AJA KONA 3G, Инструкция по установке и эксплуатации

Страница: 29 / 145

1
21
KONA 3G Installation and Operation Manual — Workflow General Notes
KONA 3G Workflow for 2K Compared to Traditional 2K Workflow
Shoot 35mm Film
Use Flex Files to
create
Cinema Tools
Database;
Use Batch List
to Digitize
EDL generated for full
video resolution on-line
Cut Lists used to select
film for scanning
Time to Scan:
Days or weeks
Scanned film
results in DPX
or Cineon files
which can be given
to Visual Effects
or Color Grading
Use AJA DPXToQT
Translator application
to convert pre-existing
DPX or Cineon files
from scanners
in order to generate
2K QuickTIme
Reference Movies
then use Kona 3
for HD and SD
video output.
Telecine
to Tape
OR
Time to Digitize: Hours or days
Footage is at offline resolution;
Media is not at
2K resolution Critical monitoring
for focus and
FX work is not optimal.
2K SD
HD
2K
KONA 3G 2K PATH TYPICAL 2K PATH
Shoot 35mm Film
Telecine
to
Kona 3G
via HSDL
or 3G SDI
Simultaneous DPX
and
Quicktime
Reference Movies
are created during
telecine
Time to digitize: 0 hours
Footage is at 2K resolution;
Critical monitoring of focus
and FX work may be
started. Offline media for
editorial may be created at
lower resolution
FCP Media Manager
allows offline media
to be replaced with
2K media; FCP 2K
project may be sent
to Motion or Shake
for FX. Kona 3 allows
2K media playback
along with1080P HD
and 525i 29.97 SD
simultaneous
video output
Time to Scan:
0 hours
*Files already in
2K format
if from Kona 3
telecine
Potential benefits of
workflow:
*Time, labor and tape costs
minimized
*2K media available
at the beginning
of the process for
screening or sharing
with FX
department, etc.
*HD, SD, HSDL,
and 3G SDI output
flexibility
vs.
vs.
vs.