over the output video. This can be useful
for synchronizing, choosing edit points, dailies, and many other
purposes.
Note:
SMPTE RP 188/SMPTE 12M-2 defines a standard for the transmission of time code and
control code in the ancillary data space of a digital television data stream. Time code
information is transmitted in the ancillary data space as defined in ANSI/SMPTE 291M.
Multiple codes can be transmitted within a single digital video data stream. Other time
information, such as real time clock, DTTR tape timer information, and other user-defined
information, may also be carried in the ancillary time code packet instead of time code.
The actual information transmitted through the interface is identified by the coding of a
distributed binary bit. Equipment manufacturers can use the meta data for different
purposes.